Overview

First Published in 2008. Routledge is an imprint of Taylor & Francis, an informa company.
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Liveness

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Overview

First Published in 2008. Routledge is an imprint of Taylor & Francis, an informa company.
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Editorial Reviews

Booknews
Looking at specific instances of theater rock music, sport, and courtroom testimony, Auslander (performance and cultural studies, Georgia Institute of Technology, US) inquires into the status of live performance in a culture dominated by mass media. He finds that media technology has encroached on live events to the point that many are hardly live anymore. Annotation c. Book News, Inc., Portland, OR (booknews.com)
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Product Details

  • ISBN-13: 9780203938133
  • Publisher: Taylor & Francis, Inc.
  • Publication date: 1/2/2008
  • Sold by: Barnes & Noble
  • Format: eBook
  • Edition number: 2
  • Pages: 224
  • File size: 607 KB

Meet the Author

Philip Auslander is a Professor in the School of Literature, Communication, and Culture of the Georgia Institute of Technology where he teaches Performance Studies, Media Studies, and Popular Music. He is a contributing editor to the US-based TDR: The Journal of Performance Studies and the Journal of American Drama and Theater, as well as the UK-based Performance Research and Journal of Performance Arts and Digital Media. He contributes regularly to these and other journals and has published five books, including Presence and Resistance: Postmodernism and Cultural Politics in Contemporary American Performance (University of Michigan, 1992), From Acting to Performance: Essays in Modernism and Postmodernism (Routledge, 1997), and Liveness: Performance in a Mediatized Culture (Routledge 1999). He received the prestigious Callaway Prize for the Best Book in Theatre or Drama for Liveness. His most recent book is Performing Glam Rock: Gender and Theatricality in Popular Music (University of Michigan, 2006). Auslander is the editor of Performance: Critical Concepts, a reference collection in four volumes published by Routledge in 2003 and, with Carrie Sandahl, co-editor of Bodies in Commotion: Performance and Disability (University of Michigan Press, 2005). In addition to his scholarly work on performance, Prof. Auslander writes art criticism for ArtForum and other publications.

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Table of Contents

Acknowledgements
1 Introduction: "An Orchid in the Land of Technology" 1
2 Live performance in a mediatized culture 10
Teevee's playhouse 11
Is it live, or...? 23
Against ontology 38
Got live if you want it 54
3 Tryin' to make it real: live performance, simulation, and the discourse of authenticity in rock culture 61
Rock culture and the discourse of authenticity 62
Seeing is believing 73
I want my MTV 85
Panic Clapton 94
4 Legally live: law, performance, memory 112
Teevee's courthouse, or the resistible rise of the videotape trial 114
You don't own me: performance and copyright 131
Law and remembrance 153
5 Conclusion 158
Bibliography 163
Index 173
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