Love and Treasure

( 8 )

Overview

A spellbinding new novel of contraband masterpieces, tragic love, and the unexpected legacies of forgotten crimes, Ayelet Waldman’s Love and Treasure weaves a tale around the fascinating, true history of the Hungarian Gold Train in the Second World War.

In 1945 on the outskirts of Salzburg, victorious American soldiers capture a train filled with unspeakable riches: piles of fine gold watches; mountains of fur coats; crates filled with wedding ...

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Overview

A spellbinding new novel of contraband masterpieces, tragic love, and the unexpected legacies of forgotten crimes, Ayelet Waldman’s Love and Treasure weaves a tale around the fascinating, true history of the Hungarian Gold Train in the Second World War.

In 1945 on the outskirts of Salzburg, victorious American soldiers capture a train filled with unspeakable riches: piles of fine gold watches; mountains of fur coats; crates filled with wedding rings, silver picture frames, family heirlooms, and Shabbat candlesticks passed down through generations. Jack Wiseman, a tough, smart New York Jew, is the lieutenant charged with guarding this treasure—a responsibility that grows more complicated when he meets Ilona, a fierce, beautiful Hungarian who has lost everything in the ravages of the Holocaust. Seventy years later, amid the shadowy world of art dealers who profit off the sins of previous generations, Jack gives a necklace to his granddaughter, Natalie Stein, and charges her with searching for an unknown woman—a woman whose portrait and fate come to haunt Natalie, a woman whose secret may help Natalie to understand the guilt her grandfather will take to his grave and to find a way out of the mess she has made of her own life.

A story of brilliantly drawn characters—a suave and shady art historian, a delusive and infatuated Freudian, a family of singing circus dwarfs fallen into the clutches of Josef Mengele, and desperate lovers facing choices that will tear them apart—Love and Treasure is Ayelet Waldman’s finest novel to date: a sad, funny, richly detailed work that poses hard questions about the value of precious things in a time when life itself has no value, and about the slenderest of chains that can bind us to the griefs and passions of the past. 

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Editorial Reviews

The New York Times Book Review - Catherine Taylor
Crucial to [Love and Treasure's] plot is an enameled pendant, intricately worked in the design of a peacock, unusually colored in purple, white and green. Waldman skillfully interweaves this striking and enigmatic object—a symbol, as the book progresses, of fatal bad luck—into an ambitious sweep of history, setting the loss of millions of human lives against the pendant's own poignant, improbable survival…Waldman sustains her multiple plot lines with breathless confidence and descriptive panache, fashioning complex personalities caught up in an inexorable series of events.
Publishers Weekly
02/03/2014
This lush, multigenerational tale by Waldman (Bad Mother) of loves lost and found begins at a portentous historical starting point: the so-called Hungarian Gold Train. Waldman traces the path of a single pendant taken from this notorious shipment of Nazi-confiscated treasures, which the U.S. seized at the end of WWII but largely failed to return to the original owners, many of them Hungarian Jews. The pendant’s decoration, an enameled peacock, is a symbol of bad fortune, boding ill for the young U.S. Army lieutenant, Jack Wiseman, who takes it from the Gold Train in 1945. In the present, he passes the pendant on to his unlucky-in-love granddaughter, Natalie, imploring her to return it to its rightful owner. With that request, the narrative leaps back in time, showing Jack’s doomed romance with Ilona, a Holocaust survivor, and the life-changing early-20th-century friendship between pioneering female medical student Nina and dwarf suffragette Gizella Weisz. It also focuses on present-day Syrian-Jewish art dealer Amitai Shasho’s attempts to come to grips with his past. Inventively told from multiple perspectives, Waldman’s latest is a seductive reflection on just how complicated the idea of “home” is­­—and why it is worth more than treasure. Agent: Mary Evans, Mary Evans Inc. (Apr.)
From the Publisher
"Grounded in history, this exciting novel is full of twists and compelling characters.”
—Isabel Allende

