The New York Times Book Review - Cathryn M. Mercier
Initially, Mai's first-person narration makes her sound like an overindulged tween. Yet her voice also reveals a tender attentiveness that counters her egocentrism…Lai inserts Ba's lyrical voice selectively into Mai's story. These heart-stopping passages further shift Mai's position from outsider to insider to, finally, truly bicultural, just as Listen, Slowly invites readers to see Vietnam from the inside outand back again.
Mitali Perkins
American and Vietnamese characters alike leap to life through the voice and eyes of a ten–year–old girla protagonist so strong, loving, and vivid I longed to hand her a wedge of freshly cut papaya.
Kathi Appelt
Open this book, read it slowly to savor the delicious language. This is a book that asks the reader to be careful, to pay attention, to sigh at the end.
BookRiot.com
Holy cats, I LOVE this book! I loved Mia so muchshe’s one of the best characters I’ve read in a while. Sarcastic, smart, and so, so funny. And she brings a wonderful sense of levity to a beautiful, sad story.
Bustle.com
Thanhha Lai is so amazing.
Bulletin of the Center for Children's Books
In this free-verse narrative, Lai is sparing in her details, painting big pictures with few words and evoking abundant visuals.
Los Angeles Times
Through prose so evocative we can feel the heat caressing Mai’s skin as she lands, Lai transports the reader from suburban California to modern-day Vietnam.
The Horn Book
Lai’s spare language captures the sensory disorientation of changing cultures as well as a refugee’s complex emotions and kaleidoscopic loyalties.
Washington Post
This valentine of a novel may jumpstart questions in young readers about the people and places of their families’ past.
Shelf Awareness (starred review)
This is a love story on many levels, between granddaughter and grandmother, grandmother and grandfather, and for the homeland one carries within. Details Lai plants early on add up to a powerful finish. A beautiful counterpart to Thanhhà Lai’s Inside Out and Back Again.
New York Times Book Review
Lai inserts Ba’s lyrical voice selectively into Mai’s story. These heart-stopping passages further shift Mai’s position from outsider to insider, to, finally, truly bicultural, just as ‘Listen, Slowly’ invites readers to see Vietnam from the inside outand back again.
Booklist (starred review)
Based in Lai’s personal experience, this first novel captures a child-refugee's struggle with rare honesty. Written in accessible, short free–verse poems, Hà’s immediate narrative describes her mistakesboth humorous and heartbreaking; and readers will be moved by Hà’s sorrow as they recognize the anguish of being the outcast.
Jacqueline Woodson
This book is at once funny, thoughtful, and stunningly engaging. I loved, loved, loved it! Can’t wait for my own daughterand every reader who is lucky enough to get their hands on itto step inside Mai’s two, very different, worlds.
Kirkus Reviews
2014-10-22
A trip to Vietnam did not figure in Laguna, California, girl Mai Le's summer plans!Twelve-year-old Mai (Mia at school) was looking forward to a summer at the beach with her bestie, Montana, trying to catch the eye of HIM (a boy from school), but she's forced on to a plane to keep her grandmother, Bà, company on a trip of indeterminate length. Ông, Bà's husband, went missing during the Vietnam War, and a detective claims to have found a man who knows something about Ông. Mai and Bà stay in Bà's home village, while Mai's doctor father heads into the mountains to run a clinic. Mai's Vietnamese is rusty, and only teenage boy Minh speaks English (but with a Texas accent). The heat, the mosquitoes...even the maybe-relatives are torture. Out of touch with all things American, Mai worries that Montana may put the moves on HIM; and the only girl in the village her age, Ut, is obsessed with frogs. For her sophomore effort, Newbery Honor author Lai delivers a funny, realistic tale of family and friendship and culture clashes. The subtle humor of clunky translations of Vietnamese into English and vice versa are a great contrast to Mai's sharp and sometimes-snarky observations that offer a window into Vietnamese village life and language. A touching tale of preteen angst and translation troubles. (Fiction. 9-12)