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Lost (Lacey Flint Series #3)
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Lost (Lacey Flint Series #3)

4.4 19
by Sharon Bolton, S. J. Bolton

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Like everyone reading the newspapers these days, 10-year-old Barney Roberts knows the killer will strike again soon. The victim will be another boy, just like him. The body will be drained of blood, and left somewhere on a Thames beach. There will be no clues for London detectives Dana Tulloch and Mark Joesbury to find. There will be no warning about who will be


Like everyone reading the newspapers these days, 10-year-old Barney Roberts knows the killer will strike again soon. The victim will be another boy, just like him. The body will be drained of blood, and left somewhere on a Thames beach. There will be no clues for London detectives Dana Tulloch and Mark Joesbury to find. There will be no warning about who will be next. There will be no real reason for Barney's friend and neighbor, Lacey Flint, on leave from her job as a London police detective, to become involved…and no chance that she can stay away. With the clock ticking, the violence escalating, and young lives at stake, Lacey and Barney both know they can't afford a single wrong step if they hope to make it through alive.

S.J. Bolton, an award-winning author of five novels, delivers her most compelling novel to date, in which a fragile police detective and a courageous, lonely eleven-year-old boy must work together to unmask a killer. Lost provides all of the pulse-pounding suspense, beautifully drawn characters, and intricate plotting thriller fans could hope for—and more.

Please note, this title is published in the UK as Like This For Ever.

Editorial Reviews

Publishers Weekly
In Bolton’s eerily atmospheric third novel featuring Det. Constable Lacey Flint (after 2012’s Dead Scared), Flint befriends 11-year-old Barney Roberts, who lives with his father next door to her in South London. Barney aches to find his lost mother, who has been missing since he was four, and increasingly fears that his father may be a serial killer who’s slain a number of neighborhood boys his age in recent weeks. Though Flint is on leave from the force and continues to battle demons both personal and professional, she can’t help getting involved in the case. The stakes rise after a doctor announces on TV that all the victims died in the same horrifying way. Close-to-the-bone red herrings skillfully strewn across the detectives’ paths, convincing cop-shop procedure, and perceptively drawn secondary characters help push this contemporary crime novel ahead of the pack. Winner of two Mary Higgins Clark Awards, Bolton looks deep into the lost-soul madness of a killer and makes her vision all too horribly real. Agent: Anne-Marie Doulton, the Ampersand Agency (U.K.). (June)
From the Publisher

“Realistic fear, heart-stopping suspense, and jolting plot twists keep one almost frantically turning pages as Bolton grabs us from the beginning and leaves us shaken at the end. Highly recommended.” —Library Journal (starred review)

“Close-to-the-bone red herrings skillfully strewn across the detectives' paths, convincing cop-shop procedure, and perceptively drawn secondary characters help push this contemporary crime novel ahead of the pack…Bolton looks deep into the lost-soul madness of a killer and makes her vision all too horribly real.” —Publishers Weekly (starred)

“Couple the strong narrative drive with a pair of dysfunctional but surprisingly sympathetic characters, and you have a nail-biting thriller that will send readers back to Bolton's previous books and, of course, have them lining up for whatever the author comes up with next.” —Booklist (starred)

“Bolton is changing the face of crime fiction--if you only read one crime novel this year, make it this.” —Tess Gerritsen on Now You See Me

“Really special: multi-layered and sophisticated, but tough too.” —Lee Child on Now You See Me