"Love and Treasure places the Hungarian Gold Train at the heart of a multigenerational tale. . . Crucial to its plot is an enameled pendant, intricately worked in the design of a peacock, unusually colored in purple, white and green. Waldman skillfully interweaves this striking and enigmatic object—a symbol, as the book progresses, of fatal bad luck—into an ambitious sweep of history, setting the loss of millions of human lives against the pendant's own poignant, improbably survival. . . In the novel's final, twisty section, Waldman has great fun with the narrative of a pompous, libidinous psychoanalyst in seemingly idyllic, assimilated, pre-World War I Budapest. . . Waldman sustains her multiple plot lines with breathless confidence and descriptive panache, fashioning complex personalities caught up in an inexorable series of events. . . Powerful."
—Catherine Taylor, The New York Times Book Review

"Waldman is a wonderfully imaginative writer . . . absorbing . . . As with the painting in Susan Vreeland’s Girl in Hyacinth Blue and the manuscript in Geraldine Brooks’s People of the Book the link between these separate stories in Love and Treasure is a pendant decorated with the picture of a peacock. In Waldman’s exceedingly clever treatment, this piece of jewelry is not intrinsically valuable; it accrues value only as it passes from one unlikely hand to another, demonstrating the curious and tragic ways that history binds us together. . . a tense and romantic story that never seems polemical or overdetermined. . . a marvelous panorama of early 20th-century attitudes about women . . . Moving."
—Ron Charles, The Washington Post

"What ethics govern the custodians of property that can never be returned? How do the personal and the political intertwine in the wake of historical tragedy? These questions permeate the novel . . . Charming . . . The failings of the characters imbues them with a fuller and more complex humanity . . . the book’s best moments explore subtle ambiguities. . . the human stories behind the looted objects flicker into life."
—Nick Romeo, The Boston Globe

"A cohesive and engaging narrative . . .  lively, compassionate characterizations . . . brimming with passion . . . Waldman reaches thoughtfully into an epic sweep of complex issues related to identity, home, dislocation and feminism, and illuminates her ideas through the critical junctures of the journeys of both the pendant and the painting. In the end, as readers, we gain a deeper understanding of what it means to covet and what it means to love."
—S. Kirk Walsh, San Francisco Chronicle

"Like a set of Russian nesting dolls, Ayelet Waldman's historically resonant new novel offers stories within stories, spanning a century of European wars and social movements, (mostly) ill-starred relationships, and the ambiguous aftermath of these upheavals. . . Something of a page-turner, Love and Treasure dares to throw readers off balance and keep them searching for resolution . . . Like the diary of Anne Frank, or the pile of shoes without owners in the United States Holocaust Memorial Museum, it stands for nothing less than the loss of an entire world."
—Julia M. Klein, Chicago Tribune

"In Ayelet Waldman's thoughtful, expansive Love and Treasure, American soldiers occupying Austria after World War II discover an immense freight train full of personal effects pillaged from Hungarian Jews . . . Absorbing . . . The pendant's crooked passage across the century serves as a connecting device, holding the book's elegantly balanced parts together like the wire in a Calder mobile. In the end, Love and Treasure is less concerned with belongings than with belonging—with the Jewish people's ongoing hunt for community and homeland, and what one character calls 'a sense of loyalty and identity.' Those things, once stolen, are much harder to get back."
—Sam Sacks, The Wall Street Journal

"Absorbing . . . A compelling meditation on love, missed connections and the pull of history on the present. . . well-written and entertaining."
—Kevin Nance, USA TODAY

"Heartfelt . . . Waldman’s evocation of Budapest is evocative and enthralling."
—Brigette Frase, Minneapolis Star Tribune

"Ambitious . . . The eternal human struggle for self-determination and dignity pulses throughout."
—Robin Micheli, People Magazine

"Love and Treasure, the new novel by Ayelet Waldman, couldn’t be more timely. . . Waldman builds her narrative, which moves between three distinct stories and time periods, around one of the most notorious cases of property theft in WWII. . . It is a story ripe for retelling . . .  Love and Treasure offers not just one romance, but two—one tragic, one comic. . . Drawing on what was clearly extensive research, Waldman brings to life the world of the Central European Jewish haute bourgeoisie, reveling in its textures, exposing its hypocrisies, and cheering on the incipient feminism that Nina represents. . . [A] fantasia on historical themes."
— Adam Kirsch, Tablet Magazine

