The Lottery and Other Stories

The Lottery and Other Stories

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by Shirley Jackson, A. M. Homes

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One of the most terrifying stories of the twentieth century, Shirley Jackson’s “The Lottery” created a sensation when it was first published in The New Yorker in 1948. "Power and haunting," and "nights of unrest" were typical reader responses. Today it is considered a classic work of short fiction, a story remarkable for its combination of


One of the most terrifying stories of the twentieth century, Shirley Jackson’s “The Lottery” created a sensation when it was first published in The New Yorker in 1948. "Power and haunting," and "nights of unrest" were typical reader responses. Today it is considered a classic work of short fiction, a story remarkable for its combination of subtle suspense and pitch-perfect descriptions of both the chilling and the mundane.

The Lottery and Other Stories, the only one to appear during Shirley Jackson's lifetime, unites "The Lottery" with twenty-four equally unusual short stories. Together they demonstrate Jackson's remarkable range -- from the hilarious to the horrible, the unsettling to the ominous -- and her power as a storyteller.

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The Lottery and Other Stories

By Shirley Jackson

Farrar, Straus and Giroux

Copyright © 1949 Shirley Jackson
All rights reserved.
ISBN: 978-1-4299-5784-7


The Intoxicated

He was just tight enough and just familiar enough with the house to be able to go out into the kitchen alone, apparently to get ice, but actually to sober up a little; he was not quite enough a friend of the family to pass out on the living-room couch. He left the party behind without reluctance, the group by the piano singing "Stardust," his hostess talking earnestly to a young man with thin clean glasses and a sullen mouth; he walked guardedly through the dining-room where a little group of four or five people sat on the stiff chairs reasoning something out carefully among themselves; the kitchen doors swung abruptly to his touch, and he sat down beside a white enamel table, clean and cold under his hand. He put his glass on a good spot in the green pattern and looked up to find that a young girl was regarding him speculatively from across the table.

"Hello," he said. "You the daughter?"

"I'm Eileen," she said. "Yes."

She seemed to him baggy and ill-formed; it's the clothes they wear now, young girls, he thought foggily; her hair was braided down either side of her face, and she looked young and fresh and not dressed-up; her sweater was purplish and her hair was dark. "You sound nice and sober," he said, realizing that it was the wrong thing to say to young girls.

"I was just having a cup of coffee," she said. "May I get you one?"

He almost laughed, thinking that she expected she was dealing knowingly and competently with a rude drunk. "Thank you," he said, "I believe I will." He made an effort to focus his eyes; the coffee was hot, and when she put a cup in front of him, saying, "I suppose you'd like it black," he put his face into the steam and let it go into his eyes, hoping to clear his head.

"It sounds like a lovely party," she said without longing, "everyone must be having a fine time."

"It is a lovely party." He began to drink the coffee, scalding hot, wanting her to know she had helped him. His head steadied, and he smiled at her. "I feel better," he said, "thanks to you."

"It must be very warm in the other room," she said soothingly.

Then he did laugh out loud and she frowned, but he could see her excusing him as she went on, "It was so hot upstairs I thought I'd like to come down for a while and sit out here."

"Were you asleep?" he asked. "Did we wake you?"

"I was doing my homework," she said.

He looked at her again, seeing her against a background of careful penmanship and themes, worn textbooks and laughter between desks. "You're in high school?"

"I'm a Senior." She seemed to wait for him to say something, and then she said, "I was out a year when I had pneumonia."

He found it difficult to think of something to say (ask her about boys? basketball?), and so he pretended he was listening to the distant noises from the front of the house. "It's a fine party," he said again, vaguely.

"I suppose you like parties," she said.

Dumbfounded, he sat staring into his empty coffee cup. He supposed he did like parties; her tone had been faintly surprised, as though next he were to declare for an arena with gladiators fighting wild beasts, or the solitary circular waltzing of a madman in a garden. I'm almost twice your age, my girl, he thought, but it's not so long since I did homework too. "Play basketball?" he asked.

"No," she said.

He felt with irritation that she had been in the kitchen first, that she lived in the house, that he must keep on talking to her. "What's your homework about?" he asked.

"I'm writing a paper on the future of the world," she said, and smiled. "It sounds silly, doesn't it? I think it's silly."

"Your party out front is talking about it. That's one reason I came out here." He could see her thinking that that was not at all the reason he came out here, and he said quickly, "What are you saying about the future of the world?"

"I don't really think it's got much future," she said, "at least the way we've got it now."

"It's an interesting time to be alive," he said, as though he were still at the party.

"Well, after all," she said, "it isn't as though we didn't know about it in advance."

