Long Time Coming

( 11 )

Overview

Stephen Swan is amazed when he hears that the uncle he thought had been killed in the Blitz is actually alive. For nearly four decades, Eldritch Swan has been locked away in an Irish prison and now, at last, has been released. Shocked and suspicious, Stephen listens to the old man’s story and is caught up in a tale that begins at the dawn of World War II, when Eldritch worked for an Antwerp diamond dealer with a trove of Picassos—highly valuable paintings that later disappeared. Stephen, who finds his uncle ...

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Long Time Coming

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Overview

Stephen Swan is amazed when he hears that the uncle he thought had been killed in the Blitz is actually alive. For nearly four decades, Eldritch Swan has been locked away in an Irish prison and now, at last, has been released. Shocked and suspicious, Stephen listens to the old man’s story and is caught up in a tale that begins at the dawn of World War II, when Eldritch worked for an Antwerp diamond dealer with a trove of Picassos—highly valuable paintings that later disappeared. Stephen, who finds his uncle by turns devious, charming, and brazen, then meets Rachel Banner, a beautiful American who may have inherited the Picassos—and is determined to see justice done for her family. But in this tale of revenge and redemption, justice is the ultimate illusion. Eldritch, Stephen, and the woman Stephen has fallen in love with soon find themselves fighting for their lives—against sinister forces still guarding a secret that must never be revealed.

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Editorial Reviews

From the Publisher
"When it comes to duplicity and intrigue, Goddard is second to none."—Daily Mail

“[Robert Goddard’s novels are] too good to gulp.”—Stephen King
 
“[Robert] Goddard is a master of the sly double and triple cross.” —Seattle Times

Marilyn Stasio
Robert Goddard is a consummate storyteller who constructs a narrative with the sleight-of-hand skills of a pickpocket. That special talent for manipulation is itself the theme of Long Time Coming, a titillating portrait of a charming con man who is outmaneuvered in one historical period and gets his revenge, nearly four decades later, by working that old black magic on his own nephew…In the end, it's a pleasure to have been strung along by such a master of the art.
—The New York Times
Publishers Weekly
In this irresistible thriller full of deceit, duplicity, and vengeance, British author Goddard (Name to a Face) shifts effortlessly between 1976, when 68-year-old Eldritch Swan, thought killed in the Blitz, resurfaces from 36 years in an Irish prison, and 1940, when Eldritch, a cocksure secretary for an unscrupulous Antwerp diamond merchant, Isaac Meridor, prepares to leave for America. The older Eldritch, who appears as weird as his given name implies, assures his nephew, Stephen, he’d been framed in Dublin for unspecified “offenses against the state,” though he admits to helping steal Meridor’s Picasso collection. Eldritch needs Stephen’s help to prove the collection rightfully belongs to Meridor’s wife, daughter, and granddaughter, Rachel Banner. Bit by tantalizing bit the convoluted tale of Eldritch’s unknowing involvement in high wartime crimes and misdemeanors during Britain’s “finest hour” emerges, deftly counterpointed by Stephen’s growing attachment to Rachel. (Mar.)
Kirkus Reviews
Goddard's latest period suspenser (Sight Unseen, 2007, etc.) combines World War II, the Irish Troubles and a disreputable uncle. Returning to England after resigning from both his position with an oil company and his American fiancee, Stephen Swan learns that he won't be the only newcomer to his mother's guest house in Paignton. Eldritch Swan, just released from an Irish prison after serving 36 years, has asked to stay with his late brother's family, whom he's never met, until he can get his feet beneath him. Uncle and nephew fail to bond. Apart from assuring Stephen that his prison term wasn't for a violent crime and hinting that he was an innocent who was framed, Eldritch refuses to reveal why he's been jailed since 1940; if he ever told a soul, he adds, he'd be sent back. His plan for getting on his feet doesn't exactly inspire confidence. Approached by a lawyer whose shadowy client is willing to pay £50,000 for proof that American tycoon Jay Brownlow's collection of Picassos was stolen from Antwerp diamond merchant Isaac Meridor as he fled the approaching Nazis, Eldritch indicates that he's the perfect man for the job-because he helped steal them. Goddard tacks back and forth between 1976 and 1940, dexterously raising new and deeper questions, then unfolding just enough of Eldritch's colorful history to answer them, or at least to encourage both his nephew and Meridor's granddaughter Rachel Banner to ever-greater complicity in his schemes. The suspect Eldritch fingers is unctuous, untouchable Miles Linley, now Sir Miles, for whom Eldritch fagged at school and for whom he ran an increasingly dodgy series of subdiplomatic errands as Hitler threatened Ireland and Churchill waitedanxiously to see whether Eamon de Valera would support England, remain neutral or work for a German victory. More scattershot and less inevitable-seeming than Goddard's best work, but also sharper-edged than usual. Eldritch's checkered career marks a welcome change from the author's customary, sometimes oppressive, suavity.
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Product Details