"Classic perfection . . .  heartwarming and inspiring. . . interesting and educational, informing the reader about little-known segments of history through the eyes of well-drawn, credible, and sympathetic characters. The narrative progresses in a quiet, steady suspense of human drama without any melodramatic action. One never knows what turning the page will bring. Highly recommended."
— Carolyn Haley, New York Journal of Books

"A deft feat . . . conveys the scope of the tragedy as well as the richness of Hungarian Jewish history . . . Her best work."
— Sue Barnett, J Weekly

"Her most absorbing and ambitious work yet. . . Throughout this rich and affecting novel, Waldman explores questions of identity—how it is shaped and defined, and by whom. She also fearlessly investigates the complicated and tragic history of European Jews in the years before and after World War II, framing the issue through questions of belonging and possession—of oneself, of one's things, and of one's home. Love and Treasure is romantic, provocative and ripe for discussion—a historical novel that is as timely and relevant as ever"
The Book Reporter

"Divorced, unemployed, and listless, Natalie Stein goes on a wild-goose chase to find the rightful heir of a WWII relic . . . This screams big-screen adaptation: Natalie Portman as Natalie Stein, perhaps?"
—What To Read Now, Marie Claire

"Ambitious... Like the necklace that Jack hands to Natalie in the book's first pages, Love and Treasure is exquisitely crafted and filled with secrets."
—Georgia Rowe, San Jose Mercury News

"Love and Treasure is a well-researched tale that unfolds in three intertwining stories set in 1913 Budapest, post-World War II Austria, and present-day Maine. . . Waldman, a student of the Holocaust and its aftermath, draws from historical fact to create these multigenerational tales that reveal clues to the reader the way a locket exposes a hidden image. With Love and Treasure, she has carefully crafted a work that measures memory against oblivion, value against wealth, and legacy against possession."
—Abbe Wright, O Magazine

"Nazi gold, a coveted jeweled pendant and a web of intrigue that spans the globe and generations — Ayelet Waldman’s Love and Treasure embodies the staples of a timeless adventure narrative. . . Waldman skillfully crafts her story in three threads before, during and after the war, each awash in the poignancy of loss that grew out of the Holocaust. Love and Treasure invests in deeply complex characters, all searching to uncover a shared history connected by WWII. . . An exhilarating read that is as thoughtful as it is provocative."
—Mitch Sawyer, Vox Magazine

"When a necklace with a peacock pendant – confiscated along with other treasures from Hungary's Jews – is found in Austria in 1945 by Jack Wiseman, a young Jewish lieutenant in the US Army, he gives it to the Holocaust survivor with whom he has fallen in love. But their love affair does not endure and the pendant eventually comes back to Jack. In 2013, in his final days, Jack asks his granddaughter Natalie to return the piece of jewelry he took so long ago. But how and to whom? Waldman's novel skips continents and generations, telling a multi-layered and well-constructed story."
—10 Best Books of April, Christian Science Monitor

"If the riveting history around which Ayelet Waldman’s new novel is weaved doesn’t draw you in, the characters that infuse it certainly will. Vividly crafted and full of intriguing complexity, Waldam’s characters — a seedy art historian, a clan of entrapped circus dwarfs, a beautiful Hungarian Holocaust survivor, and a vivacious young American army lieutenant among them — breathe life into a story of art, war, stolen treasures, forgotten crimes and star-crossed love, a story that sets off during WWII along the Hungarian Gold Train and spans across decades, cultures, and generations. Skillfully crafted and told from multiple perspectives within a narrative that telescopes through time, Love and Treasure tells a captivating story about treasure lost and found and calls us to reevaluate what it is that we treasure most."
—Morgan Ribera, Bustle Magazine

“Waldman has written a sweeping romantic novel of overlapping generations, crossed continents and wartime echoes—a drenched, tragic love story rooted in one of our darkest moments of history, the Holocaust. Transported by cinematic dialogue, readers will sink into Waldman’s rich descriptions as she zigzags among characters who are united by a mysterious stolen treasure.”
—Susanna Sonnenberg, MORE Magazine

"In 1945, an American soldier falls in love with a Holocaust survivor he meets on a train in Austria. She decides to forsake him to build a life in Palestine. He is left only with a necklace. On his deathbed in 2013, he charges his daughter, Natalie, with returning it to its owner. What follows is a complicated and involving story of the lives behind possessions stolen by the Nazis."
The New York Daily News

