Literature and Its Writers: A Compact Introduction to Fiction, Poetry, and Drama / Edition 5

Paperback (Print)
Rent
Rent from BN.com
$13.57
(Save 83%)
Est. Return Date: 10/29/2014
Buy Used
Buy Used from BN.com
$61.31
(Save 25%)
Item is in good condition but packaging may have signs of shelf wear/aging or torn packaging.
Condition: Used – Good details
Used and New from Other Sellers
Used and New from Other Sellers
from $1.99
Usually ships in 1-2 business days
(Save 97%)
Other sellers (Paperback)
  • All (20) from $1.99   
  • New (4) from $19.20   
  • Used (16) from $1.99   
Close
Sort by
Page 1 of 1
Showing All
Note: Marketplace items are not eligible for any BN.com coupons and promotions
$19.20
Seller since 2010

Feedback rating:

(62)

Condition:

New — never opened or used in original packaging.

Like New — packaging may have been opened. A "Like New" item is suitable to give as a gift.

Very Good — may have minor signs of wear on packaging but item works perfectly and has no damage.

Good — item is in good condition but packaging may have signs of shelf wear/aging or torn packaging. All specific defects should be noted in the Comments section associated with each item.

Acceptable — item is in working order but may show signs of wear such as scratches or torn packaging. All specific defects should be noted in the Comments section associated with each item.

Used — An item that has been opened and may show signs of wear. All specific defects should be noted in the Comments section associated with each item.

Refurbished — A used item that has been renewed or updated and verified to be in proper working condition. Not necessarily completed by the original manufacturer.

New
U.S. softcover edition sticker on cover instructor edition with all identical Student content has light outer wear on back cover new & clean No supplements quicker shipper w. ... tracking # expedited shipping available Read more Show Less

Ships from: Denham Springs, LA

Usually ships in 1-2 business days

  • Standard, 48 States
  • Standard (AK, HI)
  • Express, 48 States
  • Express (AK, HI)
$43.60
Seller since 2014

Feedback rating:

(46)

Condition: New
0312556411 Brand new. Excellent copy.

Ships from: Williams, AZ

Usually ships in 1-2 business days

  • Canadian
  • International
  • Standard, 48 States
  • Standard (AK, HI)
  • Express, 48 States
  • Express (AK, HI)
$46.60
Seller since 2011

Feedback rating:

(17)

Condition: New
PAPERBACK New 0312556411 Brand new. Excellent copy.

Ships from: Williams, AZ

Usually ships in 1-2 business days

  • Canadian
  • International
  • Standard, 48 States
  • Standard (AK, HI)
  • Express, 48 States
  • Express (AK, HI)
$94.97
Seller since 2007

Feedback rating:

(128)

Condition: New
PAPERBACK New 0312556411 Brand new book. Never used. Nice gift. Best buy. Shipped promptly and packaged carefully.

Ships from: Woodinville, WA

Usually ships in 1-2 business days

  • Canadian
  • International
  • Standard, 48 States
  • Standard (AK, HI)
  • Express, 48 States
  • Express (AK, HI)
Page 1 of 1
Showing All
Close
Sort by

Overview

Literature is a conversation — between writers and other writers, and between writers and readers. In Literature and Its Writers, Ann and Samuel Charters complement a rich and varied selection of stories, poems, and plays with an unparalleled array of commentaries about that literature by the writers themselves. Such "writer talk" inspires students to respond as it models ways for them to respond. In the fifth edition, the Charters continue to entice students to join the conversation, with adventurous and intriguing new literary works, new literary traditions to discuss, and new features that help them participate as readers and writers.

Read More Show Less

Product Details

  • ISBN-13: 9780312556419
  • Publisher: Bedford/St. Martin's
  • Publication date: 9/29/2009
  • Edition description: Fifth Edition
  • Edition number: 5
  • Pages: 1808
  • Product dimensions: 6.00 (w) x 9.10 (h) x 1.80 (d)

Meet the Author

Ann Charters

Ann Charters (Ph.D., Columbia University) is a professor of English at the University of Connecticut and has taught courses in the short story for over thirty years. A preeminent authority on the Beat writers, Charters has written a critically acclaimed biography of Jack Kerouac; compiled Beats & Company, a collection of her own photographs of Beat writers; and edited the best-selling Portable Beat Reader. Her most recent books are The Kerouac Reader, Selected Letters of Jack Kerouac, 1957-1969, Beat Down to Your Soul, and The Story and Its Writer, Seventh Edition, available in full and compact versions.

Samuel Charters has taught creative writing and published widely in a variety of genres, including 11 books of poetry, 4 novels, a book of criticism on contemporary American poetry, a biography (co-authored with Ann Charters) of the poet Vladimir Mayakovsky, and translations of the poetry of Tomas Transtromer and Edith Sodergran. An ethnomusicologist, he produces blues and jazz recordings and has published many books about music, among them a history of New Orleans jazz and a study of bluesman Robert Johnson.

