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Louisa May Alcott was born in Pennsylvania and grew up in Boston and Concord, Massachusetts, the setting for Little Women. Jo is based ...
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Louisa May Alcott was born in Pennsylvania and grew up in Boston and Concord, Massachusetts, the setting for Little Women. Jo is based on Louisa herself, and Meg, Beth, and Amy are inspired by Louisa's own three sisters.
Chronicles the joys and sorrows of the four March sisters as they grow into young ladies in nineteenth-century New England.
Alcott's standard gets bumped up to a Penguin Deluxe, complete with illustrated front and back covers, French flaps, and ragged paper. Very nice. Next time you're ordering new copies of LW, get this one.
Gr 5 Up
Louisa May Alcott's 19th-century classic is the story of the March sisters-Meg, Jo, Amy, and Beth-who live with their beloved Marmee, while their father is away serving as a chaplain during the Civil War. They must make many sacrifices during this time, but they learn that happiness is not dependent on riches, and trouble doesn't last forever. Rebecca Burns's homey, perfectly modulated voice easily moves from one character to another, and her narration for the male characters is credible. The CDs include tracking every three minutes. The companion ebook features automatic start-up, keyword searching, PDF printable format, table of contents, and index. A great choice for classes studying New England family life during the Civil War period-Kathy Miller, Baldwin Junior High School, Baldwin City, KS
|Suggestions for Further Reading||xxix|
|A Note on the Text||xxxi|
1. In the first two chapters, the girls use John Bunyan's The Pilgrim's Progress as a model for their own journey to becoming "little women." What was Alcott trying to say by using such a strongly philosophical piece of literature as the girls' model?
2. What purpose does Beth's death serve? Was Alcott simply making a sentimental novel even more so, or was this a play on morality and philosophy? Do you think Beth was intended to be a Christ figure?
3. Consider the fact that Beth will never reach sexual maturity or marry. What do you think this says about the institution of marriage and, more important, about womanhood?
4. Consider Jo's writing: While we are treated to citations from "The Pickwick Portfolio" and the family's letters to one another, we are never presented with an excerpt from Jo's many literary works, though the text tells us they are quite successful. Why is this?
5. Do you find it surprising that once Laurie is rejected by Jo, he falls in love with Amy? Do you feel his characterization is complete and he is acting within the "norm" of the personality Alcott has created for him, or does Alcott simply dispose of him once our heroine rejects him?
6. Some critics argue that the characters are masochistic. Meg is the perfect little wife, Amy is the social gold digger, and Beth is the eternally loving and patient woman. Do you believe these characterizations are masochistic? If so, do you think Alcott could have characterized them any other way while maintaining the realism of the society she lived in? And if this is true, what of Jo's character?
7. The last two chapters find Jo setting aside her buddingliterary career to run a school with her husband. Why do you think Alcott made her strongest feminine figure sacrifice her own life plans for her husband's?
8. Alcott was a student of transcendentalism. How and where does this philosophy affect Alcott's writing, plot, and characterization?
9. Do you believe this is a feminine or a feminist piece of work?