Lord of the Flies

Overview

Edited and introduced by Yale University professor and distinguished literary critic Harold Bloom, Bloom's Guides are comprehensive study guides for both students and adults. Emphasizing summary and analysis, these volumes are designed to provide the necessary materials with which readers can gain a better understanding of the most widely read works in Western literature.

Key Features

Introductions by renowned...

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Overview

Edited and introduced by Yale University professor and distinguished literary critic Harold Bloom, Bloom's Guides are comprehensive study guides for both students and adults. Emphasizing summary and analysis, these volumes are designed to provide the necessary materials with which readers can gain a better understanding of the most widely read works in Western literature.

Key Features

Introductions by renowned critic Harold Bloom consider each work and its significance.

Brief biographical sketches offer insight into each author's life. "The Story Behind the Story" details the circumstances surrounding the inception and development of the work. Summaries with analysis review and explain key points of each work.

Selections from critical essays written by leading scholars provide accessible explorations of the work.

Annotated bibliographies direct readers to additional materials on the subject and explain the importance of each.

Essential for any student of literature looking to enhance his or her reading experience, Bloom's Guides are highly useful for test preparation, independent scholarship, or book group discussions.

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Product Details

  • ISBN-13: 9781604138146
  • Publisher: Facts on File, Incorporated
  • Publication date: 6/1/2010
  • Series: Bloom's Guides
  • Edition number: 2
  • Pages: 114
  • Product dimensions: 5.70 (w) x 8.60 (h) x 0.50 (d)

Meet the Author

Harold Bloom
Harold Bloom
One of our most popular, respected, and controversial literary critics, Yale University professor Harold Bloom’s books – about, variously, Shakespeare, the Bible, and the classic literature – are as erudite as they are accessible.

Biography

"Authentic literature doesn't divide us," the scholar and literary critic Harold Bloom once said. "It addresses itself to the solitary individual or consciousness." Revered and sometimes reviled as a champion of the Western canon, Bloom insists on the importance of reading authors such as Shakespeare, Milton, and Chaucer -- not because they transmit certain approved cultural values, but because they transcend the limits of culture, and thus enlarge rather than constrict our sense of what it means to be human. As Bloom explained in an interview, "Shakespeare is the true multicultural author. He exists in all languages. He is put on the stage everywhere. Everyone feels that they are represented by him on the stage."

Bloom began his career by tackling the formidable legacy of T.S. Eliot, who had dismissed the English Romantic poets as undisciplined nature-worshippers. Bloom construed the Romantic poets' visions of immortality as rebellions against nature, and argued that an essentially Romantic imagination was still at work in the best modernist poets.

Having restored the Romantics to critical respectability, Bloom advanced a more general theory of poetry. His now-famous The Anxiety of Influence argued that any strong poem is a creative "misreading" of the poet's predecessor. The book raised, as the poet John Hollander wrote, "profound questions about... how the prior visions of other poems are, for a true poet, as powerful as his own dreams and as formative as his domestic childhood." In addition to developing this theory, Bloom wrote several books on sacred texts. In The Book of J, he suggested that some of the oldest parts of the Bible were written by a woman.

The Book of J was a bestseller, but it was the 1994 publication of The Western Canon that made the critic-scholar a household name. In it, Bloom decried what he called the "School of Resentment" and the use of political correctness as a basis for judging works of literature. His defense of the threatened canon formed, according to The New York Times, a "passionate demonstration of why some writers have triumphantly escaped the oblivion in which time buries almost all human effort."

Bloom placed Shakespeare along with Dante at the center of the Western canon, and he made another defense of Shakespeare's centrality with Shakespeare: The Invention of the Human, an illuminating study of Shakespeare's plays. How to Read and Why (2000) revisited Shakespeare and other writers in the Bloom pantheon, and described the act of reading as both a spiritual exercise and an aesthetic pleasure.

Recently, Bloom took up another controversial stance when he attacked Harry Potter in an essay for The Wall Street Journal. His 2001 book Stories and Poems for Extremely Intelligent Children of All Ages advanced an alternative to contemporary children's lit, with a collection of classic works of literature "worthy of rereading" by people of all ages.

The poet and editor David Lehman said that "while there are some critics who are known for a certain subtlety and a certain judiciousness, there are other critics... who radiate ferocious passion." Harold Bloom is a ferociously passionate reader for whom literary criticism is, as he puts it, "the art of making what is implicit in the text as finely explicit as possible."

Good To Know

Bloom earned his Ph.D. from Yale University in 1955 and was hired as a Yale faculty member that same year. In 1965, at the age of 35, he became one of the youngest scholars in Yale history to be appointed full professor in the department of English. He is now Sterling Professor of Humanities at Yale and Berg Visiting Professor of English at New York University.

Though some conservative commentators embraced Bloom's canon as a return to traditional moral values, Bloom, who once styled himself "a Truman Democrat," dismisses attempts by both left- and right-wingers to politicize literature. "To read in the service of any ideology is not, in my judgment, to read at all," he told a New York Times interviewer.

His great affinity for Shakespeare has put Bloom in the unlikely position of stage actor on occasion; he has played his "literary hero," port-loving raconteur Sir John Falstaff, in three productions.

Bloom is married to Jeanne, a retired school psychologist whom he met while a junior faculty member at Yale in the 1950s. They have two sons.

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    1. Also Known As:
      Harold Irving Bloom (full name)
    2. Hometown:
      New York, New York and New Haven, Connecticut
    1. Date of Birth:
      July 11, 1930
    2. Place of Birth:
      New York, New York
    1. Education:
      B.A., Cornell University, 1951; Ph.D., Yale University, 1955

Table of Contents

Introduction 7

Biographical Sketch 9

The Story Behind the Story 11

List of Characters 14

Summary and Analysis 17

Critical Views 55

David Anderson on Golding's Difficult Christianity 55

Kathleen Woodward Discusses the Capacity for Evil in Children 58

Arnold Kruger Takes a New Look at the Character of Simon 60

James R. Baker Considers Golding, Huxley, and Modernity 63

Berthold Schoene-Harwood on Destructive Masculinity in Lord of the Flies 68

Paul Crawford on Human Depravity in the Novel 74

Mark Kinkead-Weekes and Ian Gregor Address the Symbolism of the Conch 79

Paula Alida Roy on the Absence of the Female in Lord of the Flies 82

Theodore Dalrymple Reflects on Human Depravity in the Novel 84

Peter Edgerly Firchow Examines the Implausible Beginning and Ending of Lord of the Flies 90

Works William Golding 95

Annotated Bibliography 96

Contributors 102

Acknowledgments 105

Index 107

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Sort by: Showing 1 Customer Reviews
  • Anonymous

    Posted March 18, 2010

    A Disturbing Novel

    It's a poorly written book. Golding managed to make a 200 page book out of a story that would only take the time required to read a short story.The sorry is also filled with irrelevant details that tend to be used as page fillers. The characters tend to only be developed enough for Golding to make the archetypal stereotypes manifest through the children. There are some allusions (mostly to biblical concepts ) when Simon has the dialogue with the Lord of the Flies(although I'm still not sure if that was supposed to be an indicator of how mentally unstable Simon was at that point, or Goldings comparison to Beelzebub). This book must have been some sort of anguish outlet for Golding because he goes into such a hassle just to describe all of Piggy's(an obese child with glasses) humiliations, that it makes one wonder if weather or not this was a therapeutic form for him to release all of his childhood traumas through Piggy. The book is simply disturbing, and I do not recommend you read unless it is required for your Middle-High school English class . It is an unforgettable reading , but not in a good way.

    0 out of 1 people found this review helpful.

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