The Lion and the Mouse

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Overview

In award-winning artist Jerry Pinkney's wordless adaptation of one of Aesop's most beloved fables, an unlikely pair learn that no act of kindness is ever wasted. After a ferocious lion spares a cowering mouse that he'd planned to eat, the mouse later comes to his rescue, freeing him from a poacher's trap. With vivid depictions of the landscape of the African Serengeti and expressively-drawn characters, Pinkney makes this a truly special retelling, and his stunning pictures speak volumes.

2010 Caldecott Medal winner
2009 Parents' Choice Gold Award winner

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Overview

In award-winning artist Jerry Pinkney's wordless adaptation of one of Aesop's most beloved fables, an unlikely pair learn that no act of kindness is ever wasted. After a ferocious lion spares a cowering mouse that he'd planned to eat, the mouse later comes to his rescue, freeing him from a poacher's trap. With vivid depictions of the landscape of the African Serengeti and expressively-drawn characters, Pinkney makes this a truly special retelling, and his stunning pictures speak volumes.

2010 Caldecott Medal winner
2009 Parents' Choice Gold Award winner

Editorial Reviews

From Barnes & Noble
Sometimes acts of kindness require no words at all. Jerry Pinkney's Lion & the Mouse gracefully proves that point by wordlessly retelling Aesop's timeless fable about an odd animal couple who built a friendship. A most valuable playgroup lesson for kind hearts.
Kristi Jemtegaard
…[a] beautiful new rendition of…Aesop's fable…Readers unfamiliar with the tale will easily understand it from the carefully sequenced images; those who have already encountered it will experience it anew.
—The Washington Post
Roger Sutton
The art of Jerry Pinkney's new picture book is commanding enough to do without the author's name or even the title on the front cover…Winner of five Caldecott Honors, Pinkney has always seemed happier drawing animals than people. Look, in his 2007 retelling, at his studied Little Red Riding Hood next to his lively Wolf. His beasts are not humans in disguise; while both the lion and the mouse have emotions and intelligence in their eyes, they are animal in nature. We don't know why the lion lets the mouse go free or why the mouse nibbles the lion out of the net planted by the men (poachers? wardens?) from the jeep. But it's actions in this case that count. That's the moral of the story.
—The New York Times
Publishers Weekly
Other than some squeaks, hoots and one enormous roar, Pinkney's (Little Red Riding Hood) interpretation of Aesop's fable is wordless—as is its striking cover, which features only a head-on portrait of the lion's face. Mottled, tawny illustrations show a mouse unwittingly taking refuge on a lion's back as it scurries away from an owl. The large beast grabs and then releases the tiny creature, who later frees the lion who has become tangled in a hunter's snare. Pinkney enriches this classic tale of friendship with another universal theme—family—affectingly illustrated in several scenes as well as in the back endpapers, which show the lion walking with his mate and cubs as the mouse and her brood ride on his back. Pinkney's artist's note explains that he set the book in Africa's Serengeti, “with its wide horizon and abundant wildlife so awesome yet fragile—not unlike the two sides of each of the heroes.” Additional African species grace splendid panoramas that balance the many finely detailed, closeup images of the protagonists. Pinkney has no need for words; his art speaks eloquently for itself. Ages 3–6. (Sept.)
Children's Literature
Here, Pinkney is audacious, courageous, or simply imaginative enough to retell the classic Aesop fable without text. Very few natural sound effects like the hoot of an owl, the scratching of the mouse's teeth as it chews the ropes and the "RRRRRROAARRRR" of the captured lion are all that are necessary. His animated renderings of the African animals along with the two hunters draw us immediately into the familiar story. Even the paper jacket is textless; the title is only on the spine. The front of the book's actual cover introduces the two main characters in portraits, with only "&" in between and the name of the illustrator. The back of the cover and the front end pages offer different pictures of the lion amid the other animals. The rear end pages visualize the happy ending with the lion family strolling along and the mouse family riding on the lion's back. The illustrations range from double-page spreads to framed or unframed images on single pages. They vary in size but not intensity. The close-up of the lion in the trap is almost a psychological study. As a master of the media, Pinkney handles pencil and transparent watercolors with added colored pencils to create naturalistic characters while avoiding the strictures of photorealism. This is a stunning tour de force. A note from Pinkney discusses his relation to the story and his reasons for this version. Reviewer: Ken Marantz and Sylvia Marantz
School Library Journal
PreS-Gr 3—This story starts on the cover with the glorious, golden countenance of a lion. No text is necessary to communicate the title: the direction of the beast's gaze and the conflicted expression on his tightly cropped face compel readers to turn the book over, where a mouse, almost filling the vertical space, glances back. The endpapers and artist's note place these creatures among the animal families of the African Serengeti. Each spread contributes something new in this nearly wordless narrative, including the title opening, on which the watchful rodent pauses, resting in one of the large footprints that marches across the gutter. In some scenes, Pinkney's luminous art, rendered in watercolor and colored pencil, suggests a natural harmony, as when the cool blues of the sky are mirrored in the rocks and acacia tree. In other compositions, a cream-colored background focuses attention on the exquisitely detailed and nuanced forms of the two main characters. Varied perspectives and the judicious use of panels create interest and indicate time. Sounds are used sparingly and purposefully—an owl's hoot to hint at offstage danger or an anguished roar to alert the mouse of the lion's entrapment. Contrast this version with Pinkney's traditional treatment of the same story (complete with moral) in Aesop's Fables (North-South, 2000). The ambiguity that results from the lack of words in this version allows for a slower, subtle, and ultimately more satisfying read. Moments of humor and affection complement the drama. A classic tale from a consummate artist.—Wendy Lukehart, Washington DC Public Library
Kirkus Reviews