"Inspired by the true story of World War II's 'Hungarian Gold Train,' the tale set in present-day New York centers on a woman uncovering the truth about what her grandfather did as an American soldier in the war. . . [For] fans of The Goldfinch, treasure hunts and the work of Waldman's husband, Michael Chabon."
—Spring Books Preview: 10 Titles to Read, The Hollywood Reporter

"This lush, multigenerational tale... traces the path of a single pendant.... Inventively told from multiple perspectives, Waldman's latest is a seductive reflection on just how complicated the idea of 'home' is—and why it is worth more than treasure."
Publishers Weekly
 
“A sensitive and heartbreaking portrayal of love, politics, and family secrets . . . Waldman's appealing novel recalls the film The Red Violin in its following of this all-important object through various periods in history and through many owners. Fans of historical fiction will love the compelling characters and the leaps backward and forward in time.”
—Mariel Pachucki, Library Journal

“One is quickly caught up in Love and Treasure with its shifting tones and voices—at times a document, a thriller, a love story, a search—telescoping time backwards and forwards to vividly depict a story found in the preludes and then the after-effects of the Holocaust. Waldman gives us remarkable characters in a time of complex and surprising politics."
—Michael Ondaatje

Love and Treasure is something of a treasure trove of a novel. Its beautifully integrated parts fit inside one another like the talismanic pendant/ locket at the heart of several love stories. Where the opening chapters evoke the nightmare of Europe in the aftermath of World War II with the hallucinatory vividness of Anselm Kiefer's disturbing canvases, the concluding chapters, set decades before, in a more seemingly innocent time in the early 20th century, are a bittersweet evocation, in miniature, of thwarted personal destinies that yet yield to something like cultural triumph. Ayelet Waldman is not afraid to create characters for whom we feel an urgency of emotion, and she does not resolve what is unresolvable in this ambitious, absorbing and poignantly moving work of fiction."
—Joyce Carol Oates
 
Love and Treasure is like the treasure train it chases: fast-paced, bound by a fierce mission, full of bright secrets and racingly, relentlessly moving.”
—Daniel Handler

"Complex and thoughtful, moving and carefully researched, this is a novel to love and treasure."
—Philippa Gregory

Library Journal
11/15/2013
Lt. Jack Wiseman is tasked with guarding a train waylaid by Allied soldiers outside of Salzburg, its cargo including purloined jewelry, fur coats, and Shabbat candlesticks. Then he meets the fiercely determined Ilona, a Hungarian Jew. Seventy years later, Jack gives his granddaughter a necklace and asks her to track down the woman whose portrait it holds. An ambitious breakout novel from the author of Red Hook Road.
Kirkus Reviews
2014-03-02
A necklace with a peacock pendant raises provocative questions about loss, guilt and recovery in Waldman's intriguing new novel (Red Hook Road, 2010, etc.). The necklace is one of thousands of items confiscated from Hungary's Jews and found on a train seized in Austria by the U.S. Army in 1945. Assigned to guard the train, Lt. Jack Wiseman falls in love with Ilona, a Holocaust survivor. When she leaves him for a new life in Palestine, the devastated Jack takes the necklace as a memento. In 2013, dying of pancreatic cancer, he asks his granddaughter Natalie to return it. But to whom? She learns in Budapest that the necklace was depicted in Portrait of Frau E, a lost painting by a Hungarian Jewish artist who died during World War II. Amitai, an Israeli-born specialist in the recovery of art stolen during the Holocaust, persuades Natalie to join his search for Portrait of Frau E in hopes of identifying the necklace's rightful owner. Painting and necklace both wind up in unexpected hands, and the narrative rolls back to trace the history of "Frau E." Her maiden name is Nina Schillinger, and in 1913 she is a 19-year-old feminist whose desire to study medicine has prompted her appalled parents to send her to a psychoanalyst. (His account of their sessions provides a wickedly funny satire of sexist, sex-obsessed Freudian analysis.) Waldman paints morally complex portraits in her three linked stories. Jack's superiors blithely furnish their quarters with tableware and crystal from the Hungarian train; the appealing Amitai retrieves looted art for profit; Budapest's prewar Jewish bourgeoisie places crippling constraints on its daughters. Yet all three stories also show love prompting people to transcend their limitations and behave with new compassion, though Waldman is too honest not to acknowledge that it's not always easy to do the right thing—or even to know what that is. No big points made here, just strong storytelling combined with thoughtful exploration of difficult issues.
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Product Details