Biography

It's nearly impossible to come across a significant study of Jack Kerouac without encountering the name Ann Charters. A foremost Beat scholar, she wrote the first biography of the On the Road author and has studied his milieu for over 20 years. Charters also has a personal connection to back up her scholarly interest in the Beats: When she was a junior at University of California, Berkeley, her roommate set her up on a date with Peter Orlovsky. Charters was actually in love with her professor, Sam Charters, whom she later married; as for Orlovsky, he was Allen Ginsberg's boyfriend. Charters said in a magazine interview, "My roommate...said to me, 'I'll fix you up with a wonderful boy who's your own age.' This was Peter Orlovsky, before he was living with Allen, and who considered 'Howl' to be the greatest poem since Whitman's Leaves of Grass."

Though the romance didn't pan out, Charters' love of the Beats endured, and she became the genre's anthologist of note. After completing biographies of Kerouac and the futurist poet Vladimir Mayakovsky, Charters assembled the now-classic The Story and Its Writer, a collection of exemplary short stories and commentary by and about authors such as Raymond Carver and Anton Chekhov. In addition to her taste and eye for good literature, one of Charters' strengths is her ability to incorporate the author's voice. She got Kerouac's cooperation on her biography of him and included the authors' own analyses of their work in The Story and Its Writer.

This acumen probably reached its apotheosis when Charters edited a collection of Kerouac's letters. By that time, a second Kerouac biography, Memory Babe by Gerald Nicosia, had been released, and as Charters told the Alsop Review, "my book was, I thought, in comparison, woefully inadequate." She continued, "That's why I took on the editing, because I saw with the letters that it could be a way of giving a biography through my selection, which emphasizes Jack's life as a writer.... If I were to write a biography -- and I will not rewrite my first biography -- well, I've done that with this two-volume set."

Though she has focused on Kerouac in her work, Charters has also done a lot to improve the understanding of Beat literature in general, not only by editing well-known anthologies such as The Portable Beat Reader but also by writing introductions and essays in editions of major works. For a British anthology called The Penguin Book of the Beats (which follows the structure of The Portable Beat Reader), she explained her approach in a publisher's interview: "I decided I wouldn't just alphabetically arrange my favorite Beat writers or put them in big sections, like Poetry, Fiction, Essays. I would organize it historically, so that someone who didn't know much about Beat writing could come in and use the book as an introduction to the whole field and have some guidelines."

Charters is appealing as an editor and anthologist because she embraces, rather than trying to distance herself from, her personal connection to the era she covers. With The Portable Sixties Reader, her most expansive collection yet, she continues to illuminate a crucial literary era.

Good To Know

Charters has taught at Brown University, Columbia University, and the University of Connecticut, where she has been a professor of English since 1974.

Charters on Kerouac's detractors: "Most people are, at heart, good people, but fairly conservative. They really like to think that there's a tried-and-true way of writing, and you sit and write 13 revisions. And when they hear that he's bragging that he's written it in one draft they kind of get their hackles up." (online zine interview)

Read More Show Less
    1. Hometown:
      Connecticut
    1. Date of Birth:
      November 10, 1936
    2. Place of Birth:
      Bridgeport, Connecticut
    1. Education:
      B.A., University of California, Berkeley, 1957; M.A., Columbia University, 1959; Ph.D., 1965

Table of Contents

Table of Contents Preface for Instructors

Introduction: Connecting with Literature
Student Essay: Raymond Carver’s “Creative Writing
101”

Part One: Fiction

1. What Is a Short Story?
Grace Paley, Samuel
Commentary: Edgar Allan Poe

2. The Elements of Fiction: A Storyteller’s Means Plot • Character • Setting • Point of View • Voice and Style • Theme Commentaries: Anton Chekhov, Flannery O’Connor, Frank O’Connor, David S. Reynolds

3. The Art of the Story: Reading, Thinking,
and Writing about Short Fiction Reading Short Fiction
Guidelines for Reading Short Fiction
Sample Close Reading Critical Thinking about Short Fiction Writing about Short Fiction
Sample Essay: Paley’s Point of View in Samuel
Commentaries: Ralph Ellison, Sandra M. Gilbert and Susan Gubar, J. Hillis Miller, Grace Paley
Related Section: Part Four: Writing about Literature

