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Little Infamies: Stories

Little Infamies: Stories

5.0 2
by Panos Karnezis

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Cunning, fantastical tales about a Greek village of the imagination, from a startling new talent

Panos Karnezis' remarkable stories are all set in the same nameless Greek village. His characters are the people who live there--the priest, the whore, the doctor, the seamstress, the mayor--and the occasional animal: a centaur, a parrot that recites Homer


Cunning, fantastical tales about a Greek village of the imagination, from a startling new talent

Panos Karnezis' remarkable stories are all set in the same nameless Greek village. His characters are the people who live there--the priest, the whore, the doctor, the seamstress, the mayor--and the occasional animal: a centaur, a parrot that recites Homer, a horse called History. Their lives intersect, as lives do in a small place, and they know each other's secrets: the hidden crimes, the mysteries, the little infamies that men commit.

Karnezis observes his villagers with a worldly eye, and creates a place where magic invariably loses out to harsh reality, a place full of passion, cruelty, and deep reserves of black humor. These stories recall the masters of the form--the wit and sophisticated playfulness of Saki and the primal fatalism of Prosper Merimee--but they are utterly original and prove that Karnezis is one of the freshest new voices in English fiction.

Editorial Reviews

The New Yorker
These fierce, twisted, and darkly funny stories are set in an unnamed Greek village, in what might be called the eternal present. Karnezis, a Greek writing in English, has a sharp, unsentimental eye for contemporary Greek life, while deftly adding intimations of the pagan past, as when a centaur in a traveling circus demands a raise. The connecting thread here is the spectacular untrustworthiness of the village's inhabitants, who are as wily as Odysseus: Father Yerasimo, the deeply pragmatic priest, engineers a miracle in front of a visiting bishop to impress his congregation; the one-armed Dr. Panteleon finds a loophole in the Hippocratic oath.
Publishers Weekly
Set in a backwater Greek village where a broken engagement can end in murder, the stories in Karnezis's debut collection are richly ironic antimorality tales. The characters are miscreants and dreamers: a priest so desperate to win the faith of his congregation that he stages a religious hoax; a doctor with hidden aspirations and a barkeep who knows all of the town's secrets. "Funeral of Stones" recounts the tale of mistreated twins whose father blames them for their mother's gruesome death in childbirth. They run away and plot a brilliant revenge against their father, infecting him with a deadly disease. What they don't reckon on is a miraculous antidote-antibiotics. In "Another Day on Pegasus," a bus driver nearly plows his vehicle into a rocky gulch, distracted by lustful fantasies about one of his passengers. In "Medical Ethics," the aging village doctor finishes a gynecological exam ("his mind was all that time occupied with the answers to the crossword he had left unfinished") only to be surprised by an impromptu marriage proposal from his virginal teenage patient. What's best about Karnezis's stories is not their sly plot twists or colorful portraits of village life (though these are good) but the deadpan conversations and monologues, alive with the author's subversive wit. The village doctor politely inquires about the teenager's stepfather. She politely answers, "He's still suffering from constipation. He says the medicines you've given him do him no good, and one of these days he's going to kill you." (Feb.) Copyright 2003 Cahners Business Information.
Library Journal
Remarkable characters, both human and animal, inhabit this entertaining collection of 19 short stories, folkloric tales of folly that bring a small Greek village to life. Father Yerasimo is a main character running throughout; in various tales, he stops a convict on a one-day pass from getting married on the first day of Lent, seeks justice for a widower who treats his children like unwanted dogs, and always tries to obey his earthly and religious vows. A horse named History, a canary who recites Homer, and a circus centaur who wants better working conditions aid in the creation of Karnezis's strange but beguiling world. The talented author, who was born in Greece but has lived in England since 1992, is a talented writer who has produced a compelling work. Highly recommended.-Lisa Rohrbaugh, East Palestine Memorial P.L., OH Copyright 2003 Reed Business Information.
Kirkus Reviews
Nineteen debut stories reflect daily life in a Greek village over many years. Greece, first of all, is a nation of villages-from the sooty neighborhoods of Athens down to the tiny place ("so poor it doesn't have a name") that's the epicenter of these tales. The first-time author (a Greek engineer living in Britain) knows the brusque clannishness of his native land and conveys the rhythms and tempers of its life with a deft touch. "Another Day on Pegasus," for example, is told from the perspective of a bus driver: a sort of Greek Ralph Kramden who argues with his conductor, insults (or flirts with) his passengers, and manages despite the odds to keep his bus ("Pegasus") running from day to day. Greek bureaucracy is portrayed in its harshest light in "Jeremiad," about the unhappy fate of an old man who gets to the Pension Office late and dies in the waiting room before his claim is settled. Shadows of the classical age stretch into the present in "Circus Attraction" and "Cassandra Is Gone," both about the career of a centaur who becomes the star attraction of a flyblown rural circus and falls in love with the tattooed lady (who may or may not be the original Cassandra of Agamemnon). "A Classical Education" (a small-town clerk's attempts to teach Homer to his parrot) has a Flaubertian tone to it, while "Sacrifice" (a brief sketch of a father and son who slaughter a murderous cow) has a bitter intensity reminiscent of Chekhov. The finest piece, "Immortality," is an elegiac, almost mystical account of villagers in the early 20th century as they beg a waylaid photographer to "make us live forever" by taking their picture. Fine and true: Karnezis breathes fresh life into traditional Greeksociety without mocking or sanitizing it (much like de Bernières's Corelli's Mandolin). Book-of-the-Month Club alternate selection