He looked at her for a minute; she was staring absently at the toe of her saddle shoe, moving her foot softly back and forth, following it with her eyes. "It's really a frightening time when a girl sixteen has to think of things like that." In my day, he thought of saying mockingly, girls thought of nothing but cocktails and necking.

"I'm seventeen." She looked up and smiled at him again. "There's a terrible difference," she said.

"In my day," he said, overemphasizing, "girls thought of nothing but cocktails and necking."

"That's partly the trouble," she answered him seriously. "If people had been really, honestly scared when you were young we wouldn't be so badly off today."

His voice had more of an edge than he intended ("When I was young!"), and he turned partly away from her as though to indicate the half-interest of an older person being gracious to a child: "I imagine we thought we were scared. I imagine all kids sixteen — seventeen — think they're scared. It's part of a stage you go through, like being boy-crazy."

"I keep figuring how it will be." She spoke very softly, very clearly, to a point just past him on the wall. "Somehow I think of the churches as going first, before even the Empire State building. And then all the big apartment houses by the river, slipping down slowly into the water with the people inside. And the schools, in the middle of Latin class maybe, while we're reading Cæsar." She brought her eyes to his face, looking at him in numb excitement. "Each time we begin a chapter in Cæsar, I wonder if this won't be the one we never finish. Maybe we in our Latin class will be the last people who ever read Cæsar."

"That would be good news," he said lightly. "I used to hate Cæsar."

"I suppose when you were young everyone hated Cæsar," she said coolly.

He waited for a minute before he said, "I think it's a little silly for you to fill your mind with all this morbid trash. Buy yourself a movie magazine and settle down."

"I'll be able to get all the movie magazines I want," she said insistently. "The subways will crash through, you know, and the little magazine stands will all be squashed. You'll be able to pick up all the candy bars you want, and magazines, and lipsticks and artificial flowers from the five-and-ten, and dresses lying in the street from all the big stores. And fur coats."

"I hope the liquor stores will break wide open," he said, beginning to feel impatient with her, "I'd walk in and help myself to a case of brandy and never worry about anything again."

"The office buildings will be just piles of broken stones," she said, her wide emphatic eyes still looking at him. "If only you could know exactly what minute it will come."

"I see," he said. "I go with the rest. I see."

"Things will be different afterward," she said. "Everything that makes the world like it is now will be gone. We'll have new rules and new ways of living. Maybe there'll be a law not to live in houses, so then no one can hide from anyone else, you see."

"Maybe there'll be a law to keep all seventeen-year-old girls in school learning sense," he said, standing up.

"There won't be any schools," she said flatly. "No one will learn anything. To keep from getting back where we are now."

"Well," he said, with a little laugh. "You make it sound very interesting. Sorry I won't be there to see it." He stopped, his shoulder against the swinging door into the dining-room. He wanted badly to say something adult and scathing, and yet he was afraid of showing her that he had listened to her, that when he was young people had not talked like that. "If you have any trouble with your Latin," he said finally, "I'll be glad to give you a hand."

She giggled, shocking him. "I still do my homework every night," she said.

Back in the living-room, with people moving cheerfully around him, the group by the piano now singing "Home on the Range," his hostess deep in earnest conversation with a tall, graceful man in a blue suit, he found the girl's father and said, "I've just been having a very interesting conversation with your daughter."

His host's eye moved quickly around the room. "Eileen? Where is she?"

"In the kitchen. She's doing her Latin."

"'Gallia est omnia divisa in partes tres,'" his host said without expression. "I know."

"A really extraordinary girl."

His host shook his head ruefully. "Kids nowadays," he said.

The Daemon Lover

She had not slept well; from one-thirty, when Jamie left and she went lingeringly to bed, until seven, when she at last allowed herself to get up and make coffee, she had slept fitfully, stirring awake to open her eyes and look into the half-darkness, remembering over and over, slipping again into a feverish dream. She spent almost an hour over her coffee — they were to have a real breakfast on the way — and then, unless she wanted to dress early, had nothing to do. She washed her coffee cup and made the bed, looking carefully over the clothes she planned to wear, worried unnecessarily, at the window, over whether it would be a fine day. She sat down to read, thought that she might write a letter to her sister instead, and began, in her finest handwriting, "Dearest Anne, by the time you get this I will be married. Doesn't it sound funny? I can hardly believe it myself, but when I tell you how it happened, you'll see it's even stranger than that. ..."

Sitting, pen in hand, she hesitated over what to say next, read the lines already written, and tore up the letter. She went to the window and saw that it was undeniably a fine day. It occurred to her that perhaps she ought not to wear the blue silk dress; it was too plain, almost severe, and she wanted to be soft, feminine. Anxiously she pulled through the dresses in the closet, and hesitated over a print she had worn the summer before; it was too young for her, and it had a ruffled neck, and it was very early in the year for a print dress, but still. ...