4. Stories and Storytellers
Sherman Alexie, The Lone Ranger and Tonto Fistfight in Heaven
Commentary: Sherman Alexie Isabelle Allende, An Act of Vengeance
Commentary: Isabelle Allende Margaret Atwood, Happy Endings
James Baldwin, Sonny’s Blues
Commentary: James Baldwin Toni Cade Bambara, The Lesson
Russell Banks, Black Man and White Woman in Dark Green Rowboat
Connections: Ernest Hemingway, Hills Like White Elephants; David Foster Wallace, Good People
Aimee Bender, The Rememberer
Connection: Franz Kafka, The Metamorphosis
Raymond Carver, Cathedral
Commentary: Raymond Carver Lan Samantha Chang, Water Names
Anton Chekhov, The Lady with the Pet Dog
Connection: Joyce Carol Oates, The Lady With the Pet Dog
Commentaries: Anton Chekhov; Richard Ford Kate Chopin, Desiree’s Baby; The Story of an Hour
Commentary: Kate Chopin Junot Diaz, How to Date a Browngirl, Blackgirl,
Whitegirl, or Halfie
Ralph Ellison, Battle Royal
Commentary: Ralph Ellison Louise Erdrich, The Red Convertible
William Faulkner, A Rose for Emily
Commentary: William Faulkner Richard Ford, Leaving for Kenosha
Commentary: Richard Ford Gabriel García Márquez, A Very Old Man with Enormous Wings
Charlotte Perkins Gilman, The Yellow Wallpaper
Commentaries: Charlotte Perkins Gilman,
Sandra M. Gilbert, and Susan Gubar Susan Glaspell, A Jury of Her Peers
Connections: Susan Glaspell, Trifles; Lynn Nottage, POOF!
Commentary: Leonard Mustazza Nadine Gordimer, Some Are Born to Sweet Delight
Nathaniel Hawthorne, Young Goodman Brown
Commentarie: Herman Melville, Edgar Allan Poe Ernest Hemingway, Hills Like White Elephants
Connections: Russell Banks, Black Man and White Woman in Dark Green Rowboat;
David Foster Wallace, Good People
Amy Hempel, Church Cancels Cow
Zora Neale Hurston, Spunk
Commentaries: Zora Neale Hurston; Alice Walker Shirley Jackson, The Lottery
Commentary: Shirley Jackson Ha Jin, A Bad Joke
Edward P. Jones, Bad Neighbors
Commentary: Wyatt Mason James Joyce. Araby
Franz Kafka, A Hunger Artist; Jackals and Arabs; The Metamorphosis
Conversations: Gustav Janouch; John Updike;
R. Crumb and David Zane Mairowitz; John Gardner Jamaica Kincaid, Girl
Commentary: Jamaica Kincaid Jumpha Lahiri, A Real Durwan
Commentary: Jhumpa Lahiri D.H. Lawrence, The Rocking-Horse Winner
Related Commentary: D. H. Lawrence Jack London, To Build a Fire
Guy de Maupassant, The Necklace
Commentary: Kate Chopin Herman Melville, Bartleby, the Scrivener
Commentaries: Herman Melville, J. Hillis Miller Lorrie Moore, How to Become a Writer
Alice Munro, Dance of the Happy Shades
Joyce Carol Oates, The Lady with the Pet Dog; Where Are You Going, Where Have You Been?
Connection: Anton Chekhov, The Lady with the Pet Dog
Conversations: Joyce Carol Oates, Don Moser; Matthew C. Brennan Tim O’Brien, The Things They Carried
Commentary: Bobbie Ann Mason Flannery O’Connor, Good Country People; A Good Man is Hard to Find
Conversations: Flannery O’Connor; Sally Fitzgerald Tillie Olsen, I Stand Here Ironing
Edgar Allan Poe, The Cask of Amontillado; The Fall of the House of Usher
Conversations: Edgar Allan Poe; D.H.
Lawrence; Cleanth Brooks and Robert Penn Warren; J. Gerald Kennedy; David S.
Reynolds Annie Proulx, Job History
Leslie Marmon Silko, Yellow Woman
Commentary: Paula Gunn Allen Helen Simpson, Homework
John Steinbeck, The Chrysanthemums
Amy Tan, Two Kinds
Commentary: Amy Tan John Updike, A&P
Commentary: John Updike Helena Maria Viramontes, The Moths
Kurt Vonnegut, Jr., Harrison Bergeron
Alice Walker, Everyday Use
Commentary: Alice Walker David Foster Wallace, Good People
Connections: Russell Banks, Black Man and White Woman in Dark Green Rowboat;
Ernest Hemingway, Hills Like White Elephants
Brad Watson, Seeing Eye
Commentary: Brad Watson Eudora Welty, A Worn Path
Commentary: Eudora Welty William Carlos Williams, The Use of Force
Tobias Wolff, Say Yes
Hisaye Yamamoto, The Brown House


5. Commentaries on Stories and Storytellers
Sherman Alexie, Superman and Me
Paula Gunn Allen, Whirlwind Man Steals Yellow Woman
Isabelle Allende. Short Stories by Latin American Women
James Baldwin, Autobiographical Notes
Raymond Carver, On Writing; Creative Writing 101
Anton Chekhov, Technique in Writing the Short Story
Kate Chopin, How I Stumbled upon Maupassant
Ralph Ellison, The Influence of Folklore on Battle Royal William Faulkner, The Meaning of A Rose for Emily Richard Ford, On Chekhov’s The Lady with the Dog Sandra M. Gilbert and Susan Gubar, A Feminist Reading of Gilman’s The Yellow Wallpaper Charlotte Perkins Gilman, Undergoing the Cure for Nervous Prostration
Zora Neale Hurston, How It Feels to Be Colored Me
Shirley Jackson, The Morning of June 28, 1948 and The Lottery Jhumpa Lahiri, On Writing Fiction

Bobbie Ann Mason, On Tim O'Brien's The Things They Carried Wyatt Mason On Edward P. Jones’s Fiction
Herman Melville, Blackness in Hawthorne’s Young Goodman Brown J. Hillis Miller, Who Is He? Melville’s Bartleby, the Scrivener Grace Paley, A Conversation with Ann Charters
Elaine Showalter, On Glaspell's A Jury of Her Peers

Amy Tan, In the Canon, for All the Wrong Reasons
Alice Walker, Zora Neale Hurston: A Cautionary Tale and a Partisan View
Brad Watson, On Southern Fiction
Eudora Welty, Is Phoenix Jackson’s Grandson Really Dead?