Library Journal
Four ten-year-old boys have been murdered in London in two months and another is missing. None of the victims has been tortured or assaulted, but all have had their blood almost completely drained. Conducting his own unofficial investigation of these deaths are 11-year-old Barney, whose mother disappeared seven years ago, and his friends. His neighbor, DC Lacey Flint, is on medical leave after being traumatized during the course of a recent case (Dead Scared) and is avoiding people altogether, but she surreptitiously tries to watch over Barney. Her police colleagues suspect that she might be the killer, she suspects Barney, and Barney suspects his father—and then Barney vanishes. VERDICT Realistic fear, heart-stopping suspense, and jolting plot twists keep one almost frantically turning pages as Bolton grabs us from the beginning and leaves us shaken at the end. Highly recommended. [Library marketing.]—Roland Person, formerly with Southern Illinois Univ. Lib., Carbondale
Kirkus Reviews
No 10-year-old boy is safe in south London. At first, the kids are just missing. Then their bodies turn up on Tuesdays or Thursdays with slashed throats. Websites about the blood-drained boys appear. Someone calling himself Peter Sweep posts Dracula quotations and chides DI Dana Tulloch's police investigation as incompetent. Young Barney Roberts, who suffers from blackouts and spends the majority of his time pining for the mother he last saw when he was 4 years old and the rest tracking the crime scenes with his preteen mates, thinks his father might be responsible for the murders. His dad is never at home on the nights in question. He's obsessed with Dracula. He keeps a boat where two of the bodies were found. Barney toys with confiding in his neighbor, DC Lacey Flint, but asks her only to help find his mom. Lacey, on leave from the Southwark police (Dead Scared, 2012, etc.), is barely keeping herself together. She refuses to talk to DI Mark Joesbury, who loves her, or meet his son Huck. She's evasive with her therapist. And she's begun cutting her forearm to relieve her stress. Moreover, her behavior has encouraged Dana Tulloch to suggest her as the serial killer of the lost boys. When both Huck and Barney go missing, the emotionally overwrought Lacey is forced into action. Bolton, who specializes in over-the-top psychological mayhem, ratchets up the tension with OCD diagnoses, past furies unresolved and a reworking of the Peter Pan story.

Product Details

St. Martin's Press
Publication date:
Lacey Flint Series , #3
Sales rank:
Product dimensions:
5.40(w) x 8.20(h) x 1.10(d)

Read an Excerpt


By S. J. Bolton

St. Martin's Press

Copyright © 2013 S. J. Bolton
All rights reserved.
ISBN: 978-1-250-02856-3


Thursday 14 February

The sadness was inside him always. A dull pressure against the front of his chest, a bitter taste in his mouth, a hovering sigh, just beyond his next breath. Most of the time he could pretend it wasn't there, he'd grown so used to it over the years, but the second he felt his focus shift from the immediate on to the important there it was again, like the creature lurking beneath the bed. Deep, unchanging sadness.

Barney waited for Big Ben to strike the fourth note of eight o'clock before pushing the letter into the postbox. The sadness faded a little, he'd done everything right. This time could work.

Important task over with, he felt himself relax and start to notice things again. Someone had tied a poster to the nearest lamppost. The photograph of the missing boys, ten-year-old twins Jason and Joshua Barlow, took up most of the A4 sheet of card. Both had dark-blond hair and blue eyes. One twin was smiling in the picture, his new adult teeth uncomfortably large in his mouth; the other was the serious one of the pair. Both were described as 1.40m tall and slim for their age. They looked exactly like thousands of other boys living in South London. Just like the two, possibly three, who had gone missing before them.

Someone was watching. Barney always knew when that was happening. He'd get a feeling – nothing physical, never the prickle between the shoulder blades or the cold burn of ice on the back of his neck, just an overwhemlming sense of someone else's presence. Someone whose attention was fixed on him. He'd feel it, look up, and there would be his dad, with that odd, thoughtful smile on his face, as though he were looking at something wonderful and intriguing, not just his ten-year-old son. Or his teacher, Mrs Green, with the raised eyebrows that said he'd been off on one of his daydreams again.

Barney turned and through the window of the newsagent's saw Mr. Kapur tapping his watch. Barney kicked off and in a steady glide reached the shop door.

'Late to be out, Barney,' said Mr Kapur, as he'd taken to doing over the last few weeks. Barney opened the upright cool cabinet and reached for a Coke.

'Fifty pence minus ten per cent staff discount,' said Mr Kapur, as he always did. 'Forty-five pence, please, Barney.'

Barney handed over his money and tucked the can in his pocket. 'You going straight home now?' asked Mr Kapur, his last words drowned by the bell as Barney pulled open the door.

Barney smiled at the elderly man. 'See you in the morning, Mr Kapur,' he said, as he pulled the zip of his coat a little higher.