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Little Infamies

By Panos Karnezis


Copyright © 2002 Panos Karnezis
All rights reserved.
ISBN: 978-1-4299-2343-9


Since dawn the air had the sultriness of fermenting juices and later, just before lunch, the dog started barking for no reason and did not stop until Father Yerasimo chased her away with stones. He could not imagine then that the poor animal was only trying to warn him. Because no sooner had he washed his dish, fed the leftovers to the chickens, and sat on the veranda to drink a glass of wine, than a roar like the beating of an enormous vat echoed across the village. Father Yerasimo watched with fascination as his glass toppled, and the red wine spilled over the table.

'Shit!' he uttered. 'It's the Second Coming.'

On the trees the crows suddenly took flight as if a gun had been fired, and a herd of sheep not far away bunched together and started bleating. Father Yerasimo crossed himself. The first tremor was as imperceptible as the dynamite detonations that reached the village from the penitentiary mines; it made the grid cables sway a little, and the canary banged its wings against the wires of its cage. The momentary shadow of a cloud that passed in front of the sun fell on Father Yerasimo's humble house, increasing his terror. And when the door to the veranda creaked on its hinges, he shivered like the time he had heard the hiss of a demon during one of his failed exorcisms. 'Kyrie eleison me,' he whined, and touched the cross on his chest, remembering his pastoral failings. 'It's not my fault. I have tried my best. But those heathens have the heads of mules.'

He had hardly finished his penance when the concrete veranda started rocking, as if it were floating on water. The pair of rubber galoshes in the corner, which he wore in winter to walk the few yards from home to the church, jumped up and down, and the swinging storm lantern on the wall rained paraffin on his threadbare cassock, but such was his shock that he did not move.

Then, as suddenly as it had started, the earthquake stopped.

For a while there was silence except for the occasional shattering of loose tiles slipping off roofs. The birds returned to the trees, while inside its cage the canary shrunk on its perch. In the square, in front of the church, people started arriving from every direction like a hunted herd. With them they carried the things they had salvaged from their homes: dishes of fake china, a shotgun with its cleaning rod, a wall clock whose cuckoo had fallen off its spring mechanism, the money from under the mattress, a still smoking Russian samovar, a bride-to-be her hired tulle gown, the mayor the cast-iron typewriter he had paid for with municipal funds, and someone else was pushing the bed with his sick grandparents still in it.

'The battle of Armageddon has begun!' Father Yerasimo shouted malevolently from his veranda. 'Too late for you to repent now.' They looked at him, shamefaced. 'Don't say I didn't warn you,' the priest added.

They were still in the square debating what to do when the terror returned. The earthquake announced its second attack by tolling the church bells, and although the belfry endured the subterranean violence, shaking like a fishing rod, the delicate mechanism of its clock did not, and its iron hands stopped at that hour of misfortune. The villagers could only watch as the ground beneath their feet rippled and the cypresses dropped their cones. The plaster of the murals inside the church broke up, and a moment later the big blue letters above the door of the town hall fell off one by one. Soon after the balcony slipped off its cantilevers too, and landed on the ground in one piece: floor, railing, flagpole and the deckchair in which the mayor used to take his afternoon naps.

