Long Player

( 1 )

Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
On their second album Long Player, the Faces truly gel -- which isn't quite the same thing as having the band straighten up and fly right because in many ways this is album is even more ragged than their debut, with tracks that sound like they were recorded through a shoebox thrown up against a couple of haphazardly placed live cuts. But if the album seems pieced together from a few different sources, the band itself all seems to be coming from the same place, turning into a ferocious rock & roll band who, on their best day, could wrestle the title of greatest rock & roll band away from the Stones. Certainly, the sheer force of the nine-minute jam on Big...
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Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
On their second album Long Player, the Faces truly gel -- which isn't quite the same thing as having the band straighten up and fly right because in many ways this is album is even more ragged than their debut, with tracks that sound like they were recorded through a shoebox thrown up against a couple of haphazardly placed live cuts. But if the album seems pieced together from a few different sources, the band itself all seems to be coming from the same place, turning into a ferocious rock & roll band who, on their best day, could wrestle the title of greatest rock & roll band away from the Stones. Certainly, the sheer force of the nine-minute jam on Big Bill Broonzy's "I Feel So Good" proves that, but what's more remarkable is how the band are dovetailing as songwriters, complementing and collaborating with very different styles, to the extent that it's hard to tell who wrote what; indeed, the ragged, heartbroken "Tell Everyone" sounds like a Stewart original, but it comes from the pen of Ronnie Lane. The key is that Stewart, Lane and Ron Wood Ian McLagan only co-write "Bad 'N' Ruin" are all coming from the same place, all celebrating a rock & roll that's ordinary in subject but not in sound. Take "Bad 'N' Ruin," the tale of a ne'er do well returning home with his tail between his legs, after the city didn't treat him well. It has its counterpart in "Had Me a Real Good Time," where a reveler insists that he has to leave, concluding that he was glad to come but also glad to get home. These are songs that celebrate home, from family to the neighborhood, and that big heart beats strong in the ballads, too, from the aching "Sweet Lady Mary" to the extraordinary reworking of Paul McCartney's "Maybe I'm Amazed," which soars in ways Macca's exceptional original never did. Then, there's there humor -- the ramshackle "On the Beach," the throwaway lines from Rod on "Had Me a Real Good Time" -- which give this a warm, cheerful heart that helps make Long Player a record as big, messy, and wonderful as life itself.
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Product Details

  • Release Date: 9/14/1993
  • Label: Warner Bros / Wea
  • UPC: 075992619127
  • Catalog Number: 1892
  • Sales rank: 38,735

Tracks

Disc 1
  1. 1 Bad 'N' Ruin (5:24)
  2. 2 Tell Everyone (4:18)
  3. 3 Sweet Lady Mary (5:49)
  4. 4 Richmond (3:04)
  5. 5 Maybe I'm Amazed (5:53)
  6. 6 Had Me a Real Good Time - Rod Stewart (5:51)
  7. 7 On the Beach (4:15)
  8. 8 I Feel So Good (8:49)
  9. 9 Jerusalem (1:53)
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Album Credits

Performance Credits
Faces Primary Artist
Rod Stewart Bass, Vocals
Ron Wood Guitar, Steel Guitar, Slide Guitar
Harry Beckett Trumpet
Ian McLagan Organ, Piano, Keyboards
Bobby Keys Saxophone, Alto Saxophone
Ronnie Lane Bass, Guitar, Vocals
Kenney Jones Drums
Technical Credits
Faces Producer
Martin Birch Engineer
Mike Bobak Engineer
Ronnie Lane Contributor
David Palmer Engineer
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Customer Reviews

Average Rating 4
( 1 )
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Sort by: Showing 1 Customer Reviews
  • Posted October 1, 2010

    more from this reviewer

    I Also Recommend:

    Faces with Rod Stewart

    This is another wonderful Faces album and Rod Stewart does some very fine work here. An album worth having, a must have for any Stewart fan.

    Was this review helpful? Yes  No   Report this review
Sort by: Showing 1 Customer Reviews