Lola Versus the Powerman and the Moneygoround, Part One

( 1 )

Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
"Lola" gave the Kinks an unexpected hit and its crisp, muscular sound, pitched halfway between acoustic folk and hard rock, provided a new style for the band. However, the song only hinted at what its accompanying album Lola Versus the Powerman and the Moneygoround, Part One was all about. It didn't matter that Ray Davies just had his first hit in years -- he had suffered greatly at the hands of the music industry and he wanted to tell the story in song. Hence, Lola -- a loose concept album about Ray Davies' own psychosis and bitter feelings toward the music industry. Davies never really delivers a cohesive story, but the record holds together because it's one ...
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Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
"Lola" gave the Kinks an unexpected hit and its crisp, muscular sound, pitched halfway between acoustic folk and hard rock, provided a new style for the band. However, the song only hinted at what its accompanying album Lola Versus the Powerman and the Moneygoround, Part One was all about. It didn't matter that Ray Davies just had his first hit in years -- he had suffered greatly at the hands of the music industry and he wanted to tell the story in song. Hence, Lola -- a loose concept album about Ray Davies' own psychosis and bitter feelings toward the music industry. Davies never really delivers a cohesive story, but the record holds together because it's one of his strongest set of songs. Dave Davies contributes the lovely "Strangers" and the appropriately paranoid "Rats," but this is truly Ray' show, as he lashes out at ex-managers the boisterous vaudevillian "The Moneygoround", publishers "Denmark Street", TV and music journalists the hard-hitting "Top of the Pops", label executives "Powerman", and, hell, just society in general "Apeman," "Got to Be Free". If his wit wasn't sharp, the entire project would be insufferable, but the album is as funny as it is angry. Furthermore, he balances his bile with three of his best melancholy ballads: "This Time Tomorrow," "A Long Way From Home," and the anti-welfare and union "Get Back in Line," which captures working-class angst better than any other rock song. These songs provide the spine for a wildly unfocused but nonetheless dazzling tour de force that reveals Ray's artistic strengths and endearing character flaws in equal measure.
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Product Details

  • Release Date: 12/7/2004
  • Label: Sanctuary Uk
  • EAN: 5050749206329
  • Catalog Number: 63
  • Sales rank: 47,170

Tracks

Disc 1
  1. 1 The Contenders (2:42)
  2. 2 Strangers (3:19)
  3. 3 Denmark Street (2:01)
  4. 4 Get Back in Line (3:04)
  5. 5 Lola (4:01)
  6. 6 Top of the Pops (3:39)
  7. 7 The Moneygoround (1:46)
  8. 8 This Time Tomorrow (3:21)
  9. 9 A Long Way from Home (2:26)
  10. 10 Rats (2:39)
  11. 11 Apeman (3:52)
  12. 12 Powerman (4:17)
  13. 13 Got to Be Free (2:59)
  14. 14 Got to Be Free (2:58)
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Album Credits

Performance Credits
The Kinks Primary Artist
Dave Davies Guitar, Harmonica, Keyboards, Vocals
Ray Davies Guitar, Vocals
Mick Avory Drums
John Dalton Bass Guitar, Background Vocals
John Gosling Keyboards
Technical Credits
Ray Davies Composer, Producer
Mike Bobak Engineer
J. Fred Coots Composer
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Customer Reviews

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Sort by: Showing 1 Customer Reviews
  • Posted December 10, 2011

    Not sure it's what it was stated to be.

    I love this recording, but, it' stated that it's a remaster but it's not stated anywhere on the CD or the booklet. Every other CD that I have that is stated to be a remaster makes that statement in it's advertising, and does state so on the CD or package.

    0 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
Sort by: Showing 1 Customer Reviews