  • ISBN-13: 9780385343619
  • Publisher: Random House Publishing Group
  • Publication date: 3/2/2010
  • Pages: 432
  • Sales rank: 949,308
  • Product dimensions: 5.30 (w) x 8.02 (h) x 0.92 (d)

Meet the Author

Robert Goddard's first novel, Past Caring, was an instant bestseller. His first Harry Barnett novel, Into the Blue, was winner of the first WHSmith Thumping Good Read Award.  He lives in Truro, Cornwall.  Delta will publish the next Goddard novel, Found Wanting, in 2011.

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Read an Excerpt

Chapter One

My mother surprised me when she announced that my uncle was staying with her. It was the first of many surprises that were shortly to come my way. But of all of them it was probably the biggest. Because I’d only ever had one uncle. And I’d always been told he’d died in the Blitz.

I’d phoned her from Heathrow, to give her an idea of when I’d be arriving. I didn’t have the change for a long call. “We’ll have to make this quick,” I said. Maybe that was what prompted her to spring it on me. We’d spoken a couple of times over the previous week, while I was still in Houston. She’d said nothing about Uncle Eldritch then. Maybe her nerve had failed her. Maybe she’d doubted if I really was abandoning what she regarded as my glamorous existence in Texas. If not, I could be spared the revelation, at least for a while, that the old man wasn’t dead after all. But I’d gone ahead and left. So now I had to be told. And the lack of immediate opportunity for cross-questioning was a bonus.

“I ought to have mentioned it sooner, dear. Your uncle’s come to stay.”

“My uncle?”

“Eldritch. Your father’s elder brother.”

“But . . . he’s dead.”

“No, dear. That’s what your father always insisted we should pretend. But Eldritch is very much alive.”

“How can he be? Where the hell’s he been all my life?”

“In prison. In Ireland.”

“What?”

“I’ll explain when you get here.”

“Hold on.” But already I was talking over the pips. “Let’s just—”

“See you soon, dear,” my mother shouted. And then she put the phone down.

Perhaps I should have been grateful. But for Mum’s bombshell, I’d probably have spent the journey down to Paignton, as I had the overnight flight from Houston, wondering just how I’d allowed a disagreement with the corporate finance director at Sanderstead Oil to become a resigning issue, with disastrous consequences for my engagement to his daughter. “Because I’d wanted to” would have been the honest answer. Because the job and the engagement were both too good to be true and I was young enough to find worthier versions of both. But naturally I had my doubts about that. Part of me was gung ho and optimistic. Another part reckoned I’d been a damn fool.

I was pretty confident, nonetheless, that I’d be able to get back into the oil business whenever I chose. With the North Sea fields coming on-stream, there were plenty of openings for a geologist with my qualifications. First, though, I planned to spend a few weeks in Paignton, unwinding and taking stock. I hadn’t seen as much of my mother as I should have in the two years since my father’s death. The guesthouse kept her busy, at least in summer, but I wanted to reassure myself that she was coping as well as she claimed.

