Lost in Translation [NOOK Book]


A novel of searing intelligence and startling originality, Lost in Translation heralds the debut of a unique new voice on the literary landscape.  Nicole Mones creates an unforgettable story of love and desire, of family ties and human conflict, and of one woman's struggle to lose herself in a foreign land--only to discover her home, her heart, herself.

At dawn in Beijing, Alice Mannegan pedals a bicycle through the deserted ...
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Lost in Translation

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A novel of searing intelligence and startling originality, Lost in Translation heralds the debut of a unique new voice on the literary landscape.  Nicole Mones creates an unforgettable story of love and desire, of family ties and human conflict, and of one woman's struggle to lose herself in a foreign land--only to discover her home, her heart, herself.

At dawn in Beijing, Alice Mannegan pedals a bicycle through the deserted streets.  An American by birth, a translator by profession, she spends her nights in Beijing's smoke-filled bars, and the Chinese men she so desires never misunderstand her intentions.  All around her rushes the air of China, the scent of history and change, of a world where she has come to escape her father's love and her own pain.  It is a world in which, each night as she slips from her hotel, she hopes to lose herself forever.

For Alice, it began with a phone call from an American archaeologist seeking a translator.  And it ended in an intoxicating journey of the heart--one that would plunge her into a nation's past, and into some of the most rarely glimpsed regions of China.  Hired by an archaeologist searching for the bones of Peking Man, Alice joins an expedition that penetrates a vast, uncharted land and brings Professor Lin Shiyang into her life.  As they draw closer to unearthing the secret of Peking Man, as the group's every move is followed, their every whisper recorded, Alice and Lin find shelter in each other, slowly putting to rest the ghosts of their pasts.  What happens between them becomes one of the most breathtakingly erotic love stories in recent fiction.  Indeed, Lost in Translation is a novel about love--between a nation and its past, between a man and a memory, between a father and a daughter.  Its powerful impact confirms the extraordinary gifts of a master storyteller, Nicole Mones.

From the Trade Paperback edition.
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Editorial Reviews

Washington Post Book World
Alice Mannegan is a terrific character — edgy, shrewd, deeply wounded. . . .A satisfying romp through alien landscapes: China, the past, and human love.
Impeccable descriptions and perfect dialogue.
Lisa See
...[T]hought-provoking, sometimes disturbing and undeniably entertaining...
The New York Times Book Review
Seattle Times
A pleasurable, observant, and exciting paean for China, its languages, peoples, cultural history and ways of thinking.
San Francisco Chronicle
Startling description. . .compelling reading.
Library Journal
How to flee an oppressively loving father who is also a racist senator? For Alice Mannegan, the answer is to go to China, where she works as an interpreter when she's not sleeping around with Chinese men, trying desperately to embrace all China in the sexual act. Alice doesn't seem to grasp just how much she is hiding from herself, but still she's one smart cookie, which American paleoanthropologist Adam Spenser realizes when he hires her as interpreter for an expedition to track down Peking Man, lost after World War II. On the expedition, Alice launches a real love affair with Dr. Lin Shiyang and finally learns just how wrongheaded her obsession with China, particularly its past, has been.

First novelist Mones writes smoothly and conveys a strong sense of China, where she has lived and worked. She also has some good points to make about love, family, and culture, but she doesn't explore them fully, focusing a bit too much on Alice's sexual escapades, which seem unnecessarily tawdry and a bit far-fetched. The Peking Man expedition also seems far-fetched, though it is evidently well researched. -- Barbara Hoffert

Library Journal
"Enjoyable popular reading that just misses being something more," this is nevertheless a vivid evocation of China, where narrator Alice Mannegan works as an interpreter when she's not sleeping around rather desperately with Chinese men--until, of course, the right one comes along. This hit the Los Angeles and San Francisco Chronicle best sellers lists.
— Ronald Ray Ratliff, Chapman High School Library, KS
— Ronald Ray Ratliff, Chapman High School Library, KS
The Seattle Times
A pleasurable, observant, and exciting paean for China, its languages, peoples, cultural history and ways of thinking.
An absorbing first novel.
Lisa See
...[T]hought-provoking, sometimes disturbing and undeniably entertaining...
The New York Times Book Review
Kirkus Reviews
A search in China's desert interior for the remains of the Peking Man becomes a compassionate tale of new loves found and old hurts forgiven as an expatriate American woman serves as the group's interpreter. Newcomer Mones asks that nuances and complexities of character carry the narrative, rather than a sequence of sensational acts. All of the people here, minor or major, are subtly shaded: their behavior results from their temperament more than from the diversionary dictates of plot. Thirtyish Alice has been working as an interpreter in Beijing since college, but she hasn't yet found the man to fully understand or appreciate her.