The destruction continued among the laments of the villagers. Houses that found themselves in the path of the earthquake surrendered to its force: roofs caved in, chimneys toppled and blocked the streets, and adobe sheds disintegrated to piles of dust and straw. But the villagers had little time to grieve the loss of their property. Suddenly there was a noise of cracking stone and masonry, then a cloud of dust arose and from the cloud emerged the horns of a bolting cattle herd.

The people sought refuge inside the church of St Timotheo. A family of Jehovah's Witnesses, whom Father Yerasimo did not let in, climbed as high as they could on the cypresses in the courtyard, held tight to the dense branches and said their prayers, while underneath the cattle rushed past, heading towards the other end of the village. When the herd had disappeared, Father Yerasimo held his breath and discovered that the earthquake was also gone. He then carefully opened the church doors, looked left and right, and said with a sigh: 'This village is drawn to misery like moths to a light.'

They had to count themselves three times to be sure that no one was missing and after that the people began work. The blacksmith assessed the damage to the church clock. He concluded that the only thing the mainspring and the wheels needed was straightening and the clock would be ticking again, but the village unanimously voted to leave it as it was, so that it would forever remind them of the disaster. Some men followed the barber to his shop, where they cleared the dust in the air with a pair of bellows from the smithy, stepped over the fallen crossbeams, moved the leather chair out of the way, and lifted the heavy panel with the carved cherubs that had come off the wall, already knowing what they would find underneath: of the exquisite mirror, which the barber had bought cheaply from a fading city beauty with an obsessive habit of counting her wrinkles, there remained only a heap of sharp, reflecting splinters. But nothing saddened the men more than the news they heard next: Sapphire's house on the edge of the village, the one with the whitewashed walls and the carmine shutters, the pots of basil and rosemary, and the half-open door with the horseshoe on, had turned into a pyramid of colourful rubble. Only Father Yerasimo was pleased: 'At last,' he said, 'the house of sin is cast into Hell.'

It was evening when the wind turned and they finally heard the shrieks of the peacocks that lived at the cemetery. When the crowd got there, lifted the twisted iron gate off its hinges and walked in, they discovered that the passing of the earthquake had not only split the ground into countless pits, broken the tombstones to pieces, and devastated the small glass shrines with the oil candles that had not been filled for years and the vases of dried-up amaranths that had never been watered, but also — and worst of all — had exhumed the coffins of their ancestors.

They tried to push the coffins back in but it was a vain effort, because as soon as they touched them the worm-eaten planks would crumble. So they decided to make new coffins. The men worked all night in the light of lanterns and all through the next day too, while the women were told to take out the bones, and mark them so they would not get mixed up. It was during this time that they chanced upon a coffin filled with books, and Father Yerasimo, embarrassed, hurried to explain that it was a pile of worthless paper filled with the lies of blasphemous and ignorant heretics. But they made other discoveries too: inside another coffin they found a complete telegraph system next to the remains of a man afraid of being buried alive, and in yet another they were puzzled to see a liver in perfect condition under the bleached bones of a notorious drunk; the doctor explained that it was the alcohol that had preserved it.

They had almost finished piling up the unearthed coffins when a particularly small one caught Father Yerasimo's eye. It was not its size that intrigued him, because he knew that death was often tempted by the helplessness of children in the village, but what its flaking coat of paint revealed underneath: it was in fact a box for packing salted fish. But his greatest surprise came when, after using his shovel to break the rusty nails in its lid, and going down on his knees, he saw that rather than a child's remains the cheap wooden box contained eighteen heavy stones, each chiselled and polished to the unmistakable shape of a human heart.

It took two days to make the new coffins, and on the third the villagers, wearing crape made from women's garters, heard mass for the repose of the souls of the dead to the sound of cicadas. No sooner had Father Yerasimo said 'Dust to dust' than they were all on the road home, leaving him alone in the cemetery but for the undertaker who started covering the graves. Standing in front of the box of stones the priest felt an overwhelming loneliness. No one could remember the exact location where it had been found — or they would not tell him. Father Yerasimo gave the box a frustrated kick. 'A sin has been committed,' he said. 'Some time ago I administered the last rites to a pile of stones.'

