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“It’s travel as jaw-dropping performance.” —Ben Dickinson, Elle
“Part travelogue, part contemporary history...the real gems Richards uncovers are about the parts of the Russian society and mindset that remained hidden from Western eyes for nearly a century.” —Publishers Weekly
“Richards’ genial snapshots (of ‘Old Believers’ in southern Siberia, and alien sightings at a secret uranium mine) hint at the multifaceted nature of Russian life but her cumulative impressions suggest a country in turmoil, with old and new traditions in headlong collision.” —Financial Times
“For a rich portrait of the new Russia, grab this off the shelf and skip all those biographies of Vladimir Putin.” —Thomas de Waal, Sunday Times (UK)
“Lost and Found in Russia is beautifully written, with arresting images on almost every page. I loved the men lying stiffly on their wooden bunks in the train like toppled statues. It is a travelogue as rich and compelling as a novel and, quite rightly, without a happy ending.” —Lesley Chamberlain, The Independent (UK)
“There is a human optimism that shines out of these hard lives and this loving account of them - an optimism that defies the rational.” —Angus McQueen, The Guardian, Book of the Week
“A patiently crafted glimpse “through a crack in the wardrobe” of the devastation wrought on Russian society during the turbulent post-Communist ‘90s.” —Kirkus Reviews
“Brave, moving and extraordinary. Travelling far beyond the usual travellers’ routes, and often at considerable danger and in great discomfort, Richards has uncovered a world that few of us can begin to imagine.” —Miranda Seymour, The Tablet’s Books of the Year 2009
“Once again, Susan Richards gives a rare and wonderful evocation of ordinary lives in Russia. People fall in love, fall ill, make money, lose money; some are nobly defeated, some shamelessly successful. Each one tells us more about the lethal tides of recent Russian history than years of newspaper reports.” —Philip Marsden, author of The Spirit Wrestlers and The Bronski House
The editor of openDemocracy Russia doggedly pursues the question: What does it mean to be Russian, now that communism has collapsed?
During many trips from 1992 to 1998, Richards (Epics of Everyday Life: Encounters in a Changing Russia, 1991) traveled to visit friends in Russia, particularly in the southwestern towns of Saratov and Marx, and at the very time that the dismantling of the Communist Party and President Boris Yeltsin's "shock therapy" plunged Russian society into a tailspin of economic hardship. Ardently hoped-for democratic ideals were not achieved, but rather a reigning bitterness toward government as well as the West and a fear of incipient anarchy. The author, who spoke Russian, aimed to interview some Russian Germans, part of the community deported during World War II and promised another homeland more recently—speciously, it turned out. However, during her travels within a disintegrating Russia accustomed to periods of intense instability, Richards developed "a hunch that the character of its people was forged at such times." She fashions the narrative around the friends she met and lived with closely. Vera, follower of the Vissarion cult, was an inhabitant of Saratov, once called the Athens of the Volga, now a forsaken place closed to foreigners because of its military industry (presently defunct). In Marx, once the nexus of the Russian Germans, Richards stayed with Anna, a tensely coiled journalist—apravednik, or "truth bearer"—who had been punished for her honest writing; the volatile couple Natasha and Igor, lured to the dead-end town by Gorbachev's promise of a German homeland, now mostly unemployed and alcoholic; and the couple Misha and Tatiana, marooned in Marx after their engineering training, who became thriving entrepreneurs and part of the rising Russian middle class. Among her new friends, Richards became a "connoisseur of silences," gleaning their crushed hopes for change and general despair. Other trips took her through Siberia and the Crimea to view the residues of Russian Orthodoxy, the Old Believers and folksy spiritualism.
A patiently crafted glimpse "through a crack in the wardrobe" of the devastation wrought on Russian society during the turbulent post-Communist '90s.