When airport delays are more exciting than the novel, you know you have a problem
I debated giving this novel two stars, based solely on the fact that the author was able to string words into sentences and sentences into paragraphs and maintain the a forward flow of events that might loosely be called a plot, but I think that that is just the overly generous 4th grade teacher in me. From beginning to end this book was a poorly structured, slow moving, burden upon the reader.
In the past, Sarah Waters' work has been delightful to read; Tipping the Velvet and Affinity are perennial favorites of mine and I can still become lost in Fingersmith, even on a 4th or 5th reading. Night Watch, while not nearly as engaging as the first "trilogy," had its highlights, and presented its own "war story" in a new light and I was greatly looking forward reading The Little Stranger.
My first inclination that something was wrong came when I was able to put the book down less than half an hour after starting it... while taxing on a runway, no less.
The Little Stranger starts off slowly, and never picks up speed. Even the parts that could arguably be called climaxes (and there is no single climax in the novel... it is more an elongated path with small uphills along the way) have no sense of urgency to them. I would like to be optimistic and say that Waters did this on purpose as a sort of metaphor, tying the structure of the novel and the action (if it can be called that) of the plot together in a way that mirrors the lives of the characters and makes a larger statement about the plight of upper middle/lower upper-class gentry following the war, but I feel that insisting as such would just my own attempt to justify one of my favorite authors writing such a disappointing tome.
Similarly disappointing are the characters and their seemingly one-sided personalities and reactions to the world around them. While a lack of clear motivation on a character's part can be intriguing ( when done properly, the reader is shocked and left wondering, "Why on Earth would he/she act that way, it makes no sense! I must read more to find out!), in The Little Stranger this omission simply comes across as an awkward failure to flesh out the 4 main characters. By failing to give the reader anyone to sympathize with (in the end I found the only likable character to be the 13 year old maid who wants nothing more than to get the hell out of the house!), an optimist might say that the author was being clever and saying that one might not always find a relatable character in every situation, but again I feel arguing this would just be a disillusioned fan's attempt to justify a flop.
With any luck, Waters will come out with a 6th novel that is half as spectacular as Fingersmith. Until then, save yourself the money and take this book out of the library if you feel that you must read it.
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