The cemetery was on top of a hill overlooking the village. The tombstones ruined by the earthquake had been made into a heap, and unadorned wooden crosses had taken their place. Father Yerasimo fed the corn and stale bread he had brought with him to the pair of peacocks before collecting their dropped feathers which he used to decorate the altarpiece. It was a day of clear and pleasant weather. Since the earthquake he had not been able to stop thinking about his mysterious discovery. During the two previous nights he had awoken with tears of mortal fear in his eyes, because he had dreamed of the destruction of Sodom and Gomorrah by a rain of brimstone and an earthquake, while on the morning of the mass he had heard noise coming from the closet where his vestments hung; holding his cross in his trembling hand and whispering a prayer of exorcism he had opened it, only for an enormous rat to jump out.

He had considered these the machinations of the Devil, and soon convinced himself that the very earthquake itself had been sent by God so that he would discover the box. Solving the mystery, therefore, would be the beginning of the long road of the village's penance, he thought. With that in mind, some time later he entered the civil guard station.

'You are wasting your time, Father,' the corporal said as soon as he saw him. 'And, more importantly, mine.'

'A sin has been committed,' Father Yerasimo said.

'That is your jurisdiction, Father, not mine.'

'There might be a crime involved, too. It is standard police procedure —'

'I'll look into it after I finish with these,' the civil guardsman said, and pressed his palm on a stack of criminal suits regarding the looting of private property after the earthquake. He added, ironically: 'In the meantime keep the stones safe, Father. They're crucial forensic evidence.'

Father Yerasimo blushed with anger. 'It was a sin,' he repeated stubbornly.

He was not a man to give up easily: he decided to do the inquiry himself. But he did not know where to start, and instead wandered the streets for hours, deep in thought. Whomever he came across he questioned about the extent of the damage to their property, but with such absent-mindedness that when their paths crossed again some time later he would ask the same thing and offer his sincere condolences anew.

Large parts of the village were in ruins. On his way to the square Father Yerasimo had to climb over the rubble of what was once a two-storey house with a fireplace on each floor and a broken jasmine shrub that used to reach all the way to its roof. Though the plant was now buried under many layers of brick, plaster and masonry, it still emitted the memory of its perfume. Not far away the earthquake had spared a stable. Donkeys and mules were tethered outside, and the owners had taken over their shelter. The priest stopped at the barber's shop, where the barber, on all fours, was piecing together the mirror.

'Don't step on the shards, Father,' the barber said, with a bottle of glue in his hand. 'Unless you are so light you can also walk on the sea.'

Father Yerasimo obeyed. He lifted a chair lying upside down on the floor, wiped the seat with the cuff of his cassock and sat down. The little shed was in a bad state. Deep cracks crossed the walls, and there was a big hole in the roof. In a corner the five-bulb chandelier lay on a pile of glass tears and dust. It reminded the priest of a dead swan.

He asked: 'Do you know anything about the stones in the box?'

'I have no idea, Father,' the barber replied immediately.

He was still bent over the mirror, but he had slowly turned so that he now had his back to the priest. Father Yerasimo observed him in silence. Out in the street women and children walked by carrying pails full of mortar. The barber started humming.

'Have you ever thought of losing your beard, Father?' he asked after a while. 'I'll do you a good price.'

The priest did not respond to the joke. He felt that it was an attempt to evade his questions.

'Strange,' Father Yerasimo persisted, stroking his beard. 'Because men tell their barber things they wouldn't even tell their wives.'

'Not me, Father. They say I am worse at keeping a secret than King Midas's barber.'

The priest did not believe him. But he knew that it would be bad tactics to show his suspicion at this early stage of his inquiry.

'Done,' said the barber after a moment. He stood up, and wiped his hands on his trousers. 'Will you give me a hand, Father?'

Father Yerasimo helped him hang the heavy mirror back on the wall. When they had finished, the barber asked: 'What do you think?'

Father Yerasimo looked at the mirror. It was like a mosaic made by an amateur. There were gaps between the shards and his reflection was so distorted that his face resembled that of a mule.