There was a fierce wind coming off the river as Barney picked up speed on his roller blades and travelled east along pavements still gleaming with rain. The wind brought the smell of diesel and damp with it and Barney had a sense, as he always did, of the river reaching out to him. He imagined it escaping its confining banks, finding underground passageways, drains, sewers, and seeping its way up into the city. He could never be near the river without thinking of black water flowing beneath the street, an invasion so subtle, so cautious, that no one except him would notice until it was too late. He'd confided his fear once to his dad, who'd laughed. 'I think you're overlooking some basic laws of physics, Barney,' he'd said. 'Water doesn't flow uphill.'

Barney hadn't mentioned it again, but he knew perfectly well that sometimes water did flow uphill. He'd seen pictures of London submerged by floodwater, read accounts of how high spring tides had coincided with strong downstream flows and the river's cage had been unable to contain it. Given a chance of freedom, the water had leaped from its banks and roared its way through London like an angry mob.

It could happen. There had been snow in the Chiltern Hills. It would be melting, the thaw water making its way down through the smaller tributaries, reaching the Thames, which would be getting fuller and faster as it neared the capital city. Barney picked up speed, wondering how fast he'd have to skate to outrun floodwater.

* * *

When Barney reached the community centre the building looked deserted. No lights, so even the caretaker had gone, which meant it had to be after nine o'clock. With a familiar feeling of dread, he looked at his watch. He'd said goodnight to Mr Kapur just after eight o'clock. The newsagent's was a ten-minute skate away. It had happened again. Time, inexplicably, had been lost.

A voice from beyond the wall, the sound of wheels on iron. The others were waiting for him in the yard, but suddenly Barney wanted nothing so much as to go straight home. Sooner or later-sooner if he was smart, and he was, wasn't he? Everyone agreed that Barney was clever, a bit weird sometimes, but bright – he would have to tell someone about these missing hours of his.

A low laugh. He thought he heard his own name. Barney pushed the worry to the back of his mind and carried on round the corner. The community centre had once been a small Victorian factory. Surrounding it were various outbuildings and a tarmac yard, all encased within a high brick wall topped with iron railings. Inside the main building were a library, a crèche for pre-school children, an after-school club and a youth club. Barney and his friends hung out at the youth club several nights a week, but it was after the centre closed that the place became their own.

In the alleyway at the back, Barney reached for the loose railing and got ready to pull himself up.

In this city, someone is always watching.

What was that doing in his head right now? Why, now, should he remember the talk they'd had at school from the local community police officer? She'd been talking about how every Londoner could expect to be caught on CCTV several hundred times a day. But Barney knew for a fact there were no cameras in the alley and the surrounding streets, or overlooking the centre. It was one of the reasons his gang hung out here.

He ran his eyes along the row of houses opposite, looking for the light in the window, the undrawn curtains, the gleam of eyes that would confirm what he knew – that someone was watching. Nothing.

Except they were, and with that certain knowledge came a knocking in his chest as if his heart had suddenly moved up a gear. OK, here he was, in the city where five boys his age had disappeared in as many weeks, on his own in the exact part of London where they had all lived, and someone he couldn't see was watching him.

Barney scrambled through the gap in the railings, skates still on his feet, knowing it was a stupid thing to do, but adrenaline and determination just about kept him the right way up. He rolled forward. Right, which side of the wall were the eyes? Street side or factory side? Cut off from him by nine feet of solid Victorian brickwork and iron railing, or trapped inside with him? The contents of his stomach turned to something like cold lead as he realized he might just have made the biggest mistake of what was going to be a very short life.

He could no longer hear the others. For now it was just an eleven-year-old boy, a very high wall, and an unseen pair of eyes.

Directly ahead, between Barney and the main yard, was the Indian village: five small wigwams in which the younger kids played during the day. Even on a normal night, Barney couldn't look at them without imagining someone – maybe a toddler left behind by an absent-minded parent – peeping out at him from the blackness. He never liked being near the Indian village at night, even without ... he checked each dark interior in turn before moving on. Nothing.

Nothing that he could see.

