Look at me: Photographs from Mexico City by Jed Fielding

Overview

Sight is central to the medium of photography. But what happens when the subjects of photographic portraits cannot look back at the photographer or even see their own image? An in-depth pictorial study of blind schoolchildren in Mexico, Look at me draws attention to (and distinctions between) the activity of sight and the consciousness of form.

Combining aspects of his earlier, acclaimed street work with an innovative approach to portraiture, Chicago-based photographer Jed ...

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Overview

Sight is central to the medium of photography. But what happens when the subjects of photographic portraits cannot look back at the photographer or even see their own image? An in-depth pictorial study of blind schoolchildren in Mexico, Look at me draws attention to (and distinctions between) the activity of sight and the consciousness of form.

Combining aspects of his earlier, acclaimed street work with an innovative approach to portraiture, Chicago-based photographer Jed Fielding has concentrated closely on these children’s features and gestures, probing the enigmatic boundaries between surface and interior, innocence and knowing, beauty and grotesque. Design, composition, and the play of light and shadow are central elements in these photographs, but the images are much more than formal experiments; they confront disability in a way that affirms life. Fielding’s sightless subjects project a vitality that seems to extend beyond the limits of self-consciousness. In collaborative, joyful participation with the children, he has made pictures that reveal essential gestures of absorption and the basic expressions of our creatureliness.

Fielding’s work achieves what only great art, and particularly great portraiture can: it launches and then complicates a process of identification across the barriers that separate us from each other. Look at me contains more than sixty arresting images from which we often want to look away, but into which we are nevertheless drawn by their deep humanity and palpable tenderness. This is a monograph of uncommon significance by an important American photographer.

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Editorial Reviews

The Chicagoist
Fielding's human exploration of vision, perspective and vitality are captured by his acute detail to light and shadow, surface, and design, where documentary-style street photography meets portraiture.

— Jen Hazen

Australian Photography
[Fielding's] images, silver gelatin prints, are beautifully and simply composed, often shot in bare courtyards and on plain backdrops, and many have a hauting feel to them. Blind children are an unusual subject to photograph, and the images that result are faintly worrying, often almost surreal, but also highly expressive.

— Robert Keeley

Photography Collector
"Fielding's work achieves what only great art, and particularly great portraiture can: it launches and then complicates a process of identification across the barriers that separate us from each other. . . . This is a monograph of uncommon significance by an important American photographer."
The Chicagoist - Jen Hazen
"Fielding's human exploration of vision, perspective and vitality are captured by his acute detail to light and shadow, surface, and design, where documentary-style street photography meets portraiture."
Australian Photography - Robert Keeley
"[Fielding's] images, silver gelatin prints, are beautifully and simply composed, often shot in bare courtyards and on plain backdrops, and many have a hauting feel to them. Blind children are an unusual subject to photograph, and the images that result are faintly worrying, often almost surreal, but also highly expressive."
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Product Details

  • ISBN-13: 9780226248523
  • Publisher: University of Chicago Press
  • Publication date: 3/1/2009
  • Pages: 144
  • Product dimensions: 10.80 (w) x 13.20 (h) x 0.80 (d)

Meet the Author

Jed Fielding is an award-winning photographer who studied with Aaron Siskind and Harry Callahan at the Rhode Island School of Design, then earned his MFA from the School of the Art Institute of Chicago. He has photographed extensively in Peru, Greece, Egypt, Spain, the United States, and Italy and has been photographing in Mexico for more than thirty years. Fielding’s photographs have been widely exhibited and are represented in numerous private and public collections. His first book, City of Secrets: Photographs of Naples by Jed Fielding, was published in 1997. Britt Salvesen is director and chief curator of the Center for Creative Photography, University of Arizona, Tucson. Vince Aletti reviews photography exhibitions for the New Yorker’s “Goings on About Town” section and is currently an adjunct curator at the International Center of Photography, New York.

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