After the news of my uncle, all such thoughts went out of my head, of course. My mother’s matter-of-fact tone couldn’t disguise the enormity of what she’d actually said. Eldritch Swan of the exotic Christian name and raffish reputation had not been among the thousands of Londoners killed by the Luftwaffe in 1940. His death was a lie. And it soon occurred to me that his life might be a lie too. Nothing I’d been told about him accounted for several decades of imprisonment in Ireland. Evidently my father had decided I was better off not knowing the truth about his brother.

Or maybe he’d decided he was better off by my not knowing. A dead relative is more socially acceptable than an imprisoned one. I might have shot my mouth off to the neighbours about dear old banged-up Uncle Eldritch. And that would never have done. Grandad might have insisted on blanking his son out of the family, of course. That was a distinct possibility. But he’d been dead for more than twenty years. And the record had never been set straight. Until now.

My paternal grandfather, George Swan, was an engineer who rose to the higher echelons of management with the East African Railways and Harbours Administration, first in Kenya, then Tanganyika. His eldest son was christened Eldritch on account of his mother’s maiden name. His second son, my father, received the more conventional Neville as his label in life. The difference turned out to be prophetic, since Eldritch “racketed around Europe,” according to Dad, until the outbreak of war forced him to return to his homeland, only for a German bomb to score a direct hit on the Mayfair gambling den where he happened to be hunched over the baccarat table one night in the autumn of 1940. Meanwhile, my father, favoured, he’d often point out, with a less expensive education than his brother, worked for a shipping agent in Dar es Salaam and fought for his country with the Eighth Army in North Africa and Italy. At the end of the war, he transferred to the agent’s London office, where my mother was working as a typist. Courtship, marriage, parenthood, and suburbia duly followed.

My earliest memories are of our house in Stoneleigh. It backed onto the railway line, and on fine mornings Mum would take me into the garden after Dad had left for the station so we could wave to him as the Waterloo train rumbled past. The scene changed for good when Grandma and Grandad died within a few months of each other the summer I was eight. Dad inherited what he’d never describe more specifically than “a tidy sum.” It was enough for him to quit the shipping business and buy a guesthouse in Paignton, the seaside resort where we’d spent several summer holidays. He needed a lot of persuading by Mum to take the plunge, though. She was always the more enterprising of the two. My father was a cautious man, fretful with the slightest encouragement. But deceitful? I’d never have said so. Until now.

Paignton was a wonderful place to be a child. Zanzibar, as Dad named the guesthouse, was only a few minutes from the beach. Sun, sea, and sand were my summer-long companions. The sideshows on the pier; travelling fairs on the green; open-top bus rides to Torquay; rock-pooling at low tide: The real winner from the move to Devon was me.

Ordinarily, I’d have needed to fix that thought firmly in my mind when I got off the train in the middle of a chill grey March afternoon. Torbay Road, running between the station and the Esplanade, is a depressing drag to the adult eye of bucket-and-spade shops and slot machine joints. A walk along it, rucksack on back, suitcase in hand, had promised to test my spirits. Never were the oily charms of Houston likely to seem more bountiful.

As it was, though, I barely noticed my surroundings as I made my way towards the seafront. A dead uncle was waiting for me at Zanzibar. And a mother with a lot of explaining to do.

Zanzibar started life as one of a terrace of Victorian houses in a cul-de-sac off the Esplanade. Like most of its neighbours, it subsequently acquired the standard trappings of the local tourist trade: dormer window in the roof, striped awnings over the other windows and porch, palm tree out front (supplemented in the season with pot plants and hanging baskets), AA and other accreditations prominently displayed, illuminated Vacancies sign suspended in the ground-floor bay. It had been my home from the age of eight to eighteen and in many ways still was. It was stuffed full of memories. It held a part of me, however far or long I strayed.