Just beyond the wigwams was one of the murals that had been painted on the inside of the perimeter walls. Scarlet-clad pirates, their sights on distant treasure, clung to the rails of a galleon on a troubled sea. In the daytime, the murals were faded, the paint peeling in places. During the hours of darkness, the tangerine glow of the streetlights brought them to life. The green forests around the gates had depth and a sense of secrets lurking behind giant trees, the starry night sky beyond the skateboard ramp seemed endless. Without the sun's harsh scrutiny, even the pirates seemed to be watching him.

At last, from the corner of the factory building, he could peer round into the quadrangle that was the main part of the yard. The relief almost hurt. At the top of the skateboard ramp sat four still figures. His best mate, Harvey, then Sam and Hatty, two kids in Harvey's class, and finally Lloyd, who was a couple of years older. Against the streetlamp light they seemed entirely clad in black. Barney caught a gleam of eyes as one of them looked round. He could also see the tiny red glow of a couple of cigarettes. At the sight of his gang, doing what they always did, looking completely relaxed, Barney started to calm down too. For once, his instincts had cried wolf.

A sudden noise, loud and shrill, blared directly above his head. Then someone jumped down, grabbing him around the throat.


The children were beautiful. They lay curled on their sides, spooned together. The fingers of the boy in front looked as though they were about to twitch and stretch, as sunlight and his internal body clock told him it was time to wake. Even in the flat light of the tent, he didn't look dead. Neither did his brother, snuggled up behind him, one arm slung carelessly across his sibling's chest.


Dana started. Her gloved hand was reaching out towards the closest boy's forehead, where a damp lock of hair had fallen forward. She'd been about to brush it out of his eyes, the way a mother would. She still wanted to – to smooth it back over his head, pull covers up over their shoulders and keep the night air from their skin, bend and brush her lips over the soft cheeks.

Stupid. She didn't have children, had never known maternal feelings in her life. That they should kick in now, that a couple of dead, ten-year-old boys should be the ones to awaken them.

'Boss,' repeated the other living occupant of the tent, a heavy-set man with thinning red hair and an indistinct chin-line. 'Tide's coming in fast. We need to get them out of here.'

Detective Inspector Dana Tulloch, of Lewisham's Major Investigation Team, let Detective Sergeant Neil Anderson help her to her feet. They moved out of the police tent and into the smell of salt, rotting vegetation and petrol fumes that was the night air by the tidal Thames. The waiting crowd on Tower Bridge wriggled in anticipation. Light flashed as someone took their photograph.

As she and Anderson moved away, others took their place, moving quickly. In a little over thirty minutes, the spot would be under several feet of water. The two detectives walked up the beach towards the embankment wall.

'Right under Tower Bridge,' said Dana, looking up at the massive steel structure. 'One of the most iconic landmarks in London, not to mention one of the busiest spots. What is he thinking of?'

'He's a cheeky bastard,' agreed Anderson.

Dana sighed. 'Who was first on the scene?' she asked.

'Pete,' Anderson replied, looking around. 'He was here a minute ago.'

Dana watched as more SOCOs made their way gingerly down Horselydown Old Stairs, the slimy concrete steps that offered the only access point to this stretch of the riverbank.

'He's killing them faster, Neil,' she said. 'We've never found them this quickly before.'

'I know, Boss. Here's Pete.'

Detective Constable Pete Stenning, thirty-one years old, tall and good looking with dark curly hair, was jogging lightly down the steps to join them.

'What can you tell us, Pete?' she asked, when he was close enough.

'They were spotted at 20.15 by the local florist,' said Stenning. 'I was with him just now. He's had a busy day, what with it being Valentine's Day, and he's got a big wedding on tomorrow so he and a couple of assistants were working late. He needed a fag and smoking is frowned upon in the street so he tends to wander down the lane and up Horselydown Steps. Finds it soothing to watch the river, he says, and there's shelter if it's pissing it down. His words, not mine.'

'And he spotted them?'

'There was just enough light from the Brewhouse behind and the bridge in front, he says, although he wasn't entirely sure what he was looking at till he went down to the beach. And before you ask, he saw nothing else. The two women in the shop confirm his story.'

'Any thoughts on how they were brought here?' asked Anderson.

'Could have come by water,' said Stenning, 'but personally, I doubt it. This is a bloody treacherous place to bring a boat in at anything other than very high water.' He gestured over towards the river's edge. 'There's the remains of a Victorian embankment just under the water there,' he went on. 'If your boat hits that at any speed, chances are you're going down.'