She hung the two dresses side by side on the outside of the closet door and opened the glass doors carefully closed upon the small closet that was her kitchenette. She turned on the burner under the coffeepot, and went to the window; it was sunny. When the coffeepot began to crackle she came back and poured herself coffee, into a clean cup. I'll have a headache if I don't get some solid food soon, she thought, all this coffee, smoking too much, no real breakfast. A headache on her wedding day; she went and got the tin box of aspirin from the bathroom closet and slipped it into her blue pocketbook. She'd have to change to a brown pocketbook if she wore the print dress, and the only brown pocketbook she had was shabby. Helplessly, she stood looking from the blue pocketbook to the print dress, and then put the pocketbook down and went and got her coffee and sat down near the window, drinking her coffee, and looking carefully around the one-room apartment. They planned to come back here tonight and everything must be correct. With sudden horror she realized that she had forgotten to put clean sheets on the bed; the laundry was freshly back and she took clean sheets and pillow cases from the top shelf of the closet and stripped the bed, working quickly to avoid thinking consciously of why she was changing the sheets. The bed was a studio bed, with a cover to make it look like a couch, and when it was finished no one would have known she had just put clean sheets on it. She took the old sheets and pillow cases into the bathroom and stuffed them down into the hamper, and put the bathroom towels in the hamper too, and clean towels on the bathroom racks. Her coffee was cold when she came back to it, but she drank it anyway.

When she looked at the clock, finally, and saw that it was after nine, she began at last to hurry. She took a bath, and used one of the clean towels, which she put into the hamper and replaced with a clean one. She dressed carefully, all her underwear fresh and most of it new; she put everything she had worn the day before, including her nightgown, into the hamper. When she was ready for her dress, she hesitated before the closet door. The blue dress was certainly decent, and clean, and fairly becoming, but she had worn it several times with Jamie, and there was nothing about it which made it special for a wedding day. The print dress was overly pretty, and new to Jamie, and yet wearing such a print this early in the year was certainly rushing the season. Finally she thought, This is my wedding day, I can dress as I please, and she took the print dress down from the hanger. When she slipped it on over her head it felt fresh and light, but when she looked at herself in the mirror she remembered that the ruffles around the neck did not show her throat to any great advantage, and the wide swinging skirt looked irresistibly made for a girl, for someone who would run freely, dance, swing it with her hips when she walked. Looking at herself in the mirror she thought with revulsion, It's as though I was trying to make myself look prettier than I am, just for him; he'll think I want to look younger because he's marrying me; and she tore the print dress off so quickly that a seam under the arm ripped. In the old blue dress she felt comfortable and familiar, but unexciting. It isn't what you're wearing that matters, she told herself firmly, and turned in dismay to the closet to see if there might be anything else. There was nothing even remotely suitable for her marrying Jamie, and for a minute she thought of going out quickly to some little shop nearby, to get a dress. Then she saw that it was close on ten, and she had no time for more than her hair and her make-up. Her hair was easy, pulled back into a knot at the nape of her neck, but her makeup was another delicate balance between looking as well as possible, and deceiving as little. She could not try to disguise the sallowness of her skin, or the lines around her eyes, today, when it might look as though she were only doing it for her wedding, and yet she could not bear the thought of Jamie's bringing to marriage anyone who looked haggard and lined. You're thirty-four years old after all, she told herself cruelly in the bathroom mirror. Thirty, it said on the license.

It was two minutes after ten; she was not satisfied with her clothes, her face, her apartment. She heated the coffee again and sat down in the chair by the window. Can't do anything more now, she thought, no sense trying to improve anything the last minute.

Reconciled, settled, she tried to think of Jamie and could not see his face clearly, or hear his voice. It's always that way with someone you love, she thought, and let her mind slip past today and tomorrow, into the farther future, when Jamie was established with his writing and she had given up her job, the golden house-in-the-country future they had been preparing for the last week. "I used to be a wonderful cook," she had promised Jamie, "with a little time and practice I could remember how to make angel-food cake. And fried chicken," she said, knowing how the words would stay in Jamie's mind, half-tenderly. "And Hollandaise sauce."

Ten-thirty. She stood up and went purposefully to the phone. She dialed, and waited, and the girl's metallic voice said, "... the time will be exactly ten-twenty-nine." Half-consciously she set her clock back a minute; she was remembering her own voice saying last night, in the doorway: "Ten o'clock then. I'll be ready. Is it really true?"

And Jamie laughing down the hallway.

