Los de Atrás Vienen Conmigo [Explicit Lyrics]

Editorial Reviews

All Music Guide - Jason Birchmeier
Los de Atr?s Vienen Conmigo, the third album by Calle 13, follows a tremendous run of success in which the Puerto Rican urban music duo won six Grammys in the span of two years, was praised left and right by critics, and toured internationally, including crowd-pleasing performances at the Vi?a del Mar International Song Festival and the New Orleans Jazz & Heritage Festival. Like its predecessor, Residente o Visitante 2007, Los de Atr?s Vienen Conmigo is a step forward for Calle 13 -- another step away from the reggaet?n scene from which they arose and toward a fearlessly experimental style of urban music unlike anything else out there at the time of its release. In...
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Editorial Reviews

All Music Guide - Jason Birchmeier
Los de Atrás Vienen Conmigo, the third album by Calle 13, follows a tremendous run of success in which the Puerto Rican urban music duo won six Grammys in the span of two years, was praised left and right by critics, and toured internationally, including crowd-pleasing performances at the Viña del Mar International Song Festival and the New Orleans Jazz & Heritage Festival. Like its predecessor, Residente o Visitante 2007, Los de Atrás Vienen Conmigo is a step forward for Calle 13 -- another step away from the reggaetón scene from which they arose and toward a fearlessly experimental style of urban music unlike anything else out there at the time of its release. In fact, right off the bat, during the album's opening song, "Que Lloren," vocalist Residente distances himself from the reggaetón scene, taking rival reggaetoneros to task for their lyrical vacuousness and declaring Calle 13 the thinking-man's urban music. While that's more or less true from a lyrical standpoint, as once again Residente proves himself thoughtful, satirical, and twisted -- someone who embraces his reputation as an outsider, someone who prides himself on individuality -- the musical productions of Visitante are more rhythmically infectious and stylistically versatile than ever. If this is thinking-man's urban music, it's mighty funky at the same time. Indeed, the album's highlights -- of which there are many, among them "No Hay Nadie Como Tú," "Esto con Eso," "La Perla," "Electro Movimiento," "Fiesta de Locos," "Tal Para Cual" -- are production standouts, melding together an assortment of Latin rhythms, exotic instrumentation, and futuristic electronics. As on Residente o Visitante, many of the highlights are also collaborations: Café Tacuba is featured on "No Hay Nadie Como Tú," a five-minute tour de force that kicks the album into high gear after the opening salvo of "Que Lloren"; Juanes is featured as a guitarist on "Esto con Eso," though you wouldn't know if not for the liner note credits, as there's so much else going on in the song musically; in addition to percussionists La Chilinga, Rubén Blades is featured prominently on "La Perla," a seven-minute workout that is simply magnificent; Afrobeta, a heretofore more or less unknown act from Miami, is featured on the '80s freestyle throwback jam "Electro Movimiento"; and frequent collaborator PG-13 contributes to multiple songs, most notably on "Esto con Eso."
New York Times - Jon Pareles
One hemisphere isn’t enough for Calle 13: various songs draw on Balkan brass bands and Nigerian Afro-beat, as well as New Orleans jazz and retro electro-pop....Few hip-hop or urban acts, in any language, match so much ambition to so much fun.
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Product Details

  • Release Date: 10/21/2008
  • Label: Sony U.S. Latin
  • UPC: 886973680124
  • Catalog Number: 736801
  • Sales rank: 12,223

Tracks

Disc 1
  1. 1 Intro: Crónica de un Nacimiento (1:35)
  2. 2 Que Lloren (4:39)
  3. 3 No Hay Nadie Como Tú (4:53)
  4. 4 Gringo Latin Funk (4:16)
  5. 5 Ven y Critícame (4:27)
  6. 6 Esto Con Eso (4:10)
  7. 7 La Perla (6:58)
  8. 8 Electro Movimiento (3:16)
  9. 9 Intro Fiesta de Locos (0:18)
  10. 10 Fiesta de Locos (4:27)
  11. 11 Los de Atrás Vienen Conmigo (3:36)
  12. 12 Tal Para Cual (3:47)
  13. 13 Interlude Rasta Irie Man (0:22)
  14. 14 Bienvenidos a Mi Mundo (3:57)
  15. 15 John el Esquizofrénico (4:34)
  16. 16 Outro (0:47)
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Album Credits

Performance Credits
Calle 13 Primary Artist
Victor Vazquez Trombone
Cheo Quiñones Trumpet
Randy Travieso Guira
Andres Cruz Percussion
Edgar Abraham Alto Saxophone, Baritone Saxophone, Tenor Saxophone
Arturo Vergés Trombone
Iván Gutiérrez Mezcla
Daniel Ramírez Trumpet, Flugelhorn
Hector Barez Percussion
Ismael Cancel Percussion, Bateria
Flor Joglar Vocals, Narrator
Edgardo Matta Mezcla
Milton Barreto Soprano Saxophone
Ileana Cabra Vocals, Choir, Chorus, Narrator, Coro, Coros
Nelson Calero Vibes
Nelson Corchado Tuba
Kianî Medina Coro, Coros
Omar Vivoni Guitar, Snare Drums
Technical Credits
Rubén Blades Composer
James Cruz Mastering
Carlos Alfonso Velasquez Engineering
Edgar Abraham Composer
Elias de León Executive Producer
Iván Gutiérrez Producer, Engineering
Rafael "Rafa" Arcaute Composer, Producer, Engineering
Daniel Ramírez Arranger
Guillermo Mandrafina Engineering
René Pérez Composer, Producer
Eduardo Cabra Arranger, Composer, Producer
Ángel Alexis Bousquet Art Direction
Edgardo Matta Producer, Engineering
Banda de Escolar de Aibonito Contributor
Rodrigo Barria Engineering
Braulío Carreira Personal Assistant, Recording Preparation
Cesar Dellano Engineering
Jose R. Aponte Ortiz Director
Omar Vivoni Engineering
Ramón Martínez Engineering
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