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Recent commentators have portrayed feminist critics as grim-faced ideologues who are destroying the study of literature. Feminists, they claim, reduce art to politics and are hostile to any form of aesthetic pleasure. Literature after Feminism is the first work to comprehensively rebut such caricatures, while also offering a clear-eyed assessment of the relative merits of various feminist approaches to literature.
Spelling out her main arguments clearly and succinctly, Rita Felski explains how feminism has changed the ways people read and think about literature. She organizes her book around four key questions: Do women and men read differently? How have feminist critics imagined the female author? What does plot have to do with gender? And what do feminists have to say about the relationship between literary and political value? Interweaving incisive commentary with literary examples, Felski advocates a double critical vision that can do justice to the social and political meanings of literature without dismissing or scanting the aesthetic.
“Aiming at readers whose knowledge of feminist literary criticism has come largely from popular media, the author gives a concise account of a range of feminist critical approaches to literature and convincingly demonstrates the usefulness and variety of these approaches. . . . Felski supports her arguments with a wide variety of examples, and her writing is enjoyable to read.”--Choice
— Meg Gardiner
— Klaudia Papp
“This lively and highly readable account of the encounter with feminism will interest both students and critics alike. . . . For feminist readers of whatever nationality, this will provide a timely reminder of the ways in which ‘rather than destroying the field of literary study, feminism has reinvigorated it.’”