Eh...
I haven't read many Koontz books, but so far from what I've read they've not been as good as I thought they would be. First I read the Taking, which I'll admit was interesting, but seemed to stall half way through. Next I read the Husband, which I liked a lot. I tried to read "In the Light of the Moon" after that, but found that after about 70 pages I was bored out of my mind, and I just couldn't find the spirit to finish it (And usually I don't mind boring reads). So after quitting that book I decided to give one of his older books a try. I heard great praise for this one, people called it his best. So naturally when I saw it for a dollar at a garage sale I picked it up. The first 200 pages were awesome. They told the tragic story of Lauras life, the characters were vivid and believable, and they were mysterious, you wanted to read on, you wanted to find out why the "angel" had picked Laura in the first place (BY THE WAY, SPOILER'S AHEAD!!!!!!!!)When Koontz described Lauras father you knew he was a kind loving man, when he wrote of the orphanage and the eel you were disgusted, you grew attached to the character. The height of the goodness of the book was when Laura married the awkward Danny, you could really sense love there, it was smart and clever. (AGAIN, SPOILERS!!!!) But when Danny died it all went down hill from there. Perhaps by the 250th page the book is nothing but shoot-outs and complicated time travel jargon from there on. As soon as Danny dies, Koontz seems to take the heart and wonder out of the story, turning it into nothing more but a shoot-out piece of fiction. And the secret to Laura and her importance with Stefan? Absolutely nothing, It turns out that Stefan is just a time traveler (from Nazi Germany of all places)who, when jaunted back in time, encountered Laura signing her books in a store, and fell in love. That was probably the biggest upset of the book itself, how Laura had no destiny (Unless you count as helping kill the nazis as destiny, which Stefan did the most of anyways.) In the first could hundred pages you feel like she's mystic, important in the future of the world, but really she wasn't. After the 200 pages it all turns into a big overwinded bore-fest, and I never thought a shoot out could be boring, but Koontz makes it that way. What I've found with the other books by him which I've read (which isn't enough to givve up on him entirely) is that he can very easily get bogged down in the details, instead of keeping it simple, he tells everything, the type of plants at the sight, the temperature, everything (By the end of this book I was so tired of hearing about plants and the desert). Instead of concentrating on the story alone, Koontz seems to try and squeeze every little detail out of everything, in the end the action is very minimal, but is described in way to much detail. The thoughtfullness and care for the characters were totally abandoned after the infamous apex of the book. Characters that I used to like seemed cardboard to me. The whole time travel thing seemed worn out, and the loopwholes in his explanation of it were huge (That of course is common in all time travel literature, but was ridiculous in this particular case). But there were good things about the book, besides the first two hundred pages (after the overblown action sequence occupying most of the middle) the rest of the book wasn't terrible. The last thirty pages are okay, the ending is a happy one.
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