A nearly wordless exploration of Aesop's fable of symbiotic mercy that is nothing short of masterful. A mouse, narrowly escaping an owl at dawn, skitters up what prove to be a male lion's tail and back. Lion releases Mouse in a moment of bemused gentility and-when subsequently ensnared in a poacher's rope trap-reaps the benefit thereof. Pinkney successfully blends anthropomorphism and realism, depicting Lion's massive paws and Mouse's pink inner ears along with expressions encompassing the quizzical, hapless and nearly smiling. He plays, too, with perspective, alternating foreground views of Mouse amid tall grasses with layered panoramas of the Serengeti plain and its multitudinous wildlife. Mouse, befitting her courage, is often depicted heroically large relative to Lion. Spreads in watercolor and pencil employ a palette of glowing amber, mouse-brown and blue-green. Artist-rendered display type ranges from a protracted "RRROAARRRRRRRRR" to nine petite squeaks from as many mouselings. If the five cubs in the back endpapers are a surprise, the mouse family of ten, perched on the ridge of father lion's back, is sheer delight. Unimpeachable. (author's note) (Picture book. 3-6)
School Library Journal
K-Gr 5—This wordless iconographic rendering of Jerry Pinkney's Caldecott winner (Little, Brown, 2009) is filled with action, suspense, and song. Filmed in South Africa, the film features the animal sounds of the Serengeti and riveting Zulu music. The popular fable of a lion's merciful decision to release a defenseless mother mouse, only to later be saved by her, offers several messages for youngsters. Pinkney's lush, expressive watercolor and colored-pencil illustrations are even more effective in this medium; static images scan across the screen as the camera zooms in and out, lingering on dramatic close-ups which enable viewers to notice details such as the unknowing mouse standing in the lion's paw prints and the beast's shock and terror at being trapped. An interview with Pinkney in his studio includes childhood photos, an account of his early life and career, as well as an explanation of the evolution and creation of this wordless picture book. There is also an interview with composer/musician Sazi Dlamini in the South African sound studio where he translates the song, expounding on idiomatic expressions and African instruments such as the kalimba. The illustrator's intention, that "the art suggest the text," is not only realized, but viewers are naturally moved to narrate the action as they watch. As a follow-up activity, students can write or role-play the conversation between the two protagonists. Use with units on fables, Africa, or endangered animals.—Barbara Auerbach, PS 217, Brooklyn, NY
Children's Literature
A wordless rendition on DVD of an Aesop's fable about a lion and a mouse, Jerry Pinkney's drawings are masterful and the music breaths as much life and as much emotion as possible for music to do. The story is simple enough so you don't necessarily need the words. The lion spares the life of a little mouse and in return when the lion is caught in a net, the mouse chews the ropes and releases the lion. However, for a young child, sitting and watching this story unfold on DVD is a different experience and preparation than when there is a book in hand and someone helping explore the story. This DVD would best be used to assist a group of children learning to explore the world without words. It is more of a teaching tool than something you would put on to enjoy with your child; the actual book would be the better alternative. Also, the DVD is a little misleading as there are no subtitles as listed in the main menu. The interviews with the author and the musician are interesting, and an activities guide is included on the inside label. Reviewer: Loretta Caravette
School Library Journal
K-Gr 5—This wordless iconographic rendering of Jerry Pinkney's Caldecott winner (Little, Brown, 2009) is filled with action, suspense, and song. Filmed in South Africa, the film features the animal sounds of the Serengeti and riveting Zulu music. The popular fable of a lion's merciful decision to release a defenseless mother mouse, only to later be saved by her, offers several messages for youngsters. Pinkney's lush, expressive watercolor and colored-pencil illustrations are even more effective in this medium; static images scan across the screen as the camera zooms in and out, lingering on dramatic close-ups which enable viewers to notice details such as the unknowing mouse standing in the lion's paw prints and the beast's shock and terror at being trapped. An interview with Pinkney in his studio includes childhood photos, an account of his early life and career, as well as an explanation of the evolution and creation of this wordless picture book. There is also an interview with composer/musician Sazi Dlamini in the South African sound studio where he translates the song, expounding on idiomatic expressions and African instruments such as the kalimba. The illustrator's intention, that "the art suggest the text," is not only realized, but viewers are naturally moved to narrate the action as they watch. As a follow-up activity, students can write or role-play the conversation between the two protagonists. Use with units on fables, Africa, or endangered animals.—Barbara Auerbach, PS 217, Brooklyn, NY
The Barnes & Noble Review
The award-winning illustrator Jerry Pinkney exceeds all expectations with this almost wordless retelling of Aesop's fable about a mouse who repays a lion's mercy by gnawing the fibers of a snare that entraps him. Pinkney sets this timeless tale in the African Serengeti, populating the pages with the flora and fauna of the region. This unique ecosystem -- joining marshland with plains -- seem to glow with gold and green, for Pinkney's watercolors are infused with translucent light. His extensive research into the Serengeti is apparent without being overwhelming, bringing to life details from tiny ants to a camouflaged amphibians resting in the native grasses. A panorama of African animals -- lion lounging front and center -- immediately set the scene in the front endpapers, while the title page displays the other featured player, the mouse, whose miniscule size is emphasized as it perches in the dried mud of the lion's paw print. Pinkney's page-turns have a cinematic quality: we first view the landscape from behind the mouse from her point-of-view, low to the ground as the sun rises on the plains. Frightened by a hunting owl, she leaps beyond the frame into further danger, disturbing the lion at rest. The only words that interrupt this purely visual storytelling are hand-lettered animal sounds so that the readers can squeak, shriek and roar along with the animals. The result should delight all ages -- even the youngest can glean that the tiniest among us can be of service, that no act of kindness is wasted and that small acts have large repercussions. An exquisite detail that should not be missed: if one peeks behind the dust jacket there a bonus painting on the back cover -- an homage to Edward Hicks's Peaceable Kingdom recast with the animals of the Serengeti. --Lisa Von Drasek