  • ISBN-13: 9781628991178
  • Publisher: Center Point
  • Publication date: 5/28/2014
  • Edition description: Large Prin
  • Pages: 500

Meet the Author

Ayelet Waldman

Ayelet Waldman is the author of the novels Red Hook Road, Love and Other Impossible Pursuits, and Daughter’s Keeper, as well as of the essay collection Bad Mother: A Chronicle of Maternal Crimes, Minor Calamities, and Occasional Moments of Grace and the Mommy-Track Mystery series. She lives in Berkeley, California, with her husband and four children. 

Biography

Some writers make it all look too easy. Take Ayelet Waldman, for example. The first novel she ever wrote -- heck, the first piece of creative writing she ever attempted -- was not only published, but it launched the successful Mommy-Track mystery series. Six years and eight novels later, Waldman is still wowing fans and critics alike while occasionally moving into more serious territory.

Waldman is most famous for her witty Mommy-Track mysteries, which follow the adventures of Juliet Applebaum. Like her creator, Juliet Applebaum is a former-public defender now playing the role of stay-at-home mom Unlike Waldman, Juliet breaks up her days of parenting with a little amateur sleuthing on the side. Waldman explained the origin of her beloved series during an interview at UC Berkley in 2004. "They grew out of this period in my life when I had left the public defender's office and I was staying home; I started writing them to keep myself entertained."

The novel that Waldman essentially wrote on a self-entertaining lark -- Nursery Crimes -- became the first in a series of lighthearted mysteries that clearly struck a chord among the writer's peers. "I think they kind of hit the market at a time that there were a lot of women like me," Waldman explained. "A lot of ex-lawyers, ex-doctors, ex-CEOs of companies who were finding themselves straight from the boardroom to the sandbox and kind of going crazy, so there was a ready audience for people who were not necessarily all that fulfilled by making homemade play-dough, but nonetheless realized where they were gonna be for the next couple of years."

After the initial four books in the Mommy-Track series (which included such tongue-in-cheek titles as The Big Nap and A Playdate With Death), Waldman decided to use her newfound literary success as an opportunity to try her hand at a non-series novel. "The more I wrote," she said, "the more I realized that [writing] was something that I really loved to do and I wanted to do more with it. I wanted to grow as a writer and I wanted to start writing more serious fiction." Daughter's Keeper, a tale that sheds some critical light on the War on Drugs, revealed that she was more than capable of handling heavier subject matter. As Publishers Weekly noted: "Waldman's passion and affection for her characters shines through."

Having broken into a new realm of writing, Waldman then delivered two more installments in the Juliet Applebaum adventures before penning her second non-series novel. Like all of her previous works, Love and Other Impossible Pursuits addresses Waldman's favorite subject, motherhood, but this time around she also touches on the grittier issues of grief and death. Once again, Waldman's foray outside of her popular series has proved a resounding success. In Chelsea Cain's laudatory review in The New York Times, she described Love and Other Impossible Pursuits as "a romantic, shocking and sometimes painful page-turner does the unthinkable: it actually says something new and interesting about women, families and love."

While more Mommy-Track mysteries are likely on the way from the prolific Waldman, the side roads she has taken thus far confirm that she is a writer willing to defy expectations.

In addition...
Waldman is also noted for the controversy that followed the publication of her 2005 essay "Motherlove." The essay, first published in the anthology Because I Said So: 33 Mothers Write About Children, Sex, Men, Aging, Faith, Race and Themselves, sparked a heated national debate about the nature of love, marriage, and motherhood.

Good To Know

Some interesting outtakes from our interview with Waldman:

"My children are my inspiration. I write about mothers, and about maternal ambivalence. No matter what I set out to do, it seems, I end up writing about that. My four kids have veto power on anything I write about them, but the only time it's ever been exercised is when my eight-year-old told me never to write about breastfeeding him ever again, as long as he and I both walked the earth."

