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| The Sir Douglas Quintet | Primary Artist |
| Doug Sahm | Guitar, Vocals |
| Augie Meyers | Organ, Accordion |
| Alvin Crow | Fiddle, Guitar |
| John Perez | Drums |
| Shawn Sahm | Guitar |
| Speedy Sparks | Bass |
| Butch Hancock | Composer |
| Doug Sahm | Composer |
| Augie Meyers | Composer |
| Jim Glaser | Composer |
| Cornelio Reyna | Composer |
| Alvin Crow | Composer |
| Dave Kirby | Composer |
| Huey P. Meaux | Composer |
| Rudy Martinez | Composer |
| Jerry Tubb | Mastering |
| Paul Gauvin | Composer |
| Terry Lickona | Liner Notes |
| Gary Briggs | Producer |
| Roger Erickson | Composer |
| Cameron Strang | Producer, Executive Producer |
| Glenn Martin | Composer |
Editorial Reviews
All Music Guide - Mark Deming
The Sir Douglas Quintet may have began life as an admirably nervy attempt by Doug Sahm and producer Huey P. Meaux to crash the Top 40 with a band of Texas rock & rollers during the height of the British Invasion, but Sahm's wide-ranging musical tastes would move in a single direction for only so long. With time, the enthusiastic Tex-Mex garage rock of the early Sir Doug sides took on strong blues, country, and norteño influences as their career wore on into the mid-'70s, when Sahm retired the band's moniker. In 1981, with dozens of new wave bands copping the Farfisa organ sound that anchored the Sir Doug hits of the '60s (and Joe "King" Carrasco making a career out of ...