Product Details

  • ISBN-13: 9780316013567
  • Publisher: Little, Brown Books for Young Readers
  • Publication date: 9/1/2009
  • Pages: 40
  • Sales rank: 18,105
  • Age range: 3 - 5 Years
  • Product dimensions: 11.20 (w) x 9.70 (h) x 0.50 (d)

Meet the Author

Jerry Pinkney is one of children's literature's most time-honored artists. He has been illustrating children's books for over 40 years and has more than 75 books to his credit. He has the rare distinction of being the recipient of five Caldecott Honor books. He has also won the Coretta Scott King Award five times, the Coretta Scott King Honor three times, and was nominated for the prestigious international Hans Christian Anderson Award.

Customer Reviews

Average Rating 4
( 74 )

Rating Distribution

5 Star

(35)

4 Star

(11)

3 Star

(13)

2 Star

(11)

1 Star

(4)

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See All Sort by: Showing 1 – 20 of 74 Customer Reviews
  • Posted March 2, 2010

    Amazing artwork

    Although the art is truly amazing, for first time readers it is difficult to determine how the story should be. At times it is difficult to see the mouse, making it difficult to keep the story going. I have five children, only one appreciated the art as much as I did, the others would have liked to enjoy the actual story.

    4 out of 4 people found this review helpful.

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  • Posted August 3, 2009

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    Beautiful

    Jerry Pinkney is one of the most cherished children's book illustrators of all time. Having received four NY Times Best Illustrator Awards, nominated for the Hans Christian Andersen Award, he is a five-time recipient of the Caldecott Honor and the Coretta Scott King Award. He resides in New York with his wife.
    In this wordless adaptation of a classic Aesop fable, The Lion & The Mouse shows this unlikely pair of friends and how no good deed of kindness is ever wasted.
    We all know the tale of The Lion & The Mouse, but seeing this story told through illustration only, with no text, puts a unique and creative spin on an old classic. It allows children to tell their own version and engages conversation. As always, Jerry Pinkney delivers a stunning and beautifully illustrated story. Highly recommended!