By eleven o'clock she had sewed up the ripped seam in the print dress and put her sewing-box away carefully in the closet. With the print dress on, she was sitting by the window drinking another cup of coffee. I could have taken more time over my dressing after all, she thought; but by now it was so late he might come any minute, and she did not dare try to repair anything without starting all over. There was nothing to eat in the apartment except the food she had carefully stocked up for their life beginning together: the unopened package of bacon, the dozen eggs in their box, the unopened bread and the unopened butter; they were for breakfast tomorrow. She thought of running downstairs to the drugstore for something to eat, leaving a note on the door. Then she decided to wait a little longer.

By eleven-thirty she was so dizzy and weak that she had to go downstairs. If Jamie had had a phone she would have called him then. Instead, she opened her desk and wrote a note: "Jamie, have gone downstairs to the drugstore. Back in five minutes." Her pen leaked onto her fingers and she went into the bathroom and washed, using a clean towel which she replaced. She tacked the note on the door, surveyed the apartment once more to make sure that everything was perfect, and closed the door without locking it, in case he should come.


Excerpted from The Lottery and Other Stories by Shirley Jackson. Copyright © 1949 Shirley Jackson. Excerpted by permission of Farrar, Straus and Giroux.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

What People are Saying About This

Elizabeth Janeway
Jackson's great gift is not to create a world of fantasy and terror, but rather to discover the existence of the grotesque in the ordinary world. The grotesque is so powerful here just because it takes off from everday life and constantly returns there until we do not know ourselves quite where we are.

Meet the Author

Shirley Jackson (1919-1965), the author of The Haunting of Hill House, Hangsaman, Life Among the Savages, and We Have Always Lived in the Castle, is considered one of the masters of modern gothic fiction. She is perhaps best known for her short story "The Lottery."
Shirley Jackson (1916-1965), the author of The Haunting of Hill House, Hangsaman, Life Among the Savages, and We Have Always Lived in the Castle, is considered one of the masters of modern gothic fiction. She is perhaps best known for her short story "The Lottery."

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The Lottery: And Other Stories 4.2 out of 5 based on 0 ratings. 32 reviews.
RexTheTex More than 1 year ago
I've read the Lottery many times, a few dozen at least. I enjoy it each and every time and if you haven't read Shirley Jackson, you haven't read horror.
Guest More than 1 year ago
I am 38 and I do remember this novel from college and the impact was so great that my son who is in high school has read and written a school paper on this. This novel opens your mind to the unthinkable and unimagianable. Brillant.
Anonymous More than 1 year ago
I found the book overall to be a well written easy read. The problem is that there is just enough of each story to engage the reader before it abruptly ends and the reader is left with no resolution. I continued to read the novel, in it's entirety, even after it became clear that each story would suffer from the same flaw. It's true, some were fleshed out more than others, and their conclusion might be satisfactory enough, under other circumstances, but overall, I was left was a feeling of frustration after each story. Saying that this type of ending leaves the reader with an eerie unsettled feeling or allows the reader to use their imagination about where the story might go, seems like a poor excuse. The only story exempt from this is "The Lottery" itself. It is macabre and haunting and I can see why it received so many positive reviews. However, I wish more of the reviews had referenced the entire work, rather than just the one story by the same name. It's somewhat misleading. Save yourself the time and frustration and just read "The Lottery" short story.
Anonymous More than 1 year ago
The Lottery is a disturbing but very gripping short story. I recommend everyone read this at least once.
Guest More than 1 year ago
The lottery is a masterpiece. Best short story I have ever read! Jackson has an amazing use of symbolism, and her stories are full of suspense. You will not want to put this book down. After reading the Lottery, you may begin to question some of the traditions in your life.
Guest More than 1 year ago
I absolutely loved this book. The stories here are about things that occur in our everyday lives with a twist of eerieness added to them. Like being trapped in the Twilight Zone.
Anonymous More than 1 year ago
I read the lottery in class and had to write an essay on it. While this story is twisted and demented I really loved it. Though i feel quite bad for the not so lucky winner Tesse Hutchison... Poor girl :(
Anonymous More than 1 year ago
I purchased this book after reading great reviews on two other websites. I have now realized that the majority of those reviews were for one story found in this book, "The Lottery." While "The Lottery" is twisted, I found most of the other stories to be uninteresting. It was like hearing someone describe their day at the dinner table just to break the silence. The stories do not have any real endings making them feel pointless.
Guest More than 1 year ago
This story introduces an interesting moral dispute. When you consider that the majority of readers think of Tessie Hutchinson as a victim, while really, she was playing the game. This cooperation and involvement in the situation makes Tessie as much of a scapegoat as any other character in the story. The concept that Tessie was the unfortunate loser of the lottery does not necissarily excuse her from the moral dilemma at hand.
Anonymous More than 1 year ago
Read this in school, was a great read! Really opens up your mind to the perplexities of the "negative" world out there. 
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Riven2310 More than 1 year ago
Outstanding book.
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