The awnings were currently retracted. The palm wore a weatherbeaten look. And the fully lit Vacancies sign did not signal brisk business. But it did have one guest, of course—one very special guest. Unless you regarded him as a member of the family, which I wasn’t sure I did.

My mother must have been looking out for me. The front door opened as I approached and she appeared, pinnied and permed as ever, smiling her wide, toothy smile at the sight of her only child. “There you are, dear,” she called. “Come along in.”

We hugged in the hallway, the lingering fragrance of her lily-of-the-valley soap summoning the past with instant ease. How had the journey been? Was I hungry? What could she get me? It was the usual homecoming litany, recited with no reference to the news she’d broken over the phone. I opted for tea and a slice of Dundee cake and followed her into the kitchen, which Bramble, the waste-of-space cat she’d acquired since my father’s death, vacated as we entered, with the hint of a glare in my direction.

“Where is he, then?” I asked as she switched the kettle on, sensing she might launch blithely off into a series of questions about my career and the former fiancée she’d never met (and now never would) if I didn’t set the agenda.

“You mean Eldritch?”

“No, Mum. I mean the other ex-con you’ve taken in.”

“There’s no need to be sarcastic.” She spooned tea into the pot. “And don’t call him an ex-con.”

“But that’s what he is, isn’t it?”

“He’s not here at the moment. He goes to Torquay most days. I think he finds it more . . . sophisticated . . . than Paignton.”

“I suppose he has a lot of sophistication to catch up on.”

Mum sighed. “I’m sorry it had to come out of the blue, Stephen. I really am. It’s not my fault. Your father was adamant. So was your grandfather. They were ashamed of Eldritch. And what was I to do? I’d never even met him. I had no idea what it was all about.” The kettle had come to the boil as she spoke. She poured water into the teapot and rattled the lid back into place. “They said he’d never be let out. So, it was better to pretend he was dead.”

“But now he has been let out. Unless you’re going to tell me he’s on the run.”

“Don’t be ridiculous, dear. He’s an old man.”

“How did he wind up here?”

“He had nowhere else to go. I wrote to the Irish Prison Service when your father passed away, asking them to let Eldritch know. That’s how he was able to contact me. He wrote just before Christmas, saying they were going to release him and could he come and stay here until he’d found his feet. Well, I couldn’t turn him down, could I?”

“That depends.”

“What on?”

“What he was in for, to start with.”

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Customer Reviews

Average Rating 3.5
( 11 )
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Sort by: Showing all of 11 Customer Reviews
  • Posted January 13, 2010

    more from this reviewer

    This is a terrific thriller

    In 1976, sixty-eight year old Eldritch Swan arrives at his widow sister-in-law's home in Paignton after over three decades in an Irish prison. His nephew Stephen Swan is also heading to his mom's home having ended an engagement. Stephen is shocked to learn his paternal uncle is alive as he thought Eldritch died in the Nazi Blitz in 1940. He asks his Uncle Eldritch why he was incarnated all these years without anyone aware he still lived; the older man says he cannot tell anyone or he will die in that Irish prison.

    In 1940 Eldritch worked as secretary to Antwerp diamond merchant, Isaac Meridor. He insists he is innocent of the traitorous charges that locked him away, but admits he helped Miles Linley steal his employer's Picasso collection and has a chance to make some money from a lawyer whose client insists tycoon Jay Brownlow owns a stolen Picasso collection that Meridor's granddaughter Rachel claims is rightfully hers.

    This is a terrific thriller that effortlessly switches back and forth between 1940 and 1976 as what happened to obviously still roguish Uncle Eldritch is slowly answered with more questions arising. The two subplots are well written as Stephen and Rachel try to solve the modern day question of art ownership by deciphering the 1940 mystery with ties to Ireland's position on which side to support during WWII.

    Harriet Klausner

    3 out of 4 people found this review helpful.

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