Live at Radio City Music Hall 2003by Luther Vandross
The artist's sixteenth album, Luther Vandross Live at Radio City Music Hall 2003, is a virtual "best of" featuring six number one hits, including "Never Too Much," "Stop to Love," and the Grammy-winning "Here and Now." Other Vandross signature cuts include "Superstar," "House is Not a Home," and "If Only For One Night." See more details below
The artist's sixteenth album, Luther Vandross Live at Radio City Music Hall 2003, is a virtual "best of" featuring six number one hits, including "Never Too Much," "Stop to Love," and the Grammy-winning "Here and Now." Other Vandross signature cuts include "Superstar," "House is Not a Home," and "If Only For One Night."
- Release Date:
Performance CreditsLuther Vandross Primary Artist
Skip Anderson Keyboards
Ivan Hampden Drums
Brenda White-King Background Vocals
Byron Miller Bass
Cindy Mizelle Background Vocals
Roger Squitero Percussion
Arturo Tappin Soprano Saxophone,Guest Appearance
Phil Hamilton Guitar
Nat Adderley Keyboards
Patricia Lacy Background Vocals
Valerie Pinkston Background Vocals
Technical CreditsBrenda Russell Composer
Leon Russell Composer
Luther Vandross Composer,Producer,Executive Producer
Bonnie Bramlett Composer
Terry Steele Composer
Burt Bacharach Composer
Ray Bardani Engineer
Hal David Composer
Bobby Eli Composer
Wayne Garfield Composer
John Harris Engineer
David Romani Composer
Fonzi Thornton Producer
Stan Wallace Engineer
Stevie Wonder Composer
Vic Anesini Mastering
Nat Adderley Composer,Producer,Musical Director
Alli Art Direction
Jim Ervin Choreographer
Paul J. Falcone Engineer
Max Szadek Personal Assistant
Vinnie Barrett Composer
Shep Crawford Composer
Warryn Campbell Composer
Harold Lilly Composer
David L. Elliott Composer
David Elliot Composer
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Most Helpful Customer Reviews
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The problem with VanDross on this album, as on so many of his recordings, is that he simply refuses to sing a melodic line. Everything is wandering, wandering, wandering, to such an extent that not only are the lyrics seldom heard, but the notes are simply played with. He must drive songwriters crazy! I've come to the conclusion that he's afraid to sing anything straight on because he can't.
I love this album... It's like you are right there. If you have ever had the pleasure of attending one of his concerts you know what it's like. You will not be disappointed. My favorites? ALL OF THEM!
As a teenager, I saw Luther live for the first time 18 years ago in San Francisco. I lost a shoe (and my date) at the concert. Then, as now, I was struck by his consumate showmanship combined with his masterful song styling. This CD captures all of that live for the first time. The tunes are a well-chosen mixture of old and new, the supporting musicians are excellent, and the backup singer harmonies are so tightly woven, you can't get a sheet of paper between the chords. ("Stop to Love, "Creepin") LV's bantering with his backups and the audience ("the last album...with the leather jacket and the cheekbones") provide you with a true feel for the Vandross concert experience. He has just as much fun as you do. The CD is worth the price for the live recording of "Superstar/Till You Come Back to Me" alone. (Be sure to check out Nat Adderley Jr.'s breakout on the piano-it's a fine example of the sheer joy of performance, even after what must now be nearly a thousand performances.) I have to disagree with the reviewer who wrote that LV can't sing a straight melody. He CAN and DOES several times (Stop to Love, "Can I Take You Out "), but anyone with a voice can follow the notes. Rising above the pedestrian happens when the artist goes beyond the score to bring the music alive in all of its pathos and joy. There's no other balladeer of the last 30 years who evinces the same ability to perform a song and completely make it his own. In my opinion, LV goes down with Arthur Prysock, Frank Sinatra, Sammy Davis Jr. and Billy Eckstine as a vocal artist, not just a singer. Is his voice the same as 18 years ago? Maybe not, but neither is Pavarotti's, it's the nature of the instrument), Still, very, very few performers can stand flat-footed on a stage and start a song a capella, in perfect pitch, at top volume ("I'd Rather Have Bad Times"). One regret: this isn't also available in video format. Otherwise, I can only say thanks, Luther, for all the fine performances and for this CD to tide us over until you come back to us. Get well soon, Superstar, I plan to be there when you perform live again!
I attended this live recording in February 2003. My boyfriend suprised me with concert tickets! I'm so thankful that I got to see LV perform - one last time. The CD is superb!
You can sing for the heavenly Father now my sweet man. God bless you as you have blessed us with your wonderful music. And even though we will miss the physical you, you have left us so much of you in your music to cherish for the rest of our lives. Loving you always and forever, for you have taught us the Power Of Love. So sleep now my love ... you've earned it.
I cant stop playing his music still after he has been gone this long... I am lost without your songs that touch me so deeply. I only wish I could have seen him in person or meet this wonderfull man. All of his CD's I cherish and play them constantly. This CD and Dance with my father are his best. Is there anyone out there with a voice like Luthers that I might find to listen to?