6. Conversations on Stories and Storytellers On Meaning and Intention in Franz Kafka’s Stories
Gustav Janouch, Kafka’s View of The Metamorphosis John Updike, Kafka and The Metamorphosis R. Crumb and David Zane Mairowitz, A Hunger Artist
John Gardner, On Myths and Literary Fairy Tales
On Revisions of Joyce Carol Oates
Joyce Carol Oates, Smooth Talk: Short Story Into Film
Don Moser, The Pied Piper of Tuscon
Matthew C. Brennan, Plotting Against Chekhov:
Joyce Carol Oates and
The Lady with the Dog
On Flannery O’Connor’s Fiction
Flannery O’Connor, From Letters, 1954-55; Writing Short Stories;

The Element of Suspense in A Good Man Is Hard to Find Sally Fitzgerald, Southern Sources of A Good Man Is Hard to Find
On Critical Views of Edgar Allan Poe’s Short Stories
Edgar Allan Poe; The Importance of the Single Effect in a Prose Tale
D.H. Lawrence, On The Fall of the House of Usher and The Cask of Amontillado Cleanth Brooks and Robert Penn Warren, ANew Critical Reading

of The Fall of the House of Usher J. Gerald Kennedy, On The Fall of the House of Usher David S. Reynolds, Poe’s Art of Transformation in The Cask of Amontillado

Part Two: Poetry

7. What Is a Poem?
Muriel Rukeyser, The Sixth Night: Waking
Archibald MacLeish, Ars Poetica
Marianne Moore, Poetry
Lawrence Ferlinghetti, Constantly Risking Absurdity
Ann Merebroker, A Mere Glimpse
Nina Penfold, My Poems
Ted Kooser, Selecting a Reader
Alice Walker, I Said to Poetry
Commentary: Louise Glück

8. The Elements of Poetry: A Poet’s Means
Emily Dickinson, A word is dead
Words and Their Sound
Alliteration and Assonance
Walt Whitman, A Farm Picture
Onomatopoeia Rhyme
A.E. Housman, Loveliest of trees, the cherry now
Gwendolyn Brooks, Notes from the Childhood and the Girlhood
A Range of Rhyme
Robert Frost, A Time to Talk
Stevie Smith, Not Waving but Drowning
Poems for Further Reading
Sir Thomas Wyatt, They Flee from Me
Ben Jonson, On My First Son
Robert Herrick, To the Virgins, to Make Much of Time
Christina Rossetti, Song
Dorothy Parker, Indian Summer
Theodore Roethke, My Papa’s Waltz
Elizabeth Jennings, One Flesh
Song and Rhyme
Lou Reed, Chelsea Girls
Bruce Springsteen, The River
Rhythm Accent and Meter Blank Verse
The Pattern Poem
George Herbert, Easter Wings
Commentary: T.S. Eliot, Richard Howard

9. The Elements of Poetry: A Poet’s Meanings
Tone
Edwin Arlington Robinson, Miniver Cheevy
Edwin Arlington Robinson, Richard Cory
Words and Their Meaning
Lewis Carroll, Jabberwocky
Denotative and Connotative Meaning Diction Syntax Imagery
John Keats, To Autumn
Elizabeth Bishop, The Bight
Simile and Metaphor
Galway Kinnell, The Road Between Here and There
Figurative and Literal Language Symbol Figures of Speech
Rolf Aggestam, Lightning Bolt
Poems for Further Reading
Andrew Marvell, To His Coy Mistress
William Wordsworth, I Wandered Lonely as a Cloud
George Gordon, Lord Byron, She Walks in Beauty
Emily Bronte, If grief for grief
Alfred, Lord Tennyson, Ulysses
Commentaries: Percy Bysshe Shelley, William Wordsworth, Mark Strand

10. The Types of Poetry: A Poet’s Forms Types of Verse
Elinor Wylie, Village Mystery
Narrative Poetry
The Ballad
Barbara Allan
Ballads for Further Reading
The Daemon Lover

Robert Duncan, The Ballad of Mrs. Noah
Dudley Randall, The Ballad of Birmingham

Robert Creeley, Ballad of the Despairing Husband
Lyric Poetry
H.D., Mid-day
e.e. cummings, (O sweet spontaneous)
Carolyn Kizer, For Jan, in Bar Maria
Li-Young Lee, Eating Alone
Lorna Dee Cervantes, The Body as Braille
Hilda Morley, I Remember
The Od
e
John Keats, Ode on a Grecian Urn
Percy Bysshe Shelley, Ode to the West Wind
The Elegy

Thomas Gray, Elegy Written in a Country Churchyard
Margaret Gibson, October Elegy
The Sonnet

William Shakespeare, That time of year thou mayst in me behold
Sonnets for Further Reading
Francesco Petrarca, Love’s Inconsistency
John Donne, Death, be not proud
Percy Bysshe Shelley, Ozymandias
Elizabeth Barrett Browning, How Do I Love Thee?
Countee Cullen, Yet Do I Marvel
Rita Dove, Sonnet in Primary Colors
Billy Collins, American Sonnet
The Epigram and the Aphorism
Dorothy Parker, News Item
Dorothy Parker, From A Pig’s Eye View of Literature Wendy Cope, Two Cures for Love
The Limerick

