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| Norah Jones | Primary Artist, Organ, Acoustic Guitar, Bass, Guitar, Piano, Electric Guitar, Vocals, fender rhodes, Wurlitzer |
| Joey Waronker | Percussion, Drums |
| Heather McIntosh | Bass, Cello |
| Jonathan Hischke | Bass |
| Dan Elkan | Electric Guitar |
| Brian Burton | Organ, Synthesizer, Acoustic Guitar, Bass, Percussion, Piano, Drums, Electric Guitar |
| Blake Mills | Acoustic Guitar, Electric Guitar |
| Gus Seyffert | Bass, Electric Guitar, Background Vocals |
| Todd Monfalcone | Electric Guitar |
| Sonus Quartet | Strings |
| Greg Calbi | Mastering |
| Tom Schick | Engineer |
| Frank Harkins | Art Direction |
| Heather McIntosh | Cello Arrangement |
| Norah Jones | Composer |
| Danger Mouse | Producer |
| Brian Burton | Composer, Programming, String Arrangements |
| Todd Monfalcone | Engineer |
| Ira Friedman | Music Business Affairs |
| Kennie Takahashi | Engineer |
Anonymous
Posted September 15, 2012
I love Norah Jones' voice and have seen her live in concert. I never hesitate to buy her CD's so I was eager to get the newest release. At first, I thought I had the wrong CD. The songs did not sound like Norah Jones. I played it for my husband who also loves her voice, and he asked me who it was. Perhaps she has changed her style but she was perfect the way she was. We have not enjoyed this CD overall.
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Posted May 18, 2012
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Posted May 12, 2012
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Posted April 21, 2012
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Posted May 22, 2012
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Posted May 10, 2012
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Posted May 3, 2012
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Posted May 5, 2012
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Posted May 1, 2012
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Posted May 1, 2012
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Posted April 24, 2012
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Posted May 8, 2012
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Posted May 14, 2012
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Posted May 1, 2012
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Posted March 27, 2012
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Editorial Reviews
All Music Guide - Stephen Thomas Erlewine
Exorcizing the ghost of a failed relationship via the time-honored tradition of the breakup album, Norah Jones luxuriates in beautiful misery on Little Broken Hearts. Liberated by the separation but not quite ready to let it go, Jones achieves a curious subdued tension here, dressing unadorned confessionals in softly stylized studio noir created with the assistance of producer Danger Mouse, who collaborated with her the year before on the collective Rome. Seeming opposites -- the classicist meets the futurist -- Jones and Danger Mouse are well matched, as both artists are not as set in their ways as their individual reputations would suggest. Jones began to ...