'Road, then?' said Dana.

'More likely,' said Stenning. 'One thing you should see,' he went on. 'Just a bit further under the bridge.'

Dana and Anderson followed Stenning into the shadows beneath Tower Bridge, trying to ignore the craning necks and intense stares just a few feet above them. Then all attention switched from the police officers to the small black bags being carried out of the police tent. The boys were being taken away. A few outraged cries broke out, as though the police on the beach were responsible for what had happened to the children.

Beneath the bridge, uniformed officers with torches were still combing the short stretch of the bank that remained accessible. A small area had been cordoned off with police tape. Stenning shone his torch on to it.

'Footprints?' asked Anderson.

'Large wellington-type boot,' said Stenning. 'Looks to be the same tread as the ones we found at Bermondsey. Thing is, there would be no need for him to come here. Look.'

He was pointing back towards the stairs.

'He carried them down the steps, then a few yards along the beach to where we found them. He'd want to get it over with as quickly as possible. And yet he walks all the way over here, a detour of – what – eight metres, to leave a footprint.'

'On the only stretch of sand I can see on this beach,' said Dana.

'My thoughts exactly, Ma'am,' said Stenning. 'On the rocks and gravel, he wouldn't have left any prints. So he comes over to a patch of sand that, conveniently, happens to be beneath the bridge and sheltered from the rain. He wanted us to find it.'

'Cheeky bastard,' said Anderson.

'Who's that, Sarge? Him or me?'

'Both. You OK to accompany the bodies?'

Stenning agreed that he was and then set off to follow the mortuary van as it took the boys' bodies away.

'I'll get on with the door-to-door, if it's alright with you,' said Anderson.

Dana nodded. Anderson invariably got twitchy if forced to keep still for more than a few minutes during an investigation.

'Somebody will have seen something,' he went on. 'Even if they don't know it yet.' He turned to go, then half turned back again. 'What's up, Boss?' he asked her.

She ought to tell him nothing, that she was fine. The team needed her to be fine.

'This one scares me, Neil.'

She saw his head draw back, his eyes narrow. 'You're the DI who caught the Ripper,' he said. 'My money's on him being scared of you.'

Anderson loved to say what he thought was the right thing. Even when the right thing was an obvious cliché.

'Mark and Lacey caught the Ripper,' she said. 'I just got the credit. And I was never as scared by the Ripper as I am by this one. Four boys dead in two months. Another one still missing. And he's speeding up. He's taking them faster and he's killing them faster. How long have we got before the next one?'


As long fingers closed around his neck, Barney dropped his Coke can, the wheels of his skates slid and he almost fell. Two strong hands kept him upright.

'Steady, Barney Boy. Don't piss your pants.'

Aw, shit-shit-shit! Every nerve-ending singing, sweat breaking out all over his body, Barney wondered if being proved right was any consolation for being made to look an absolute tit. What the hell was Jorge playing at?

'Prat,' he managed.

Jorge, his best mate's older brother and the gang's undisputed leader, had been hiding on the roof of the bikeshed. To cover up the fact that his face would be bright red and that he'd snorted snot out of his nose, Barney bent to pick up the now-dented Coke can. 'How long have you been up there?' he asked, when he'd wiped his nose on his sleeve and straightened up.

'Couple of minutes.' Jorge didn't even bother trying not to grin. 'Spotted you at the corner.'


Excerpted from Lost by S. J. Bolton. Copyright © 2013 S. J. Bolton. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

SHARON BOLTON is a Mary Higgins Clark Award winner and an ITW Thriller Award, CWA Gold Dagger and Barry Award nominee. She lives near London, England. Sharon Bolton was previously published as S.J. Bolton. She is the author of the Lacey Flint Novels, including Now You See Me and Dead Scared.