"My husband and I both edit one another's work. Nothing leaves the house that the other hasn't gone over with a fine-toothed comb.

"Nursery Crimes, my first murder mystery, was the first piece of fiction -- the first piece of creative writing -- I ever did.

"I have no hobbies, other than reading. I love to read, and on my web site I keep a log of every book I read, along with a few words about the book and about what I thought. Check it out at www.ayeletwaldman.com

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    1. Hometown:
      Berkeley, California
    1. Date of Birth:
      December 11, 1964
    2. Place of Birth:
      Jerusalem, Israel
    1. Education:
      Wesleyan University, 1986; Harvard Law School, 1991
    2. Website:

Reading Group Guide

1. Love and Treasure is a novel that illuminates the shifting nature of identity. In the beginning of the novel, Jack Wiseman is described as a New York Jew whose father’s parents are of “authentic German Jewish stock,” (page 18) yet he finds it a struggle to connect with both the American soldiers under his command and the European Jews he encounters. How does Jack’s definition of himself change over the course of the novel? How do Jack’s fellow soldiers view him? How is he viewed by the Hungarian civilians he meets? What does this say about the how cultural heritage is assigned or interpreted?

2. On page 12, Jack admits that for many years the “contents of the pouch had been a kind of obsession” to him. In what ways does his granddaughter internalize this obsession and make it her own? What drives Natalie’s quest? Did Jack send her on this mission out of duty to the owner or to renew the “glimmer of interest” (page 13) in his granddaughter that had been destroyed by her divorce? Both?

3. When Jack first meets Ilona, he declares that she is all “wire and sparks” (page 29). How does her presence help Jack to better understand his identity as a Jew? As an American? How does she challenge his views about the war or its aftermath?

4. Throughout the novel, Jack is caught between his duty to country (in maintaining his position of watching over the train) and his duty to the people of Hungary (in trying to ensure that the goods are returned to their rightful owners). How do these two missions conflict with each other?

5. Chart Jack’s view of the military over the course of the novel, taking into account his interactions with his fellow American soldiers. Does he relate to any of the soldiers? If so, who? Discuss his conversation with Lieutenant Hoyle at the bar after his breakup with Ilona. How did you interpret the violence at the end of this encounter?

6. Jack’s encounters with Aba Yuval give him a more fully realized understanding of the political situation facing the Jews of Europe. What is Jack’s mind-set going into the trip where he helps smuggle the refugees over the border? What are his feelings toward the group’s goal by the end of the mission? How does this encounter challenge his understanding of nationalism?

7. Ilona and Natalie are described as physically similar, with both having fiery red hair. Is the author’s choice to have the two women share this feature purposeful? What else, if anything, do the two women share?

8. On page 139, Natalie struggles to admit to Amitai that the pendant is stolen, instead saying her grandfather “found” it during the occupation. Why does she stumble over these words? What does her hesitation say about the definition of discovery? Of ownership? How are these problems echoed throughout the novel? How are they reflected in the world of stolen paintings that Amitai deals in?

9. Compare and contrast the failed marriages of Amitai and Natalie. How do their failed marriages prepare them for meeting each other? Discuss the symbolism of Natalie wearing the pendant to her wedding to Daniel.

10. Why is Amitai hesitant to share his military past with Natalie? What other sins of omission occur throughout the novel? ( page 156)

11. Amitai is Israeli but he craves “the anonymity of the immigrant, to be a man with a vague accent in a city of vague accents” (page 175). How does this desire for erasure contrast with Natalie’s desire to understand her cultural heritage? How do their respective homelands encourage or complicate those desires?

12. When Natalie Stein becomes Natalie Kennedy, she meaningfully disrupts the established script for her behavior. What does this say about the fluidity of identity? How does this transgression embolden her?

13. On page 221, the pendant is returned to as close to its rightful heir as possible. What was your reaction to Dalia’s request to get the necklace appraised? What does her indifference to the physical object say about the dilution of history over time? Of personal connection to the Holocaust? To kin?

14. On pages 224–225, Natalie and Amitai fill out the Page of Testimony for Vidor Komlós, Gizella Weisz, and Nina Einhorn. What is the significance of this act?

