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| List of figures | ||
| Acknowledgements | ||
| 1 | Introduction: Ideological fantasy in reverse projection | 1 |
| 2 | Like a film: Reopening the case of the missing penis with Rainer, Silverman and Torok | 25 |
| 3 | Photo-Medusa: Roland Barthes Incorporated | 65 |
| 4 | Dirty stills: Arcadian retrospection, cinematic hieroglyphs, and blackness run riot in Olivier's Othello | 101 |
| 5 | Dirtier still? Wistful gazing and homographic hieroglyphs in Jarman's Caravaggio | 124 |
| 6 | What's happening? Lyotard writes art | 175 |
| 7 | Allegorizing 'Content': Metaphysical contradictions in the Harrisons' Lagoon Cycle | 207 |
| 8 | On the line | 237 |
| Bibliography | 240 | |
| Index | 256 |
Overview
Like a Film investigates how the cinematic apparatus has invaded the theory of culture, suggesting that the many destabilising traumas of our culture remain accessible to us because they are structured so much like film. The book analyses the impact of cinematic perceptions and ...