She reluctantly accompanies recently divorced American Adam Spencer and two Chinese specialists, Dr. Lin and Dr. Kong, on a search for the remains of Peking Man, rumored to have been hidden by none other than the noted theologian and archeologist Pierre Teilhard de Chardin. Quotes from Teilhard give a wider if sometimes intrusive take on the quest as the quartet conducts a search as riveting as any mystery. But three of the party also have personal issues to confront: Alice's father is a racist congressman whose speech about the young Alice led to a tragedy; Adam feels he's a failure and misses his only son; Lin still loves his wife, who disappeared during the Cultural Revolution. In vividly rendered Chinese settings, Alice, while falling for Lin, learns that her father, whom she loves in spite of his lamentable attitudes, is dying. Meanwhile, Lin—though on the lookout for his erstwhile wife, once a prisoner in the region—gradually finds himself smitten by the American. At story's end, sundry disappointments will be eased by unanticipateddiscoveries.

From the Publisher
Advance praise for Lost in Translation:

"Lost in Translation is an adventurous and romantic tale of a complex American woman in an exotic landscape. A remarkable first novel."
--Dominick Dunne, bestselling author of Another City, Not My Own

"Nicole Mones takes you on an enthralling, sensuous journey through China that leads deep into the hidden chambers of the human heart."
--Beth Henley, Pulitzer Prize-winning author of Crimes of the Heart

"A complex portrait of a woman in search of herself . . . that reveals as much about character and cultural differences as it does about a search for priceless, long-lost fossils. Mones succeeds in integrating archeological history, spiritual philosophy and cultural dislocation into a tale of identity on many levels."
--Publishers Weekly, starred review

From the Hardcover edition.

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Product Details

  • ISBN-13: 9780307415899
  • Publisher: Random House Publishing Group
  • Publication date: 12/18/2007
  • Sold by: Random House
  • Format: eBook
  • Pages: 384
  • Sales rank: 189,432
  • File size: 3 MB

Meet the Author

Nicole Mones has traveled and worked extensively in China since 1977.  She lives with her family in Portland, Oregon.

From the Trade Paperback edition.
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Read an Excerpt

In the lobby of the Minzu Hotel, Second Night Clerk Huang glanced out through the great glass doors just as the foreign interpreter wheeled her bicycle past. He stared, fascinated. He knew what it meant when she left, late at night, wearing a short skirt. There were no secrets in China. He smiled and turned back to his computer.

Outside, Alice Mannegan pedaled down Changan Dajie. She flew past the cobbled sidewalks, the storefronts crowded with Chinese paizi, signboards in arty, propulsive italic characters: Happy Fortune and Flying Crane and Propitious Wind. Knives and shoes and beauty supplies, bicycle parts and baling wire, all screaming for attention.

But their metal shutters had clanged down for the night. The black-headed crowd was gone. In daytime the boulevard throbbed with renao life, but now the bubbling volcano of Pekingese and frantically jingling bike bells was silent. It still smelled like Beijing, though. The air was ripe, opulent, sewerish—and thick with history.

Beyond the low row of storefronts she glimpsed the squat, massive official buildings—the institutes and bureaus and administrations which lined the boulevard. Changan was the main spoke of Beijing's wheel. Broad and straight, built for parades, it roared right to the heart of the capital, and of all China, the Forbidden City. The Danei, people used to call it. The Great Within. And now there it was: the massive ocher bulwarks, the medieval walls, closed, faceless; all qi pointing inward, to what was concealed, powerful, and endlessly complex. Its entrance was crowned with the huge red-cheeked portrait of Chairman Mao, smiling down from atop the Gate ofHeavenly Peace.

Alice turned, skirting Tiananmen Square. A breeze rustled leaves above her head and sent an empty fast-food container skipping across the pavement. She glanced right and left at the sound. No one.