    Kelly Moran,
    Author and Reviewer

    2 out of 2 people found this review helpful.

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  • Posted March 16, 2010

    Absolutely Beautiful!

    I love this classic tale redone in theis book. Not too much, not too little. The illustrations are just beautiful.

    1 out of 1 people found this review helpful.

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  • Posted March 15, 2010

    The Lion and the Mouse by Jerry Pinkney

    A absolutely gorgeous rendition of the fable, The Lion and the Mouse. The illustrations are so outstanding -the book does not need words!!! A must purchase for collections!

    1 out of 1 people found this review helpful.

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  • Posted February 20, 2010

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    Wordless but breathtaking

    Jerry Pinkney is one of my favorite illustrators, and this book is one of his finest, in my opinion. The watercolors bring this Aesop's tale to life without a single word of print! Wordless books are made to be shared and discussed, so I bought this to add to my collection of other wordless books, which I use in my 2cd grade classroom. Without words, literature is not dependent on the adjectives and descriptions found in the text, but can be as complex as the vocabulary of the "reader".Finally, the message of this fable has many levels and meaning depending on personal experience. For me, I grew up with the traditional message: you don't have to be strong and powerful to make a difference in someone's life. How many words of virtue can you find in this book? Courage, humility, forgiveness, mercy, sympathy, gratitude...
    Here are some other wordless books for children:

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted January 17, 2010

    An Amazing Picture Book

    This book features some of the most expressive character drawings that I've seen. It provides endless fascination.

    1 out of 1 people found this review helpful.

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  • Posted December 29, 2009

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    I Also Recommend:

    Georgeous book, great retelling

    First of all, the cover is filled with awesome, and I love seeing it on my shelf. (It's been face-out in my home bookshelf, where I place my Caldecott pick for the year. Yes, I'm a book geek sometimes.) And the interior of the book is just as good. Pinkney's illustrations tell the story of the Lion and the Mouse, with a few twists that keep the story fresh. (Mouse is the star, in my opinion.) The watercolors are very expressive, making this a great book not only for lovers of children's lit and picture books, but a great pick for art lovers as well.

    This book is beautiful, and shows what art can do. Kids and adults will love it. The one trouble some might have is it's not a typical read-aloud, unless you're good at "reading" on the fly, since it's wordless. But that's a very, very small thing, as the story is very clear via the art, and the lack of words gives it more power, and can spark creativity and imagination in the child. Plus, if you're so inclined, you can tell the story a different way each time, making any bedtime readings a little less tedious. (Your child could even "read" it to you.)

    Pick it up quickly, before the Caldecott sticker gets affixed :)

    1 out of 1 people found this review helpful.

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  • Posted December 3, 2009

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    I Also Recommend:

    The Lion and the Mouse Illustrated by Jerry Pinkney

    I first heard about this beautiful book in a New York Times Book Review and decided I would consider it as a Christmas gift for my new grandson. However, once I actually found this treasure and took the time to enjoy it, I decided that I would add it to my own collection! While there is little actual text, the book lends itself to the reader's imagination and even a young child can use his own words to tell the story. I would highly recommend this wonderfully illustrated story of the timeless classic with the underlying message that even a tiny creature can offer help to a powerful one!

    1 out of 1 people found this review helpful.

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  • Posted October 26, 2009

    more from this reviewer

    Classic revived

    Beautiful illustrations accompany this classic Aesop tale.

    1 out of 2 people found this review helpful.

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  • Posted September 9, 2009

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    WHAT A LION! WHAT A MOUSE! WHAT AN ARTIST!

    This particular Aesop fable is familiar to most - the story of a wee, insignificant mouse who happens to disturb a lion. Well, of course, the little mouse is a mere tidbit for the lion. Nonetheless, this magnificent king of the jungle decides to let the little fellow go.

    Later, the lion is entrapped by poachers and the little mouse remembers the lion's kindness and manages to set the lion free. There is so much to be learned from this fable and there are many different interpretations of the story. This wordless version by noted artist Jerry Pinkney is remarkable not only for the beauty of Pinkney's work but because it allows the reader or in this case story teller to offer a different narrative each time the book is shown. One never tires of looking at the artist's stunning full page paintings, and young listeners don't tire of hearing the story over and over again, each time with a slightly different twist.

    The mantel at Pinkney's home must sag with the numerous awards he has received - four New York Times Best Illustrated Awards, five Caldecott and Coretta Scott King Awards, etc. All so richly deserved. Since I've no trophy to offer I merely send thanks for one more beautifully illustrated book that will become a part of our permanent collection.

    - Gail Cooke

    1 out of 1 people found this review helpful.

