Literary Language and Its Public in Late Latin Antiquity and in the Middle Ages

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In this, his final book, Erich Auerbach states, "My purpose is always to write history." Tracing the influence of classical Latin rhetoric throughout literary history from late antiquity to the modern era, Auerbach continues to explore many of the issues presented in his Mimesis. For example, he draws attention to the historical and social contexts in which writings were received, and raises issues of aesthetics, semantics, stylistics, and sociology that anticipate the concerns ...
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1965 Hardcover Good. No DJ HARDCOVER. Boards lightly edgeworn/scuffed; ex-library markings include stamps/labels/card pocket; text unmarked and clean. Orders will be mailed ... either on the day ordered or the next business day. Expedited shipping available. Read more Show Less

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1984 Hard cover Very good. No dust jacket. Very good. No dust jacket. Very good condition. Text clean. (US). 456 p. Bollingen Series, 74.

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Overview

In this, his final book, Erich Auerbach states, "My purpose is always to write history." Tracing the influence of classical Latin rhetoric throughout literary history from late antiquity to the modern era, Auerbach continues to explore many of the issues presented in his Mimesis. For example, he draws attention to the historical and social contexts in which writings were received, and raises issues of aesthetics, semantics, stylistics, and sociology that anticipate the concerns of the new contemporary historicism.
Read More Show Less

Editorial Reviews

The Virginia Quarterly Review
Auerbach magically relates the story of Christian transformation of the . . . styles of classical pagan antiquity with the lowly style accepted as standard in the Middle Ages until the reemergence of the sublime style through Dante's Divine Comedy. . . .
The Times Literary Supplement
This book, like [Mimesis], is necessary reading. . . . [Its] penetration of the Western public and its language is both subtle and powerful. . . . The existence and the delights of his book and of the lifework it completed are an enormous beacon burning against despair.
From the Publisher
"Auerbach magically relates the story of Christian transformation of the . . . styles of classical pagan antiquity with the lowly style accepted as standard in the Middle Ages until the reemergence of the sublime style through Dante's Divine Comedy. . . ."The Virginia Quarterly Review

"This book, like [Mimesis], is necessary reading. . . . [Its] penetration of the Western public and its language is both subtle and powerful. . . . The existence and the delights of his book and of the lifework it completed are an enormous beacon burning against despair."The Times Literary Supplement

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Product Details

  • ISBN-13: 9780691097824
  • Publisher: Princeton University Press
  • Publication date: 3/1/1965
  • Series: Bollingen Series
  • Pages: 456

Table of Contents

Foreword (1993)
Preface
Introduction: Purpose and Method 3
1 Sermo Humilis 25
Excursus: Gloria Passionis 67
2 Latin Prose in the Early Middle Ages 83
3 Camilla, or, The Rebirth of the Sublime 181
4 The Western Public and Its Language 235
Abbreviations 341
List of Works Cited 343
General Index 373
Index of Latin Words 389
Bibliography of the Writings of Erich Auerbach 391
Biographical Note 407
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Customer Reviews

Average Rating 4.5
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Sort by: Showing all of 2 Customer Reviews
  • Posted July 6, 2014

    Amazing.....!Excellent......!Just enjoy it.....!

    Amazing.....!Excellent......!Just enjoy it.....!

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  • Anonymous

    Posted July 2, 2003

    Theory of literary effect

    Unfortunately I haven't read this book yet, but it was the title that made my interest grow: the initiative of applying the literary reception theories to ancient latin literature is absolutely outstanding; therefore, several questions aroused my curiosity: is the taxinomy conceived on genres and species? What is meant by public: the author/reader relationship? The strategies of reading? Did the researcher mean by 'literary language' a stylistic canon of the period? I wonder if it is the public who influenced the literary style in Antiquity (given its oral character), if the oral and vulgar conventions are the typical mark of late latin literature. It was Julia Kristeva who explained that the mediaeval 'roman courtois' was made up of conventions, of sequences, of code combinations. Undoubtedly, the code theory and the code swifting is related to specific demands of the public (as long as by public it is meant 'reader'). The intertext theory constitutes a very important aspect in the literary corpus studied in the reviwed book. Having in mind Petron's 'Satyricon', I consider it a real source for applying such modern interpretation patterns: the citations, the proverbs, the inserted poems show a deep folk layer, impossible to ignore in the intertextual theory. I suggest that the 'literary language and its public' should also consider the intertextual theory as a major factor in writing, reading, studying world-literature in the early times. Ioana Manolescu, researcher July 2nd, 2003

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