'This thing is only good for the House of Mirrors,' he said bitterly. And, unable to suppress his feelings any longer, he added: 'You're no better at repairing mirrors than telling lies, barber.'

That night his nightmares returned. Father Yerasimo cursed and sighed for a long time before admitting defeat in his efforts to fall asleep. He sat up in bed and looked out of the window. It was still several hours till dawn. His house had only one room: it was a bedroom, a study and a kitchen all in one. He put as much ground chicory — on account of his fragile finances — as coffee in the pot, a bit of sugar, and boiled the mixture over the spirit stove. He then wrapped himself in his cassock and sat in the same chair on the veranda from where he had watched the attack of the earthquake three days earlier. He drank the coffee while it was still burning and contemplated the horizon where the outline of the hills was barely visible. When he had finished his cup he made some more coffee and returned to the veranda, where he remained, deep in his thoughts, until the hills had taken on the colour of honey. Only when the cocks crowed did he remember that it was soon time for matins, and rushed to get dressed, saying: 'Forgive me, Lord. Even I have forsaken Thee.'

The service was so badly attended that it only increased his melancholy. In addition, he twice caught himself thinking about the irreverent burial while he consecrated the bread and wine. He offered Communion in a hurry and said the Our Father faster than usual. Then he woke up the old women who invariably fell asleep during the service, and when everyone was gone he removed his liturgical vestments and wore his dirty cassock again: he was now ready for another day of questioning.

He started with the coffee shop, where the waiter was surprised to see him so early. 'The only other time I remember you coming to the shop at this hour, Father,' he said from behind the counter, 'was when you ran out of Eucharist wine.'

Father Yerasimo liked him. The waiter was such a giant of a man that when he moved across the shop he reminded the priest of an ocean liner trying to dock without a tugboat. And his delicate manners had convinced Father Yerasimo that he was the most sincere, biggest-hearted man in the village. He brought the priest his coffee.

'That was some emergency,' said the priest, recollecting the event with both shame and childish mischievousness. 'I had to sneak out through the back, and even the psalmist didn't notice.' He checked his chuckle, and added, solemnly: 'I hope the Lord has since forgiven me for offering brandy that day.'

'I am sure he has, Father; it was one hundred and sixty proof, if you remember. I was saving it for my sister's wedding.'

'And I am grateful to you, my son,' Father Yerasimo said soberly.

He had taken a seat at a table near the counter. On the wall was a circle of dirt where the clock used to be. It was a clock in the shape of an enormous bottle cap with the logo of a popular beer brand on it, delivered free of charge to any retailer with an annual turnover of five thousand cases or over.

'Shame about the clock,' Father Yerasimo said.

The waiter looked at the mark on the wall with sadness.

'It was a good clock,' he said.


'The mechanism, yes. Seven rubies.'

Both men looked at the dirt mark on the wall in silence.

The waiter said: 'It only lost a minute a month.'

'Is that a fact?' Father Yerasimo shook his head, impressed, and quickly moved on. 'Today I need your help again, my son, but on another matter.'

Apart from the clock, the only other damage suffered by the shop during the earthquake was a piece of plaster falling from the ceiling on to the display refrigerator. Through the cracked glass of the refrigerator the priest watched the waiter washing dishes.

'My help, Father?'

'Yes. What can you tell me about the stones?'

'The stones?'

'The stones in the coffin.'

'The ... coffin?'


Excerpted from Little Infamies by Panos Karnezis. Copyright © 2002 Panos Karnezis. Excerpted by permission of Picador.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

What People are Saying About This

Ben Rice
Little Infamies is an astonishing and brilliant achievement by an exceptional and unique young writer. (Ben Rice, author of Pobby and Dingan)

Meet the Author

Panos Karnezis was born in Greece in 1967. He moved to England in 1992 to study engineering, and worked in industry before he started to write. He was awarded an MA in Creative Writing by the University of East Anglia. He lives in Oxford.

Panos Karnezis was born in Greece in 1967. He moved to England in 1992 to study engineering, and worked in industry before he started to write. He was awarded an M.A. in creative writing by the University of East Anglia. He lives in London.

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Little Infamies 5 out of 5 based on 0 ratings. 2 reviews.
Anonymous More than 1 year ago
Apprentice den.
Guest More than 1 year ago
I loved this book! It held my interest until the very end. I highly recommend it!