Lotte Lenya Sings American & Berlin Theater Songs of Kurt Weill

Editorial Reviews

All Music Guide - William Ruhlmann
Employing the same Richard Avedon portrait that graced the cover of the 1970 double-LP The Lotte Lenya Album, this collection is an abbreviated version of that compilation, cut down to fit the length limit of a single CD. The Lotte Lenya Album was nothing more or less than a two-fer repackaging of the single LPs Lotte Lenya Sings Berlin Theatre Songs by Kurt Weill and September Song and Other American Theatre Songs by Kurt Weill. For this version, the last four songs from the former ("Was Die Herren Matrosen Sagen," "Ballade vom Ertrunkenen Mädchen," "Lied der Fennimore," and "Cäsars Todd") have been deleted to bring the total running time down to 70 minutes. Thus, the...
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Editorial Reviews

All Music Guide - William Ruhlmann
Employing the same Richard Avedon portrait that graced the cover of the 1970 double-LP The Lotte Lenya Album, this collection is an abbreviated version of that compilation, cut down to fit the length limit of a single CD. The Lotte Lenya Album was nothing more or less than a two-fer repackaging of the single LPs Lotte Lenya Sings Berlin Theatre Songs by Kurt Weill and September Song and Other American Theatre Songs by Kurt Weill. For this version, the last four songs from the former ("Was Die Herren Matrosen Sagen," "Ballade vom Ertrunkenen Mädchen," "Lied der Fennimore," and "Cäsars Todd") have been deleted to bring the total running time down to 70 minutes. Thus, the first eight tracks find Lenya in Germany in 1955, singing mostly in German songs composed by Weill with lyrics by Bertolt Brecht from their stage works Die Dreigroschenoper ("The Threepenny Opera"), Aufstieg und Fall der Stadt Mahagonny ("Rise and Fall of the City of Mahagonny"), and Happy End, while the last 12 tracks find her in the U.S. in 1957, singing in English songs from Weill's Broadway musicals Knickerbocker Holiday, Lady in the Dark, One Touch of Venus, The Firebrand of Florence, Street Scene, Love Life, and Lost in the Stars. Lenya always disputed the notion that there were two Weills, the Berlin Weill and the Broadway Weill, but she ended up reinforcing that argument with these two LPs, and juxtaposing two-thirds of one with all of the other on this disc does not disprove it. Lenya was the definitive interpreter of the Brecht/Weill catalog, of course, and when she came to make the recordings here she had been singing (and recording) songs like "Seeräuberjenny" ("Pirate Jenny") and "Surabaya-Johnny" for more than a quarter-century. It's no surprise that she sounds assured on the first eight tracks, which use the original orchestrations for small jazz band conducted by Roger Bean. It's a different story with the Broadway tunes that make up tracks 9-20, however, as Maurice Levine conducts a string orchestra on songs for which other singers have done memorable treatments, including "September Song," "Saga of Jenny," "Speak Low," and "Lost in the Stars." With her limited range and German-accented English, Lenya is not the best interpreter of this material, and she does better with the less familiar songs, such as "Sing Me Not a Ballad," which actually was written for her to sing in the unsuccessful operetta The Firebrand of Florence. As such, the decision to excise a third of the Berlin album is all the more questionable.
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Product Details

  • Release Date: 6/29/1999
  • Label: Sony
  • UPC: 074646064726
  • Catalog Number: 60647
  • Sales rank: 4,481

Tracks

Disc 1
  1. 1 September Song (3:45)
  2. 2 It Never Was You (2:26)
  3. 3 The Saga of Jenny (3:58)
  4. 4 Foolish Heart (3:10)
  5. 5 Speak Low (2:49)
  6. 6 Sing Me Not a Ballad (4:15)
  7. 7 Lonely House (3:36)
  8. 8 A Boy Like You (2:26)
  9. 9 Green-Up Time (2:34)
  10. 10 Trouble Man (3:42)
  11. 11 Stay Well (3:01)
  12. 12 Lost in the Stars (3:59)
  13. 13 Song of Ruth (2:08)
  14. 14 The Solomon Song (3:37)
  15. 15 Song (3:05)
  16. 16 Song of a German Mother (2:24)
  17. 17 So What - Harold Hastings (3:21)
  18. 18 What Would You Do? - Harold Hastings (3:25)
  19. 19 It Couldn't Please Me More (A Pineapple) - Jack Gilford (3:17)
  20. 20 Married - Jack Gilford (2:41)
  21. 21 Moritat Vom Mackie Messer (2:52)
  22. 22 Mack the Knife (3:11)
  23. 23 Mack the Knife (8:34)
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Album Credits

Performance Credits
Lotte Lenya Primary Artist, Vocals, Track Performer
Turk Murphy Track Performer
Louis Armstrong Track Performer
Maurice Levine Conductor
Roger Bean Conductor
Harold Hastings Track Performer
Jack Gilford Track Performer
Technical Credits
Marc Blitzstein Composer, translation
Kurt Weill Composer
Eric Bentley translation
Bertolt Brecht Composer
George Avakian Producer, Liner Notes
Thomas Frost Executive Producer
Goddard Lieberson Producer
John Nicols Cover Design
Louise de la Fuente Reissue Producer
Allen Weinberg Art Direction
Marty Greenblatt Engineer
Richard Avedon Cover Photo
Wolfgang Steuhl translation
James V. Thibaudat Liner Notes
Eva Reisinger translation
Josee Begaud translation
Laura Kszan Editorial Production
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