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  • Posted September 5, 2009

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    WHAT'S SO GREAT ABOUT WORD-LESS BOOKS?

    The great thing about wordless picture books like The Lion and the Mouse by Jerry Pinkney and Good Dog Carl by Alexandra Day is that they engage the imagination in ways that books with text cannot. The reader is challenged to tell the story in his own words using the author's illustrations as inspiration. There's nothing to "read" so you must "tell" instead and that makes for a very different storytime experience for both the teller and the listener.

    Another great thing? You don't have to be old enough to read to enjoy the book. Try this - - after you've told the story to your child, hand over the book and have her "tell" it back to you. You'll be surprised at the whimsical interpretations she'll come up with. Perhaps the mouse is a wizard and the lion is a princess under a spell?

    Try this - - tell the story backwards. There's no set narrative, so why not? Start with the final picture and start the story there. Then page by page go backwards to the first picture, making up a story as you go along. Then have your child give it a try.

    Who needs printed words!

    1 out of 1 people found this review helpful.

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  • Posted August 27, 2009

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    Spend time with your little one creating your own fable

    This is one of the best illustrated picture books to come out in a long time!
    It is the retelling of the Aesop fable about the lion who spares a mouse only to find himself needing the mouse's help later on when he is caught in a net. Jerry Pinkney's illustrations allow the reader to create his own version of the fable - there are very few words. This book was a big hit at storytime and gave my young audience a chance to help me tell the story.
    A wonderful story of friendship and trust to be enjoyed by the child in all of us.

    1 out of 1 people found this review helpful.

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  • Posted May 18, 2012

    GREAT STORY! At first I didnt know what to think about this pict

    GREAT STORY!
    At first I didnt know what to think about this picture book. I wasn't sure if I could understand what the story was about without any words. This is truly an amazing illustration only book. I looked and looked and I finally understood the story behind the illustrations. These are wonderful illustrations. The color scheme is gorgeous! Who knew that a little mouse would be the one to help the lion in his time of need. The mouse new that the lion had done him a great favor by not eating him and letting him return to his family. Little did the mouse realize was that the lion would soon need his help and he would then be able to return the favor. Sometimes life doesn't always happen the way you would expect it to. It can change your views in a blink of an eye. Who would have thought that the mouse would be the one to save the lion from the trap that the poachers had set. The person or people that you would least expect help from, sometimes turn out to be great friends.

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  • Posted November 1, 2011

    highly recomend for you to buy for children and adults!

    This Aesop's fable brought teaars to my husband's eyes as he looked thru this excellently illustratred book. The story was best told w/out words, and is briliantly executed. It is now one of our very favorite books.

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  • Anonymous

    Posted October 12, 2011

    Beautifully illustrated

    Book relies completely on illustration as no text is printed. A parent or child would need to know the story to be able to tell it while viewing the illustrations. But the illustrations are evident enough that the reader can understand all but maybe Aesop's moral -- would depend on the age of the reader.

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  • Anonymous

    Posted September 30, 2011

    No Story

    I'm appalled that you're selling books for children that have no story
    words.....just pictures. How is a child to associate words with
    pictures, if none are included in the book.

    0 out of 2 people found this review helpful.

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  • Posted May 16, 2010

    Award Winning!

    Beautifully illustrated! A wonderful book to sit down with appropriate aged children and help them tell the story. Very much an interactive story, letting them use their imagination, yet helping them learn the morale of the story. I love to collect good award winning books, this is a keeper and a gift giver.

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  • Posted May 16, 2010

    I Also Recommend:

    Beautifully illustrated picture book of classic tale

    Without words (except for a few that are part of the illustrations) this book provides a wonderful version of classic fable, The Lion and the Mouse. My two year old granddaughter loves retelling the story herself, page by page, with her own variations. She constantly wants it "read" again so each time we can add more detail by looking at the illustrations. This version by Jerry Pinkney is the best I have ever seen.

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  • Posted May 14, 2010

    Thrilling retelling of old tale

    This book is so lovingly and beautifully drawn. The entire story is told in beautiful pictures. The American artist spent time in the Serengetti and his art work truly reflects the mood and ambiance of the grassland. Each of the animals, particularly the lion, leap from the page into the mind. Children who are not yet reading can tell the story from the pictures.

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  • Anonymous

    Posted May 10, 2010

    There are no words..........

    really - there are no words - just truly gorgeous illustrations on the old "lion and mouse" theme.
    The pictures themselves tell the story , so this makes the book good for very little children as you can make up your own verbage and get more detailed as the child get older.
    The book also makes a beautiful accessory in a child's room!

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