Dylan Thomas, The last time I slept with the Queen
Wendy Cope, The fine English poet, John Donne
J.S. Walker, On T.S. Eliot’s “Prufrock”
Richard Leighton Green, Apropos Coleridge’s
“Kubla Khan”
A. Cinna, On Hamlet
Commentaries: Rita Dove, Erica Jong

11. The Types of Poetry: Other Poetic Forms
Elizabeth Bishop, Sestina
Judith Barrington, Villanelles for a Drowned Parent, VI
Dylan Thomas, Do Not Go Gentle into That Good Night
Open Form

Sharon Olds, The Summer-Camp Bus Pulls Away from the Curb
The Prose Poem
Robert Bly, Welcoming a Child in the Limantour Dunes
Marcia Southwick, A Star Is Born in the Eagle Nebula
Robert Hass, A Story about the Body
Haiku
Matsuo Basho, Ripening barley
Matsuo Basho, Day by day
Matsuo Basho, Having no talent
Tanaguchi Buson, The sea in springtime
Koboyashi Issa, Children imitating cormorants
Masaoka Shiki, The ocean freshly green
Richard Wright, I would like a bell
Richard Wright, A soft wind at dawn
Ronald Baatz, as though the whole earth
Ronald Baatz, our beautiful old love
Imagism
Ezra Pound, In a Station of the Metro
T.E. Hulme, Images
H.D., Oread
William Carlos Williams, The Red Wheelbarrow
Wallace Stevens, Thirteen Ways of Looking at a Blackbird
Dramatic Poetry
The Dramatic Monologue
Robert Browning, My Last Duchess
Poems for Further Reading
Nick Carbo, American Adobo
Marisa de los Santos, Because I Love You
Naomi Shihab Nye, Making a Fist
Margaret Atwood, Siren Song
Wislawa Szymborska, True Love
Commentaries: Ezra Pound, Mark Strand

12. Poet to Poet
John Keats, On First Looking into Chapman’s Homer
Quotation Paraphrase Allusion
Samuel Charters, A Man Dancing Alone on an Island in Greece
Imitation Parody
Leigh Hunt, Jenny Kissed Me
T.S. Kerrigan, Elvis Kissed Me
Address and Tribute
Ezra Pound, A Pact
Allen Ginsberg, A Supermarket in California
Maxine Kumin, Mother of Everyone
Galway Kinnell, Oatmeal
Commentaries: Marilyn Chin, T.S. Eliot,
Samuel Charters

13. The Art of the Poem: Reading, Thinking,
and Writing about Poetry Reading Poetry
Anonymous, Western Wind
e.e. cummings, since feeling is first
Guidelines for Reading Poetry

Sample Close Reading

Linda Pastan, To a Daughter Leaving Home
Critical Thinking about Poetry Writing about Poetry
Sample Essay: A Moving Lyric: Pastan’s "To A Daughter Leaving Home"
Related Sections: Part Four, Writing about Literature

14. Poets Speaking Out Poetry of Protest and Social Concern
Nikki Giovanni, Adulthood
Lawrence Ferlinghetti, The World Is a Beautiful Place
Denise Levertov, Mid-American Tragedy
Carolyn Forché, The Colonel
Joan Jobe Smith, Feminist Arm Candy for the Mafia and Sinatra
Fred Voss, I Once Needed a Chance Too
Charles Bukowski, Beach Boys
Faces of War
Stephen Crane, War is Kind
Thomas Hardy, The Man He Killed
Wilfred Owen, Dulce et Decorum Est
Stephen Vincent Benet, 1935
Randall Jarrell, The Death of the Ball Turret Gunner
Ed Webster, From San Joaquin Valley Poems:
1969
Yusef Komunyakaa, Facing It
Black Consciousness, Black Voices
Phillis Wheatley, On Being Brought from Africa to America
Paul Laurence Dunbar, Sympathy
James Weldon Johnson, Sunset in the Tropics
Etheridge Knight, The Idea of Ancestry
Amiri Baraka, Legacy
Audre Lorde, Hanging Fire
Lucille Clifton, to ms. ann
Women’s Consciousness, Women’s Voices
Muriel Rukeyser, Myth
Mina Loy, One O’Clock at Night
Louise Glück, First Memory
Alicia Suskin Ostriker, The Change
Marilyn Chin, How I Got that Name
The Living Earth
From a Zuni Invocation

Primo Levi, Almanac
Kenneth Rexroth, Heart of Herakles
Gary Snyder, Straight-Creek—Great Burn
Mary Oliver, Mussels
Mark Strand, Shooting Whales
John Clellon Holmes, Fayetteville Dawn (1)


