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| The Who | Primary Artist |
| Roger Daltrey | Tambourine, Vocals |
| Pete Townshend | Guitar, Vocals |
| Keith Moon | Drums, Vocals |
| John Entwistle | Bass, Vocals |
| Johnny Kidd | Composer |
| Benny Spellman | Composer |
| Pete Townshend | Composer |
| Mose Allison | Composer |
| Keith Moon | Composer |
| Jerry Capehart | Composer |
| Bill Curbishley | Executive Producer |
| John Entwistle | Composer |
| Sonny Boy Williamson [II] | Composer |
| Bobby Pridden | Producer, Engineer |
| Robert Rosenberg | Executive Producer |
| Naomi Neville | Composer |
| Andy Baldwin | Mastering |
| Andy Neill | Liner Notes |
| Richard Evans | Art Direction |
| Matt Hay | Pro-Tools |
| Cochran | Composer |
Editorial Reviews
All Music Guide - Fred Thomas
The night after the Who recorded the performance that would become Live at Leeds, a document of the ferocity and raw energy they were applying to their stage show in 1970, they drove down to the neighboring town of Hull and gave a second concert for a considerably more subdued audience. Over the years since its release, Live at Leeds was recognized as the definitive moment of the Who coming into their own as a live performance machine, and has been revered as one of the top live recordings of its time, capturing the band at their most fiery peak. Most of the material on Live at Hull 1970 has been released commercially before as part of one of several expanded repackagings ...