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| Jeff Lynne | Primary Artist, Bass, Guitar, Piano, Drums, Rhythm Guitar, Keyboards, Vocals, Background Vocals, Vibes |
| Marc Mann | Strings |
| Steve Jay | Tambourine, Shaker |
| Jeff Lynne | Producer, Liner Notes |
| Roy Orbison | Composer |
| Richard Rodgers | Composer |
| Charles Trénet | Composer |
| Charlie Chaplin | Composer |
| Sammy Fain | Composer |
| Oscar Hammerstein II | Composer |
| Lorenz Hart | Composer |
| R. Miller | Composer |
| Howie Weinberg | Mastering |
| David Wild | Liner Notes |
| J. Lawrence | Composer |
| Ryan Corey | Art Direction, Illustrations |
| A. Lasry | Composer |
| H. Kretzmer | Composer |
| D. Everly | Composer |
| J. Melson | Composer |
| H. Warren | Composer |
| G. Parsons | Composer |
| E. Anderson | Composer |
| Dan Gerbarg | Mastering |
| Steve Jay | Engineer |
| Alton Douglas | Photo Courtesy |
Anonymous
Posted January 27, 2013
I was not a big ELO follower but I appreciated his producing talents that encompassed way more than ELO credits. I liked this album, having no expectation of ELO greatness to be apparent but merely because good music is good music is good music.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Flashfast
Posted December 10, 2012
Growing up a an ELO fan I became used to a great variety of sounds and styles from one great band. Unfortunately this Jeff Lynne solo release demonstrates that those days are far behind us. It appears that Jeff is just 'phoning it in' these days with this collection of remakes that all sound like one another, using a production style that he had over-used two decades ago. However, the worst part of this release is that it forces you to morn the loss of a once great voice. At the height of ELO's success Jeff was a singer of many talents; but that voice is long dead as we can clearly hear here.
ALL HAIL ELO!
Editorial Reviews
All Music Guide - Stephen Thomas Erlewine
When Jeff Lynne was growing up, he listened to music on longwave radio, soaking up all the sounds coming through the big radio in the living room. His 2012 tribute to these days, appropriately called Long Wave, is a far-reaching salute to the glory days of pop in the years before the Beatles. It's too easy to peg this as a standards album, a designation that isn't quite accurate. Lynne may cover many show tunes along with '50s favorites of big-band vocalists but he spends nearly as much time with rock & roll, and not just the operatic pop of his fellow Traveling Wilbury Roy Orbison, either. He cranks through Chuck Berry's "Let It Rock," slides into the ...