15. Conversations on Modern Traditions in Poetry Poets of the Harlem Renaissance
Alain Locke, From The New Negro Langston Hughes, From The Negro Artist and the Racial Mountain James Weldon Johnson, The Creation
Angelina Weld Grimke, The Black Finger
Angelina Weld Grimke, Tenebris
Claude McKay, If We Must Die
Claude McKay, The Lynching
Langston Hughes, The Negro Speaks of Rivers
Countee Cullen, From Heritage Countee Cullen, Incident
Arna Bontemps, A Black Man Talks of Reaping
The Beat Poets
John Clellon Holmes, From This Is the Beat Generation Allen Ginsberg, From Kaddish Gregory Corso, I am 25
Bob Kaufman, From Jail Poems d.a. levy, perhaps #5
Diane DiPrima, Revolutionary Letter #57
Frank O’Hara, The Day Lady Died
Richard Brautigan, It’s Raining in Love
Gary Snyder, What I Have Learned
Joanne Kyger, October 29, 1963, Wednesday
Philip Whalen, I Give Up
Poetry of the Chaps and Zines
Dennis Donoghue, The Issue Is Not the Dearth of Poets or Poems
Gerald Locklin, The Small Presses and Little Magazines: A Few Reflections
Ann Menebroker, Repossessed
Ann Menebroker, The Second Flood and then the Fire
Ann Menebroker, Love
Tom Kryss, Of Dry Strings and River Beds
Tom Kryss, What Harmonica?
Tom Kryss, Night Storm
Joan Jobe Smith, The Carol Burnett Show
Joan Jobe Smith, Dancing in the Frying Pan
Ronald Baatz, The Oldest Songs
Ronald Baatz, Only for the Old and Fragile
Gerald Locklin, A Loser

Gerald Locklin, So It Goes

Gerald Locklin, Second Hand Television
Charles Bukowski, writer’s block
Charles Bukowski, huge ear rings
Difficult Poems
Charles Bernstein, The Difficult Poem
Charles Olson, Projective Verse
Charles Olson, Le Bonheur
Denise Levertov, From Matins Amy Clampitt, Beach Glass
Les Murray, An Absolutely Ordinary Rainbow
Jorie Graham, I Watched a Snake
Connection: Emily Dickinson, A narrow fellow in the grass.

16. Poems and Poets
Matthew Arnold

Dover Beach
Commentary: James Dickey.
W.H. Auden,

Musée des Beaux Arts Stop All the Clocks Lay your sleeping head, my love
Elizabeth Bishop

The Fish One Art
Commentary: Brett C. Millier.
William Blake

From Songs of Innocence: Introduction
The Lamb Holy Thursday The Little Boy Lost The Little Boy Found From Songs of Experience: Introduction
The Sick Rose The Tyger London A Poison Tree The Garden of Love
Anne Bradstreet

To My Dear and Loving Husband Before the Birth of One of Her Children In Memory of my Dear Grandchild Elizabeth Bradstreet, who deceased August, 1665, being a Year and a Half Old
Gwendolyn Brooks

We Real Cool The Mother The Bean Eaters
Commentary: Robert Hayden.
Samuel Taylor Coleridge

Kubla Khan: or, a Vision in a Dream
Frost at Midnight
Connection: Richard Leighton Green, Apropos Coleridge's Kubla Khan.
Billy Collins

Tuesday, June 4, 1991
Memento Mori By a Swimming Pool Outside Siracusa
e.e. cummings

somewhere i have never travelled Buffalo Bill’s in Just-
Emily Dickinson

You love me—you are sure—
I’m “wife”—I’ve finished that—
I taste a liquor never brewed—
Wild Nights—Wild Nights!
“Hope” is the thing with feathers—
There’s a certain Slant of light,
I’m Nobody! Who are you?
After great pain, a formal feeling comes—
Much Madness is divinest Sense—
I died for Beauty—but was scarce I heard a Fly buzz—when I died—
Because I could not stop for Death—
A narrow Fellow in the Grass I never saw a Moor—
Connection: Jorie Graham, I Watched a Snake
Conversations: Thomas Wentworth Higginson,
Thomas H. Johnson, Thomas Bailey Aldrich,
Richard Wilbur, Linda Gregg.
John Donne

A Valediction: Forbidding Mourning The Sun Rising Batter my heart, three-personed God
Connection: Wendy Cope.
Rita Dove

Singsong Maple Valley Branch Library, 1967
The Porch, Pond View: Six P.M. Early Spring
Commentary: Rita Dove.
T.S. Eliot

The Love Song of J. Alfred Prufrock
Connection: J. Walker
Commentaries: Cleanth Brooks Jr. and Robert Penn Warren, T.S. Eliot.
Martín Espada

Soliloquy at Gunpoint Public School 190, Brooklyn, 1963
Sleeping on the Bus
Robert Frost

The Pasture Mending Wall Home Burial Birches Fire and Ice To Earthward Stopping by Woods on a Snowy Evening The Road Not Taken After Apple-Picking
Conversations: Rose C. Feld, Robert Frost,
Robert Lowell, Joseph Brodsky, Philip L. Gerber,
James Wright.
Robert Hayden, Those Winter Sundays A Letter from Phillis Wheatley Night, Death, Mississippi
Commentary: Robert Hayden/
Seamus Heaney

Digging Mid Term Break
Gerard Manley Hopkins

The Windhover Pied Beauty God’s Grandeur Thou Art Indeed Just, Lord
Commentary: Bernard Bergonzi Langston Hughes

