2013 Paperback Good Books have varying amounts of wear and highlighting. CDs are not included. Usually ships within 24 hours in quality packaging. Satisfaction guaranteed. This ...item may not include any CDs, Infotracs, Access cards or other supplementary material.Read moreShow Less
Ships same day or next business day via UPS (Priority Mail for AK/HI/APO/PO Boxes)! Used sticker and some writing and/or highlighting. Used books may not include working access ...code or dust jacket.Read moreShow Less
2013 Paperback Good Books have varying amounts of wear and highlighting. CD is included. Usually ships within 24 hours in quality packaging. Satisfaction guaranteed. This item ...may not include any CDs, Infotracs, Access cards or other supplementary material.Read moreShow Less
LISTENING TO WESTERN MUSIC is designed to help you develop and refine the listening skills of your students and inspire a lifelong appreciation of music. Author and award-winning scholar-teacher Craig Wright, who has taught Music Appreciation courses for more than 35 years, is consistently praised by reviewers and other professors for his unparalleled accuracy and his clear, direct, conversational style. Throughout the book, Wright connects with today's students by incorporating comparisons between pop and classical music and by using examples from popular artists to illustrate core concepts. This chronological text succinctly covers traditional Western music from medieval to modern, discussing examples from each historical period within their social contexts and the construction of each piece. LISTENING TO WESTERN MUSIC is the only text that provides Craig Wright's own Listening Exercises, in the book and online, which help students focus on important musical elements and episodes. A free CD, packaged with each print copy of the text, includes all of the musical examples for the Part 1 listening exercises. A full set of optional online student resources includes Active Listening Guides, streaming music, an interactive eBook, quizzing, and more—all to challenge your students. All of the music discussed in the text is also available on CD and on Sony Music download cards.
"The language used struck us as more accessible and conversational. It lacked, thankfully, the pedantic, overly-academic tone that can be an obstacle to many students. I appreciate the fact that Dr. Wright writes in a way that is easily understood by the non-music major. . . . The three greatest strengths of the text are (1) the easy manner and conversational style with which the material is treated, (2) the more global approach to the music of the 20th century, and (3) the connections to pop music that Dr. Wright makes to illustrate both musical characteristics and context."
"Strengths: 1.The numerous additional listening selections AND listening guides online. Excellent for those serious students who would go the extra mile. 2.Even though I currently do not have use for it, I am sure instructors in general appreciates the online grading for the listening exercises. 3. Reference to current developments and personalities."
"The organization of LISTENING TO MUSIC is excellent and it is a good survey of Western Art Music."
"The first chapter is far superior [to the text in use]. I feel that students need an explanation of the current state of popular music with comparisons to the past. . . . Today's students are engrossed in pop music and do not have even a basic understanding of why things are. Because students are entrenched in pop music, many of them are not interested into delving into topics that challenge the ideologies they are accustomed too. I believe your text takes an approach that addresses the aforementioned statement."
Craig M. Wright received his Bachelor of Music degree at the Eastman School of Music in 1966 and his Ph.D. in musicology from Harvard University in 1972. He began his teaching career at the University of Kentucky and for the past 40 years has been teaching at Yale University, where he is currently the Henry L. and Lucy G. Moses Professor of Music. At Yale, Wright's courses include his perennially popular introductory course "Listening to Music," also part of the offerings of Open Yale Courses, and his selective seminar "Exploring the Nature of Genius." He is the author of numerous scholarly books and articles on composers ranging from Leoninus to Bach. Wright has also been the recipient of many awards, including a Guggenheim Fellowship, the Einstein and Kinkeldey Awards of the American Musicological Society, and the Dent Medal of the International Musicological Society. In 2004, he was awarded the honorary degree Doctor of Humane Letters from the University of Chicago. And in 2010, he was elected as a member of the American Academy of Arts and Sciences, joining fellow inductee banjo player Steve Martin. Wright has also published LISTENING TO MUSIC, CHINESE EDITION (Schirmer Cengage Learning/Three Union Press, 2012), translated and simplified by Profs. Li Xiujung (China Conservatory, Beijing) and Yu Zhigang (Central Conservatory, Beijing), both of whom worked with Wright at Yale; THE ESSENTIAL LISTENING TO MUSIC (Schirmer Cengage Learning, 2012); and MUSIC IN WESTERN CIVILIZATION, MEDIA UPDATE (Schirmer Cengage Learning, 2010), with coauthor Bryan Simms. He is presently at work on a volume entitled MOZART'S BRAIN: EXPLORING THE NATURE OF GENIUS.
Part I: INTRODUCTION TO LISTENING. 1. The Appeal of Music. 2. Rhythm, Melody, and Harmony. 3. Color, Texture, and Form. 4. Musical Style. Part II: THE MIDDLE AGES AND RENAISSANCE, 476-1600. 5. Medieval Music, 476-1450. 6. Renaissance Music, 1450-1600. Part III: THE BAROQUE PERIOD, 1600-1750. 7. Introduction to Baroque Art and Music. 8. Early Baroque Vocal Music. 9. Toward Late Baroque Instrumental Music. 10. The Late Baroque: Bach. 11. The Late Baroque: Handel. Part IV: THE CLASSICAL PERIOD, 1750-1820. 12. Classical Style. 13. Classical Composers: Haydn and Mozart. 14. Classical Forms: Ternary and Sonata—Allegro. 15. Classical Forms: Theme and Variations, Rondo. 16. Classical Genres: Instrumental Music. 17. Classical Genres: Vocal Music. 18. Beethoven: Bridge to Romanticism. Part V: ROMANTICISM, 1820-1900. 19. Introduction to Romanticism. 20. Romantic Music: The Art Song. 21. Romantic Music: Program Music, Ballet, and Musical Nationalism. 22. Romantic Music: Piano Music. 23. Romantic Opera: Italy. 24. Romantic Opera: Germany. 25. Nineteenth-Century Realistic Opera. 26. Late Romantic Orchestral Music. Part VI: MODERN AND POSTMODERN ART MUSIC, 1880-PRESENT. 27. Impressionism and Exoticism. 28. Modernism in Music and the Arts. 29. Early-Twentieth-Century Modernism. 30. Russian and Eastern European Modernism. 31. Three American Voices. 32. Postmodernism. Glossary. Index.