She pedaled harder, the summer night wind silky on her face. Past the great stone Qianmen arch, then south on Qianmen Boulevard into the old Chinese City with its riot of shops, restaurants, theaters. She veered off the boulevard, through the tangle of narrow hutongs. She loved this ancient maze of dirt-packed lanes. To her this was the true heart of the capital, not the colossal high-walled palace behind her. Here in the gracefully repeating pattern of silvery stone walls and tile roofs, Alice sometimes felt China in her grasp. Sometimes. She turned again, right, then left. Now she crossed the familiar intersection, with the old capped-over stone well in the center. She steered into a brick-paved, stone-walled alley so narrow, her bicycle could barely pass. There. The Brilliant Coffee.

The neon sign screamed COFFEE in English, English being very fashionable in Beijing just now, but of course coffee had very little to do with the purposes of this establishment. She chained her bike to the crowded metal rack. There was one door, painted black, and a row of windows sealed over to make the place appear closed. There were no signs of life. But it was Friday night, almost midnight, and Alice knew better.

She pushed open the door. Instantly she was hit with the pounding, insistent karaoke bass and above that the roaring stutter of a smoking, chattering crowd. Hip, dazzlingly dressed Chinese, fresh out of their cultural confinement and keening to be part of the exploding yangqi, the now, crammed in shoulder to shoulder. Not a seat anywhere, she thought, looking around. Hardly a place to stand.

Across the low-ceilinged room she watched a slight man with a closely cropped black head and antique round glasses take the stage and begin belting a nineteen fifties R&B tune. He lurched from one foot to the other, out of time with the music, swinging the microphone stand from side to side as he shouted out each syllable.

She smiled. God, she loved Beijing. Tomorrow she would meet her new client. Tonight was free. She scanned the packed tables as the horns took off in a smart, prerecorded flourish.

A man slid into place beside her. He had wide shoulders, a deep waist, and black eyes flat in his head. "You await someone?" he said in Chinese.

"Wo zai deng, wo bu zai deng," she shrugged, her intonation almost perfect. I'm waiting, but then again I'm not. "What about you?"

He smiled, pleased with her subtlety, and it warmed her all over, because it was an uncontrolled streak of pleasure that opened his ivory-colored face suddenly into something unprotected, almost innocent—though innocence, in a place like the Brilliant Coffee, would be impossible. People kept themselves well concealed in places like this. Which suited Alice fine.

He laughed softly. "I wait for you," he said. "And an outside person too. Imagine."

"Yes. An outside person." Behind his smile she caught the usual male reserve, the relaxed sense of his own racial superiority which always made her tremble with fear and hope and excitement.

"Please." He signaled with a sidelong glance, then turned and threaded through the crowd away from her, not leading her, not even looking back at her, but knowing she would follow. A waiter jostled past them with a full tray. She felt the Chinese eyes: Look, a Western woman in a short black dress, red hair, birdlike, freckled. She liked being noticed. It heightened the satisfaction of nights like these, nights she allowed herself because, after all, she was a woman and when there wasn't real love in her life she needed, at least, some attention. Now—a miracle. The man was producing two empty chairs.

"How are you called?" He leaned close to shut out the wall of music.

She answered "Yulian," the Chinese name she currently used for these situations. Yulian was an old-fashioned name; it meant Fragrant Lotus. It was a name that rang on many levels. The bound feet had been called lotuses, and there was also that famous heroine of Chinese erotic fiction, the Golden Lotus.

These allusions were not lost on him. He pressed his mouth together in amusement. "I'm Lu Ming."

A hollow-chested young waiter with a sharp, acne-cratered face materialized. "Bai jiu," Lu Ming told him, slang for the steamroller 120-proof rice spirits popular in China. Then he turned to Alice: "Unless you'd rather have a"—he interrupted his Chinese to try to pronounce it the English way—"Coca-Cola?"

"Bai jiu ye xing," she answered. Good, she thought, rice spirits, one shot, maybe two. It was better to be high. "Good. Bai jiu."

The spirits arrived, clear liquid in two tiny glasses. Lu Ming toasted their friendship with a standard phrase, and then added, "Gan-bei," dry glass, and they both drained it and laughed. The fire burned through her stomach and rose instantly to her head. How long since she'd eaten?

"What are you doing in Beijing?" Lu Ming asked, circling his empty glass on the wet tabletop.

She paused. Sometimes she invented professions; tonight, on a whim, she decided to tell the truth. "I'm an interpreter."