Mother to Son I, Too Bound No’th Blues Song for a Dark Girl House in the World Florida Road Workers Merry-Go-Round Down Where I Am Theme for English B Dream Deferred
Conversations: Langston Hughes, Jessie Fauset,
Arnold Rampersad, Kevin Young, Carl Phillips John Keats

Ode to a Nightingale When I Have Fears
Robert Lowell

Skunk Hour For the Union Dead Departure
Commentary: Robert Lowell Marianne Moore

The Fish

In the Public Garden
Commentary: Marianne Moore Sharon Olds

Parents’ Day Summer Solstice, New York City Sex without Love
Commentary: Sharon Olds.
Sylvia Plath

Morning Song Daddy Elm
Commentary: Robert Lowell Adrienne Rich

Aunt Jennifer’s Tigers Diving Into the Wreck
Muriel Rukeyser

Chapultepec Park/1
Madboy’s Song Salamander Waiting for Icarus
Connection: W.H. Auden, Maxine Kumin Anne Sexton

The Starry Night

For My Lover, Returning to His Wife
William Shakespeare

Shall I compare thee to a summer’s day?
When to the sessions of sweet silent thought Let me not to the marriage of true minds My mistress’ eyes are nothing like the sun
Commentary: Erica Jong Gary Soto

Mexicans Begin Jogging Teaching English from an Old Composition Book Waiting at the Curb, Lynwood, California, 1967
Walt Whitman

From Song of Myself, 1,6, 50-52
A Noiseless Patient Spider
Commentary: Ezra Pound.
William Carlos Williams

Spring and All This Is Just to Say The Problem
William Wordsworth

Ode: Intimations of Immortality The world is too much with us
Commentary: William Wordsworth James Wright

Evening A Blessing Milkweed Lying in a Hammock at William Duffy’s Farm in Pine Island, Minnesota
Commentary: James Wright William Butler Yeats

The Lake Isle of Innisfree Easter 1916
The Second Coming

17. Commentaries on Poetry and Poets
Bernard Bergonzi, On Hopkins’ The Windhover Cleanth Brooks Jr. and Robert Penn Warren, On Eliot’s The Love Song of J. Alfred Prufrock Samuel Charters, That First Look into Chapman’s Homer
Marilyn Chin, On the Canon
Rita Dove, An Intact World
T.S. Eliot, From Tradition and the Individual Talent Louise Glück, Poems Are Autobiography
Robert Hayden, On Negro Poetry
Edwin Honig, On Robert Browning’s My Last Duchess Erica Jong, Devouring Time: Shakespeare’s Sonnets
Robert Lowell, An Explication of Skunk Hour;
Forward to Plath’s Ariel Brett C. Millier, On Elizabeth Bishop’s One Art Sharon Olds, From the Salon Interview
Ezra Pound, On the Principles of Imagism; What I Feel About Walt Whitman
Percy Bysshe Shelley, From “A Defence of Poetry”
Mark Strand, The Rhetoric of Richard Cory David Wojahn, On Political Poetry
William Wordsworth, From the Introduction to
Lyrical Ballads

18. Conversations on Three Poets On Interpreting Emily Dickinson
Thomas Wentworth Higginson, Emily Dickinson’s Letters
Thomas H. Johnson, The Text of Emily Dickinson’s Poetry
Thomas Bailey Aldrich, In Re Emily Dickinson
Richard Wilbur, On Emily Dickinson Linda Gregg, Not Understanding Emily Dickinson
On Robert Frost’s Poetics
Rose C. Feld, An Interview with Robert Frost
Robert Frost, The Figure a Poem Makes
Robert Lowell, On Robert Frost (poem)
Joseph Brodsky, On Grief and Reason
Philip L. Gerber, On Frost’s After Apple-Picking James Wright, On the Music of Robert Frost’s Stopping

by Woods on a Snowy Evening
Conversations on Langston Hughes’ Legacy
Langston Hughes, A Toast to Harlem
Jessie Fauset, Meeting Langston Hughes
Arnold Rampersad, Langston Hughes as Folk Poet
Carl Phillips, Langston Hughes and Poetic Identity
Kevin Young, Langston Hughes (poem)

Part Three: Drama


19. What Is a Play?

Commentary: Aristotle

20. The Elements of Drama: A Playwright’s Means
Anton Chekhov, A Monologue
August Strindberg, The Stronger
Plot • Characterization • Dialogue • Staging •
Theme
Willy Russell, From Educating Rita
Commentary: Leonard Mustazza

21. The Art of the Play: Reading, Thinking, and Writing about Drama Reading Drama
Guidelines for Reading Drama
Sample Close Reading Critical Thinking about Drama Writing about Drama Sample Essay:
A Reader’s Response to the Opening Lines of Strindberg’s The Stronger
Commentaries: Geoffrey Bullough, Frances Fergusson, Leonard Mustazza, Helge Normann Nilsen, Joan Templeton