15. The events of part three are narrated from the perspective of Dr. Zobel, a Freudian analyst. Why do you think the author to choose to include this point of view? Is the doctor reliable as a narrator? What textual evidence exists to 

16. Gizella and Nina are introduced as strong-willed women who are ahead their time: Nina dreams of medical school, and Gizella is active in radical politics. What challenges do these early feminists face, both from their countrymen and from their families? Why do you think Zobel seeks them out years later?

17. Stealing is a motif in the novel: Jack pockets the pendant; the American soldiers freely “shop” from the Gold Train; Natalie lifts a painting; Amitai deals in the world of stolen paintings. How do the motivations for these acts differ? Who is morally right in his actions? What does the novel as a whole assert about ownership?

18. Love and Treasure is a novel that weaves intricate plotlines among stunning character portraits, bringing to life a historical event with fictitious details. Yet as the history unravels, gaps emerge and often disrupt a clear narrative. What does this assert about memory, both collective and personal? About how history is interpreted or reinterpreted over time?

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Customer Reviews

Average Rating 3.5
( 8 )
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Sort by: Showing all of 8 Customer Reviews
  • Anonymous

    Posted April 23, 2014

    The book started out beautifully. The post-WWII story of Jack

    The book started out beautifully. The post-WWII story of Jack and his love for concentration camp survivor Ilona was captivating,, but when Waldman took the story to a present-day format I completely lost interest. The author got lost in overly wordy sentences and endless paragraphs. Too many characters took focus away from the main story line. So although I enjoyed the first half, the second half of this book was a failure.

    4 out of 4 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted April 26, 2014

    Waldman's mind is intelligent and moving. Thus goes this terrifi

    Waldman's mind is intelligent and moving. Thus goes this terrific novel, broken into three sections, that revolves around the individuals whose lives are changed relative to a fascinating locket. Throughout the story, the history of this remarkable piece of jewelry initially found as part of a massive (a trainload) collection of household items stolen by the Nazis from Hungarian Jews is revealed. But those who possess it, whether the World War II American soldier assigned to manage the train's contents after the War, his granddaughter assigned to find an original owner (or someone connected to that person), or the two women pre-World War I whose ambitions and revolutionary lives started the saga, have much to share. I loved the history in the first section - the Gold Train and its hero; I was intrigued by the second section, in which an art dealer and an American woman try to uncover the history of the locket and return it to someone to whom it rightfully belongs falling in love along the way and my heart was broken in the third section -- the story of two young women who are fighting to get out of the constraint of their overly ruled lives. The unreliable narrator of the third section was a little off-putting for most of the story, but he does redeem himself at the end.

    1 out of 1 people found this review helpful.

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  • Posted August 2, 2014

    I really enjoyed the book although I felt that the narrator (a p

    I really enjoyed the book although I felt that the narrator (a psychiatrist) hired to "cure" one of the heroines) was off-putting and I felt irritated with him most of the time. He finally softens in the end. I began to think that perhaps he was being sarcastic and that he really sympathized with Nina.

    I would recommend this book as a different take on events that happened during the holocaust.

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  • Anonymous

    Posted June 27, 2014

    Don't bother

    A story in search of a good writer.

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  • Posted June 18, 2014

    Copy received from Historical Fiction Virtual Tours for an hon

    Copy received from Historical Fiction Virtual Tours for an honest review
    I really enjoyed this beautiful novel. The first couple of pages I wasn't sure where the author was going to go with the story and it didn't seem to match the description of the book. But as the story progressed everything started to beautifully fall into place. One of the key elements of this story is the sense of history and family story that is told. Although this found treasure also plays an important role, the heart and soul of the story was the family history. Many stories have been written about the Holocaust, and I think rightly so, but this had some elements that made it very individualistic. Jack and his grandaughter have a very beautiful relationship. I thought that their personal situations in life actually complemented each other. Without giving too much away, I love that Jack was able to finally see his real treasure. This was a very beautiful and very powerful book! Bravo Ms Waldman

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  • Anonymous

    Posted June 2, 2014

    No text was provided for this review.

  • Anonymous

    Posted April 19, 2014

    No text was provided for this review.

  • Anonymous

    Posted April 20, 2014

    No text was provided for this review.

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