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| Johnny Cash | Primary Artist, Guitar, Vocals |
| Anita Carter | Guest Appearance |
| Earl Poole Ball | Piano |
| June Carter Cash | Guest Appearance |
| Jack Hale | Harmonica, Trumpet |
| Bob Lewin | Trumpet, Keyboards |
| Jim Soldi | Guitar |
| Bob Wootton | Guitar |
| W.S. Holland | Drums |
| Joe Allen | Bass |
| Johnny Cash | Composer |
| Guy Clark | Composer |
| Tom T. Hall | Composer |
| Kris Kristofferson | Composer |
| John Prine | Composer |
| Stan Jones | Composer |
| June Carter Cash | Composer |
| David Hough | Engineer |
| Harlan Howard | Composer |
| Marijohn Wilkin | Composer |
| Danny Dill | Composer |
| Merle Kilgore | Composer |
| Jerry Tubb | Mastering |
| Don Schlitz | Composer |
| Bill Arhos | Executive Producer |
| Terry Lickona | Producer, Liner Notes |
| Gary Briggs | Producer |
| Cameron Strang | Producer, Executive Producer |
| Sharon Cullen | Engineer |
| Gary Menotti | Director |
| David Loggins | Composer |
Editorial Reviews
All Music Guide - Mark Deming
Johnny Cash was fortunate enough to enjoy a massive resurgence of attention and respect in the last decade of his life, but while no one seemed to be paying much attention to him from the early '80s (when his contract with Columbia ran out) to 1994 (when the Rick Rubin-produced American Recordings reminded listeners that a great artist was still in our midst), Cash continued to make good-to-great records and play for fans around the world, and this album, taken from a 1987 taping session for the long-running television series Austin City Limits, shows the Man in Black was still in sterling form as he traveled beneath the radar of country radio and the hipster music press. ...