22. Plays and Playwrights
Sophocles, Oedipus the King
Commentaries: Aristotle, Francis Fergusson,
Sigmund Freud.
William Shakespeare, Hamlet, Prince of Denmark
Conversation: Geoffrey Bullough, H.D.F. Kitto,
John Keats, Virginia Woolf, Tom Stoppard,
Sir John Gielgud, (Performance Photos), John Lahr
Henrik Ibsen, A Doll House Commentary: Henrik Ibsen, George Bernard Shaw, Joan Templeton, Liv Ullmann Susan Glaspell, Trifles
Connection: Susan Glaspell, A Jury of Her Peers; Lynn Nottaage, POOF!
Commentary: Elaine Showalter, Leonard Mustazza Tennessee Williams, The Glass Menagerie
Commentaries: Benjamin Nelson, Tennessee Williams Arthur Miller, Death of a Salesman
Commentaries: Arthur Miller, Helge Normann Nilsen

Lorraine Hansberry, A Raisin in the Sun
Commentaries: Lorraine Hansberry Lynn Nottage, POOF!
Connections: Susan Glaspell, Trifles
Commentary: Lynn Nottage

23. Commentaries on Plays and Playwrights
Aristotle, On the Elements and General Principles of Tragedy
Francis Fergusson, Oedipus, Myth and Play
Sigmund Freud, The Oedipus Complex
Lorraine Hansberry, An Author’s Reflections: Willie Loman, Walter Younger, and He Who Must Live
Lorraine Hansberry, My Shakespearean Experience
Henrik Ibsen, Notes for A Doll House
Arthur Miller, On Death of a Salesman as an American Tragedy
Arthur Miller, From the Paris Review Interview
Leonard Mustazza, Generic Translation and Thematic Shift in Glaspell’s Trifles and A Jury of Her Peers Benjamin Nelson, Problems in The Glass Menagerie Helge Normann Nilsen, Marxism and the Early Plays of Arthur Miller
Lynn Nottage, On Writing POOF!
George Bernard Shaw, On A Doll House Joan Templeton, Is A Doll House a Feminist Text?
Liv Ullman, On Performing Nora in A Doll House Tennessee Williams, Production Notes to The Glass Menagerie
24. Conversations on Plays and Playwrights On Hamlet as Text andPerformance
Geoffrey Bullough, Sources of Shakespeare’s Hamlet H.D.F. Kitto, Hamlet and the Oedipus John Keats, From a Letter to George and Thomas Keats, 21 December 1817
Virginia Woolf, What If Shakespeare Had Had a Sister?

Stephen Greenblatt, On the Ghost in Hamlet Tom Stoppard, Dogg’s Hamlet: The Encore
Photographs of Hamlet in Performance Sir John Gielgud, On Playing Hamlet
John Lahr, Review of Hamlet

Part Four: Writing about Literature
25. Critical Perspectives and Literary Theory Formalist Criticism Biographical Criticism Psychological Criticism Mythological Criticism Historical Criticism Sociological Criticism Reader-Response Criticism Poststructuralist and Deconstructionist Criticism Gender Criticism Cultural Criticism Selected Bibliography

26. Developing Your Ideas in an Essay Keeping a Journal or Notebook to Record Your Initial Responses to the Text Using the Commentaries to Ask New Questions about What You Have Read Generating Ideas for Brainstorming, Freewriting,
and Listing Organizing Your Notes into a Preliminary Thesis Sentence and Outline Writing the Rough Draft Revising Your Essay Sample Revised Draft:
The Voice of the Storyteller in Eudora Welty’s A Worn Path
Making a Final Check of Your Finished Essay
Peer Review
Common Problems in Writing about Literature Guidelines for Writing an Essay about Literature

27. Basic Types of Literary Papers Explication Sample Essay: An Interpretation of Langston Hughes’s The Negro Speaks of Rivers
Analysis Sample Essay: Nature and Neighbors in Robert Frost’s Mending Wall
Comparison and Contrast Sample Essay: On the Differences between Susan Glaspell’s Trifles and A Jury of Her Peers
Writing about the Context of Literature

28. Writing Research Papers Three Keys to Literary Research Finding and Focusing a Topic
Assigned Topics Choosing Your Own Topic
Finding and Using Sources
Library Research Using the Web for Research Evaluating Print and Online Sources Your Working Bibliography
Working with Sources and Taking Notes Drafting Your Research Paper
Summarizing, Paraphrasing, and Quoting
Documenting Your Sources
MLA Format In-Text or Parenthetical Citations List of Works Cited Footnotes and Endnotes
Revising Your Research Paper Student Research Paper:
Jennifer Silva, Emily Dickinson and Religion
Glossary of Literary Terms Index of First Lines Index of Authors and Titles

Read More Show Less

Customer Reviews

Be the first to write a review
( 0 )
Rating Distribution

5 Star

(0)

4 Star

(0)

3 Star

(0)

2 Star

(0)

1 Star

(0)

Your Rating:

Your Name: Create a Pen Name or

Barnes & Noble.com Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & Noble.com that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & Noble.com does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at BN.com or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation

Reminder:

  • - By submitting a review, you grant to Barnes & Noble.com and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Noble.com Terms of Use.
  • - Barnes & Noble.com reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & Noble.com also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on BN.com. It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

 
Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously

    If you find inappropriate content, please report it to Barnes & Noble
    Why is this product inappropriate?
    Comments (optional)