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Lost 4.4 out of 5 based on 0 ratings. 19 reviews.
gloriafeit More than 1 year ago
The current obsession of Barney Roberts, a bright young boy with OCD, is something with which many in London are currently preoccupied: Five boys his age had disappeared in the last five weeks in South London, where Barney himself lives, their bodies turning up soon afterwards with their throats cut. And as the book opens, the bodies are being found more and more quickly, the killer seemingly escalating. Barney&rsquo;s den is covered with posters, maps and photographs about each boy, his kidnapping, and his death. The police investigation is headed up by D.I. Dana Tulloch, of Lewisham&rsquo;s Major Investigation Team. Sure of only one thing, that the killings will continue, they have no clues. And someone, perhaps the killer, is taunting them online. On the periphery of the investigation is D.C. Lacey Flint, still recovering from the horrific event of her last case, in the aftermath of which she is still seeing a psychiatrist twice a week, fighting her own demons, unsure of whether or not she still wants to remain a policewoman. Barney is the youngest of a small group of kids (five boys and one girl) who are brave, and foolhardy, enough to do some investigating of their own. He also happens to live next door to Lacey Flint. One day he works up the nerve to ask her to help him find his mother, who apparently left several years ago, when he was four years old, and he is determined to track her down, going so far as to use all his meager wages working for a newsagent to run anonymous classified ads in very methodically and geographically plotted newspapers in London and beyond. The novel is but the newest of several suspenseful books from this author, and characters, plotting and tension seen in her prior work are fully present here. The reader is never more than guessing at the possible identity of the killer, as are the detectives whose work is detailed here, knowing that if they do not succeed another boy will die. Obsession is a constant theme. This is another winner from S.J. Bolton, and is recommended.
Anonymous More than 1 year ago
I've read all of her books and enjoyed them all but I think this one was the best. Very atmospheric and one of those books that just keeps you reading.
Anonymous More than 1 year ago
Keeping up was hard but overall story line was AMAZING!!!!
D_H_Ingram More than 1 year ago
   Sharon Bolton takes her heroine, London Police Detective Lacey Flint, to a very dark place in &ldquo;Lost&rdquo; when a series of child murders occur on the South Bank of the Thames River in London.    After the undercover investigation into a rash of deaths in Cambridge left Lacey emotionally and psychologically fragile, she&rsquo;s taken a leave of absence while she takes stock of what she wants to do with her life. Her recovery, though, is interrupted by the murders of several young boys close to Lacey&rsquo;s South Bank home.    The murders capture the attention of Lacey&rsquo;s next-door neighbor and friend, 11-year-old Barney Roberts, who&rsquo;s the same age as the boys who&rsquo;ve been murdered. He and his school mates discuss the case on a Facebook page focused on the crimes. But then he begins to suspect one of the people on the page, Peter Sweep, knows more about the case than he rightfully should &ndash; information to which only the killer would be privy. Then the case takes a personal turn when Barney realizes the abductions only take place on Tuesdays and Thursdays, the nights when his English professor father teaches late classes at his college.    Detective Inspector Dana Tulloch has Lacey&rsquo;s former partner, Mark Joesbury, working with her on the case. When it&rsquo;s leaked that the boys have had their blood drained, the case blows up into a media circus with talk of vampirism. Worse though is the escalating violence of the killer, even as the time between abductions and killings shortens. Will it be Tulloch and Joesbury, Barney, or Lacey who finally unravels the mystery of Peter Sweep &ndash; and will they and their loved ones make it through alive to the end?    Sharon Bolton paints the scenes in beautiful detail and rich colors. She keeps the suspense taut like a garrote wire around your neck as she deftly reveals the plot until its final, unexpected conclusion. This novel puts Bolton in the vanguard of the best crime-fiction authors on either side of the Atlantic. Reviewed for Suspense Magazine by David Ingram
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Anonymous More than 1 year ago
This was one that kept you guessing for sure!
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Anonymous More than 1 year ago
Lacey Flint is a weak, terrible character.
Anonymous More than 1 year ago
#3 is very, very good! A good mystery series with each book in the series even better than the previous one. Looking forward to reading #4.
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Anonymous More than 1 year ago
This is fang. Any cats?
Anonymous More than 1 year ago
Name:miricale Age:17 Type of creature:she can turn into anything she wishes so she is all things her primary form is human. Appearance:she has many but her primary form is human in that form she has dark black hair.
Anonymous More than 1 year ago
Im not locked out