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Living Images: Japanese Buddhist Icons in Context( ARC- Asian Religionsand Cultures)
     

Living Images: Japanese Buddhist Icons in Context( ARC- Asian Religionsand Cultures)

by Robert Sharf (Editor)
 

Buddhist images are ubiquitous in Japan, yet they are rarely accorded much attention in studies of Buddhist monastic traditions. Scholars of religion tend to regard Buddhist images as mere symbols or representations of religious ideals, commemorations of saints and patriarchs, ancillary aids to meditative practice, or the focus of lay piety. Art historians approach

Overview

Buddhist images are ubiquitous in Japan, yet they are rarely accorded much attention in studies of Buddhist monastic traditions. Scholars of religion tend to regard Buddhist images as mere symbols or representations of religious ideals, commemorations of saints and patriarchs, ancillary aids to meditative practice, or the focus of lay piety. Art historians approach these images as works of art suitable for stylistic and iconographic analysis. Yet neither of these groups of scholars has adequately appreciated the centrality and significance of images and image worship in Japanese monastic practice.

The essays in this volume focus on the historical, institutional, and ritual context of a number of Japanese Buddhist paintings, sculptures, calligraphies, and relics—some celebrated, others long overlooked. Robert H. Sharf’s introduction examines the reasons for the marginalization of images by modern Buddhist apologists and Western scholars alike, tackling the thorny question of whether Buddhists were in fact idolators.

The essays by Paul Groner and Karen Brock document and explicate the crucial role that sacred images played in the lives of two eminent medieval clerics, Eison and Myoe. James Dobbins looks at Shin representations of Shinran, founder of the Shin school of Pure Land Buddhism, and finds that early Shin piety was centered as much on Shinran and his images as on the Buddha Amida himself. Robert H. Sharf’s essay on the use of Tantric mandalas reveals that, contrary to received opinion, such mandalas were not used as aids to ritual visualization but rather as vivified entities whose presence ensured the efficacy of the rite.

In each case, the authors find that the images were treated, by elite monks and unlettered laypersons alike, as living presences with considerable apotropaic and salvific power, and that Japanese Buddhist monastic life was centered around the management and veneration of these numinous beings.

Editorial Reviews

From the Publisher
“This groundbreaking work will change the way in which we study and understand Buddhist images and their functions in Japanese religion and culture. It does an excellent job [including 55 illustrations] of presenting new or little-known material and of contributing a new understanding of familiar material by treating it in an original manner.”—Fabio Rambelli, Sapporo University

"It is a must-read for any scholar of Japanese Buddhist art, doctrine and practice."—H-Net Reviews

"This small volume is one of the best collections to be produced in East Asian studies in the last few years."—Histoire Sociale/Social History

Booknews
This collection of four essays offers case studies of the use of images in Japanese Buddhism. The word "icon" is employed consciously; in his lengthy introduction Robert Sharf (Buddhist studies, U. of Michigan) stresses the power these images had and still have for believers and the tendency of scholars of both religion and art history to underplay their power. The individual topics examine the use of portraits of Shinran in medieval Pure Land Buddhism, Myoe's vision of the Kasuga deity, the use of icons and relics by Eison, and mandalas in Shingon Buddhism. Annotation c. Book News, Inc., Portland, OR (booknews.com)

Product Details

ISBN-13:
9780804739894
Publisher:
Stanford University Press
Publication date:
01/28/2002
Series:
Asian Religions and Cultures Series
Edition description:
1
Pages:
288
Product dimensions:
6.13(w) x 9.25(h) x 0.80(d)

Meet the Author

Robert H. Sharf is Associate Professor of Buddhist Studies at the University of Michigan. He is the author of Coming to Terms with Chinese Buddhism: A Reading of the "Treasure Store Treatise." Elizabeth Horton Sharf is Master of Arts Program Advisor at the Center for Japanese Studies, University of Michi

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