Lorca: Living in the Theatre

Lorca: Living in the Theatre

by Gwynne Edwards
     
 

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A biography of the legendary poet and dramatist.

 

In an attempt to cover as many aspects of Lorca's theatre as possible as well as the time in which he lived, Gwynne Edwards deals not only with the plays themselves but includes material on the social and political character of the 1920s and 1930s, on the cultural background, on Lorca's

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Overview

A biography of the legendary poet and dramatist.

 

In an attempt to cover as many aspects of Lorca's theatre as possible as well as the time in which he lived, Gwynne Edwards deals not only with the plays themselves but includes material on the social and political character of the 1920s and 1930s, on the cultural background, on Lorca's friendships with Dali and Bunuel in particular, and on the performances of the the plays in his lifetime and afterwards. Lorca is by far the best-known and most popular Spanish dramatist in the UK, the U.S., and other English-speaking countries, not to mention Europe. Anyone who wants to know more about Lorca will find it in this volume—not only students in academic institutions and drama schools, actors, or theater directors; this is a long overdue biography for the general reader.

Editorial Reviews

Library Journal
Federico Garcia Lorca, now considered one of the greatest poets and playwrights of the 20th century, was barely 38 years old when he was shot by Franco's Nationalists (intellectuals were considered dangerous) and his work was banned in Spain for many years. Edwards, a translator of Lorca's plays and professor of Spanish language and literature, also wrote Lorca: The Theatre Beneath the Sand. This excellent follow-up focuses on all of Lorca's plays, giving them an outstanding analysis that considers the influence of the social and cultural context as well as Lorca's sexuality and "personal demons." Lorca was aware at a young age that his identity as a gay man made him an outsider, and he identified with other outsiders (Jews, Gypsies, Muslims, the poor, etc.). His interest and involvement with artists and writers of the Symbolist and Surrealist movements, especially Dali, enabled him to write about sexual and social concerns in ways that were hidden or disguised, thus enabling him to explore what were then "dangerous" themes. Edwards's prose is clear, with wonderful detail illuminating Lorca's plays and, to some extent, his poetry. In addition to gaining a better understanding of Lorca's work, one also gains insight into the Spain of the 1920s and 1930s. Highly recommended for all theater and academic collections.-Susan L. Peters, Univ. of Texas, Galveston Copyright 2003 Reed Business Information.
From the Publisher
"Excellent... Edwards's prose is clear, with wonderful detail illuminating Lorca's plays and, to some extent, his poetry. In addtion to gaining a better understanding of Lorca's work, one also gains insight into the Spain of the 1920s and 1930s."  —Library Journal

"Excellently researched and deeply interesting . . . takes us further into Lorca's mind than most writers. . . . It is a pleasure to review a book that is compelling and vividly written and leaves us in the end holding the keys to [Lorca's] personality."  —Birmingham Post

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Product Details

ISBN-13:
9780720611489
Publisher:
Owen, Peter Limited
Publication date:
09/12/2003
Pages:
235
Product dimensions:
6.00(w) x 8.50(h) x 0.80(d)

Meet the Author

Gwynne Edwards has written extensively on Spanish culture.

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