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Stephen Burt
Here as in six earlier glittering books, Robertson proves hard to explain but easy to enjoy. Homes and architecture, girlishness, feminism and womanhood, the idea of the future and the sense of the past mingle and collide in poems called "essays" and in essays that read like poems…—The New York Times
Overview
Verses, essays, confessions, reports, translations, drafts, treatises, laments and utopias, 1995–2007. Collected by Elisa Sampedrin.
Lisa Robertson writes poems that mine the past – its ideas, its personages, its syntax – to construct a lexicon of the future. Her poems both court and cuckold subjectivity by unmasking its fundament of sex and hesitancy, the coil of doubt in its certitude. Reading her laments and utopias, we realize that language – whiplike – casts ahead of itself...