"Freelance. I'm about to start a job with an archaeologist. Something to do with Homo erectus."

"Eh?" he squinted.

"You know, Homo erectus, our ancestors, the missing link? Like Peking Man."

"You mean the ape-man?" he chortled, using the street word, yuanren. "I doubt very much if the Chinese people could be descended from the ape-man!"

"Well"—she tensed slightly at this prejudice—"I don't know anything about it, really. I'm just a translator."

Still Lu Ming did not let it go. "But such an expedition must cost huge money!" He raised his hand in a two-fingered signal to the passing waiter. "And for what? For history? Eh, it's a waste!" Two new, full glasses appeared in front of them. The music blasted away. "History is but a hobby. It's for old men with no yang left."

"I like history," she said defensively. "I think old things are beautiful."

"What counts now and for the future is modernization. Commerce." He leaned into her. "Money."

"To money." She forced a smile. It was no use arguing with Chinese men. Especially if you were a woman. And a foreigner. Their probing interest in her—the free American mind, the direct laughter, the pale, willing body—always held the potential for an edge of contempt. If she could stay back from that edge, though, the excitement was unmatched. The two of them drank. "And you, Lu Ming? What do you do?"

"I'm in business," he said simply, as if no further explanation were needed of this most glorious word. Gracefully he withdrew a white card from his black jacket.

She glanced at the characters. "Lu Investment Consulting Group?"

He touched his forelock in mock salute.

"Well, Chairman Lu, to your profits." She smiled, pleased to see that there was now yet another tiny, full glass in front of her. "Gan-bei." They drank and gasped together. The booming room shuddered. "These must be good times for you," she said, rolling the empty glass between her palms. "The current leaders."

"Eh, it's so. It's because of old Deng Xiao-ping we have all this." He paused and with a rapid sweep of his eyes managed to include the frenzied crowd, the recorded tidal wave of guitar and saxophones, the rolling static of laughter, and, last and most pointedly, his square white business card half splashed now with rice brandy on the table. "Ta-de kai fang zheng che, liufang bai shi; danshi Liu-Si ye jiang yichou wannian," The open door will hand down a good reputation for a hundred generations, but the Six-Four will leave a stink for ten thousand years.

"True," she said, recognizing the colloquial term Six-Four—shorthand for the Tiananmen incident, which had occurred on June fourth. Chinese liked to remember things by their numbers. "Do you think new leaders might change the situation?"

He lowered his voice, conjuring a bond between them. "It's a mistake to think it matters who's in charge. Of course the old leaders die. But then not much changes. The wolf just becomes a dog. Though as for the open door"—by this he meant China's new liberalism—"I am sure it will remain as it is. They'll never be able to close it." Under the table he placed his foot alongside hers, a gentle but insistent message. "You see," he said, and spread his hands disarmingly, "I care only for my personal success now. Completely selfish! But I'm educated. And—everyone agrees on this, Yulian—my heart is good. Therefore"—he leaned in and locked on her eyes—"will Yulian now go with me to some more peaceful place where friends can speak with their hearts at ease?"

Cigarette smoke, laughter, the throbbing bass swirled around her. Suddenly the Brilliant Coffee was a box of thunder, of unbearable noise. He really wants me, she thought with the familiar thrill. And then she hesitated.

He rubbed her foot with his. It was soft, he wore only a sock, when had he taken off his shoe? "Yi bu zuo, er bu xiu," he whispered, Once a thing is begun, no one can stop it until it is finished.

He moved his foot away, not touching her now, only leaning close—but his entire body flamed with attention. Hers did too. She closed her eyes. Pretend, tonight. She felt a pull to the center of him, where surely lay entry to all China. "Wei shenmo bu," she whispered finally, Why not.

He didn't speak as they pedaled side by side through the mud-rutted lanes that coiled away from the Brilliant Coffee—she remembered this the next morning as she rode her bicycle back in the misty, unfurling dawn to the Minzu Hotel. He had smiled at her once, radiantly, but said nothing. It was like a Chinese man not to speak, not now, not when it was about to happen. They all had this magnificent reserve. She knew how this wall of reserve would come to an end, too, and she had been right: even now, pedaling hard through the early half-light of Wangfujing Boulevard, her thighs cramped with desire when she remembered the way the door had closed behind them in his apartment and he had turned to her, reached for her, and all in one motion carried her down with him to the floor where in an instant the verbal, astute, urbane man he had been at the Brilliant Coffee vanished and in his place was a purely physical being, urgently male, frantic to enter her.

