Long Live the Kane

( 1 )

Editorial Reviews

All Music Guide - Stanton Swihart
Even though he spends a good 90% of the album boasting about his skills and abilities on the microphone, and cutting those of other MCs, Big Daddy Kane consistently proves himself a thrilling artist on his debut album, Long Live the Kane, one of the most appealing creations from the original new school of rap. This debut captures the Big Daddy Kane who rocked the house at hip-hop clubs and verbally cut up any and all comers in the late '80s with his articulate precision and locomotive power -- the Big Daddy Kane who became an underground legend, the Big Daddy Kane who had the sheer verbal facility and razor-clean dexterity to ambush any MC and exhilarate anyone who ...
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Editorial Reviews

All Music Guide - Stanton Swihart
Even though he spends a good 90% of the album boasting about his skills and abilities on the microphone, and cutting those of other MCs, Big Daddy Kane consistently proves himself a thrilling artist on his debut album, Long Live the Kane, one of the most appealing creations from the original new school of rap. This debut captures the Big Daddy Kane who rocked the house at hip-hop clubs and verbally cut up any and all comers in the late '80s with his articulate precision and locomotive power -- the Big Daddy Kane who became an underground legend, the Big Daddy Kane who had the sheer verbal facility and razor-clean dexterity to ambush any MC and exhilarate anyone who witnessed or heard him perform. There are missteps here, to be sure -- especially "The Day You're Mine," on which Kane casts himself as a loverman over a stilted drum machine and lackluster, cheesily seductive singing offering a glimpse of the particular corner into which he would eventually paint himself. But there are also plenty of legitimate early hip-hop classics, none of which have lost an ounce of their power, and all of which serve as reminders of a time and era when hip-hop felt immediate, exciting, fresh, and a little bit dangerous in the figurative, rather than literal, sense, and when hip-hop spawned commercial tastes of the moment rather than surrendering to them. Although his next album would be nearly the artistic equal of the debut -- and, in many ways, even bettered it -- Big Daddy Kane would never sound as compelling or as fresh as on this first effort.
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Product Details

  • Release Date: 10/25/1990
  • Label: Warner Bros / Wea
  • UPC: 075992573122
  • Catalog Number: 25731
  • Sales rank: 26,412

Album Credits

Performance Credits
Big Daddy Kane Primary Artist, Vocals
Technical Credits
Marley Marl Producer
Antonio Hardy Composer
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Customer Reviews

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Sort by: Showing 1 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    I have got to give up to Big Daddy Kane.

    This classic debut showcase all his talents. When he was young and when nothing was or could hold him back. This album is one of the blueprints of hip-hop. Melle Mel said "hip-hop is to pick up the mic and CRUSH everything in front of you". Kane killed the mic and the rumored beef with the other greatest MC of the era, Rakim, had us on the edge of our seats. Until this day, his rhymes have maintained their intensity and even in 2006, are still considered to be some of the most lethal battle lyrics ever spit. I can’t say no more what’s already been said numerously. Every track on 'Long Live The Kane' is a truly classic. The tracks that steps up to me are "Set It Off" "Just Rhymin' With Biz" "Ain't No Half-Steppin" and "Raw." I would HIGHLY RECOMMEND this hip-hop essential to hip-hop fans from every division.

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Sort by: Showing 1 Customer Reviews