Louise Bourgeois

Overview

This French-born artist emigrated to the United States in 1938. Bourgeois has produced a body of work that spans more than five decades, including over 25 worldwide exhibitions in 2005 alone. Famous for her highly experimental and autobiographical sculptures, Bourgeois's work also includes intimate drawings, paintings, and personal writings. She is a pioneer in tackling issues of empowerment, sexuality, and the roles of women in her diverse oeuvre. Her art can be found in the permanent collections of prestigious ...

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Overview

This French-born artist emigrated to the United States in 1938. Bourgeois has produced a body of work that spans more than five decades, including over 25 worldwide exhibitions in 2005 alone. Famous for her highly experimental and autobiographical sculptures, Bourgeois's work also includes intimate drawings, paintings, and personal writings. She is a pioneer in tackling issues of empowerment, sexuality, and the roles of women in her diverse oeuvre. Her art can be found in the permanent collections of prestigious institutions such as the Museum of Modern Art in New York, the Tate Modern in London, and the Pompidou Center in Paris. In 1993, Bourgeois represented the United States at the Venice Biennial. Louise Bourgeois presents the artist's long and productive career through a series of essays: a retrospective text, an interview, an analysis, and over 150 images that represent the totality of the artist's output from her earliest work to her most recent projects. This comprehensive volume with its innovative design pays tribute to an original and influential artist and is an essential addition to every contemporary art-lover's collection.

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Editorial Reviews

Publishers Weekly

One contributor to this retrospective asks: "How is it that an artist whose career spans some seventy years continues to appear vital and contemporary...?" Bourgeois's work, sometimes abstract and sometimes not, is sculpture or installation, may be sewn out of fabric or carved out of wood, and is ever intimate, feminist, eccentric and interesting. The difficulty of memorializing the work of such an extraordinary living artist is handled through a "glossary" of terms, a neat trick that puts "Etching" next to "Existentialism" and "Materials" next to "Maternity." This treatment pairs shorter and longer essays by art critics with excerpts from Bourgeois's diaries and interviews, providing a deep and textured sense of the artist's biography. Personally and creatively, Bourgeois was deeply affected by her mother's tolerance of her father's affair with the daughter's own tutor. Bourgeois's work doesn't follow any clear trajectory, so the episodic nature of this presentation displays her work appropriately. It can be difficult to connect a piece of text to the hundreds of reproductions of the artist's work (many in full spreads), but the overall impression is very effective-a suitable presentation for this intriguing and multifaceted artist. (Apr.)

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Publishers Weekly - Publisher's Weekly
French-born Bourgeois emigrated to the U.S. in 1938, yet the nearly 60 years of adventurous work in sculpture, drawing, engraving and installation reproduced here reflects an admitted attempt to repair the childhood she escaped. In 150 illustrations (50 in color), we find a haunting, enigmatic exploration of sexuality and the home: ladders that lead only to the ceiling; a giant steel spider whose egg sac is a jar of blue fluid; arrays of abstract white marble forms that simultaneously suggest male and female genitalia, often placed in enclosed, almost soothing, roomlike settings. Bernadac, curator of graphic arts at the Paris Muse National d'art Moderne, treats Bourgeois's uncanny mix of domestic comforts and erotic terrors as pointing to the ultimate imbrication of our desires into the structures we create, formal or familial. Her interpretations, while sometimes didactic and often overshadowed by the artist's own commentary, provide a welcome chronological overview of this remarkable and still evolving career. (June)
Donna Seaman
This elegant volume is the second book about Bourgeois to appear in recent months, evidence of a surge of interest that Bernadac succinctly describes as "inversely proportional to the neglect" Bourgeois suffered for decades. Bernadac, former curator of the Musee Picasso, offers convincing explanations both for the art world's persistent blindness to Bourgeois' startlingly original, sensual, and challenging sculpture and for the sudden recognition of its power, integrity, and courageous beauty. Bernadac successfully combines biography with criticism throughout this chronological overview, enriching the experience of viewing Bourgeois' art, from her highly symbolic works on paper to her newest work, the "cells," mysterious and dramatic large-scale installations. These daring works have occupied the indefatigable Bourgeois since she entered her eighties five years ago. Fiercely independent, adept at creating provocative abstractions out of myriad materials, Bourgeois is "unclassifiable" and profoundly compelling, qualities attributable, Bernadac believes, to Bourgeois' perception of art as fetishistic. For Bourgeois, the making of art is a magical and curative act, deeply emotional and erotic, thus resoundingly universal.
From the Publisher
"This A to Z glossary chronicles the intimate themes of her art and her many successes." ~Florida InsideOut

"An intriguing companion to the spectacular Louise Bourgeois retrospective...boasting some 240 illustrations, the book covers topics ranging from Anxiety to Fabric Towers to Surrealism..." ~France Magazine

“Constructed as an A-to-Z glossary of Louise Bourgeois’s life, work, philosophies, and insights, this comprehensive publication moves the reader from Maman to Mapplethorpe, primitivism to prostitution, and Sadie to surrealism, in a thought-provoking tapestry of essays, words, and images reflecting the artist’s prolific and engrossing body of work.” ~Choice Magazine

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Product Details

  • ISBN-13: 9782080305534
  • Publisher: Rizzoli
  • Publication date: 3/20/2007
  • Pages: 216
  • Product dimensions: 8.50 (w) x 11.42 (h) x 1.00 (d)

Meet the Author

Marie-Laure Bernadac was curator of the Musée Picasso in Paris, from 1980-1992. She is head curator of the Cabinet des Arts Graphiques du Musée National d'Art Moderne at the Centre Georges Pompidou, Paris. She has written Louise Bourgeois (Flammarion, 1996) and contributed to numerous books on Louise Bourgeois, Picasso, Annette Messager, and Miro. The innovative Paris-based design team M/M created the unique typefaces and the hole-punch series design for the Flammarion Contemporary books.

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Table of Contents

Introduction: Sculpting Emotion 7
Ch. I Primal Scenes (Drawing, Painting, Engraving) 13
Ch. II Homesickness 49
Ch. III Organic Refuge 65
Ch. IV Destruction of the Father 89
Ch. V Body Parts 103
Ch. VI Sites of Memory 121
The Critics: Articles on Louise Bourgeois, 1995 155
Biography 163
Selected bibliography 189
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