Later, when they were lying naked under sheets by the open window, he asked her whether, since she was based in Beijing, they could be friends. She didn't answer right away. This was the hard part for her. She loved it when they first touched her, and she would always cringe a little, pull back, savor the waves of shame and shyness and then, finally, surrender. That was the pleasure. But it always ended. The sex always ended and the talking came back, and with it the lines she could never seem to cross.

"Of course I couldn't visit you at your hotel." He lit a cigarette and exhaled a blue cloud toward the ceiling. "It would cause too much talk. You're waiguoren, an outside-country person. Not Chinese. But you could come here, at night."

Did he have to say all this? Though of course a lot of men talked too much, and unwisely, in the temporary state of total spread-legged candor which followed sex.

"Well?" he asked softly, fingers moving through her hair.

She guarded herself. "I know all about what you are saying."

He smiled. "Mingbai jiu hao," he whispered back happily, I'm glad you understand.

She let his words trail off. In a few minutes he slept.

She moved away from him in the strange bed. And the next morning, when she rose in the half-light and tied on her antique Chinese stomach-protector and zipped up her black dress, and he whispered to her from the bed to write down where he could get in touch with her, she wrote just the characters for the phony name, Yulian, and a fictional Beijing number.

Sometimes, when she got up and dressed before dawn, the men didn't ask for her number. They would watch her go without a word. They seemed to know better than to say anything to her at all.

From the Trade Paperback edition.

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Customer Reviews

Average Rating 4.5
( 7 )
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Sort by: Showing all of 7 Customer Reviews
  • Anonymous

    Posted May 28, 2002

    Lost in this Book!

    I couldn't put the book down - as a New Yorker now living in Shanghai, I could not only relate to the character, I was inspired by her. It made me long for home and just think about the direction of my own life. I highly recommend this to anyone who longs to fit into a particular culture and feeling like they are not welcome or will ever belong....

    2 out of 2 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted February 19, 2006

    Truly 'excapist fiction' by Mones

    Nicole Mones' Lost in Translation is sui generis. . . I've never read anything quite like it. Just a gorgeous novel that anyone would love. I was completely taken.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted November 27, 2003

    Definetely worth reading!

    I totally fell in love with Alice Mannegan's character, as well as China. I love the fact that Nicole Mones put a lot of effort into getting the Chinese backdrop as close to reality as she possibly could, it made me want to go there someday and experience its intoxicating atmosphere. Alice's romance with Dr. Lin was just spectacular-- giving you enough, yet leaving you wanting more. This is a must read for anyone who believes that love is still out there no matter how many times you've already lost it.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted September 26, 2002


    Wonderful, wonderful, wonderful!! You won't be able to put it down!!

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted June 17, 2011


    This book was so..so as I said. It was interesting but weird. I never saw the movie and don't know if its the same. The book didn't hold enough for me..kinda like a sloppy romance novel. The ending was like: That's it? this is just my opinion though:)

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  • Posted May 9, 2009

    I Also Recommend:

    Nicole Mones spoke at an Authors' Day regarding her life in China

    Mones spoke at an authors Day and I thought she was such an interesting person that I felt sure her book would also be interesting. So I bought it! At first, I found it a little slow, but oh, if you stay with it, what a treat you have in store....particularly, if you enjoy reading about China. Mones has an extensive history of living and working in China and she tells the story so well of China today and yesterday. A country that has gone through so much turmoil and has had to rebuild itself to fit into the modern world.

    Alice, her main character without a doubt is flawed and striving to find herself by being "Chinese". Alice's desires only Chinese men in her life. Her relationship with Professor Lin is not a smooth one, although he is a scientist, he is still living in the past. Alice also has a love/hate relationship with her father that she needs to come to grips with. You could go so far as to call this a "coming of age" story of a grown woman, but that would be to treat this book lightly. The topics are not light and this is not a "beach" book.

    The ups and downs of the quest for the Peking Man reflect the old and new Chinese thinking. The discriptions of the desert in China mirror the desolation of Alice's soul, but also inform the reader of terrain and history.

    Despite the various plot lines interwoven in the book I found this a totally good read and was sorry to see the book end.

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  • Anonymous

    Posted November 5, 2010

    No text was provided for this review.

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