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| Albert Ayler | Primary Artist, Alto Saxophone, Tenor Saxophone, Vocals |
| Milford Graves | Drums |
| Alan Silva | Bass |
| Donald Ayler | Trumpet |
| Call Cobbs | Harpsichord |
| Bobby Arnold | Engineer |
| Dave Grusin | Executive Producer |
| Michael Cuscuna | Reissue Producer |
| Sonny Mediana | Graphic Design |
| Larry Rosen | Executive Producer |
| Bob Thiele | Producer |
| David Gibb | Graphic Design |
| Dan Serrano | Graphic Design |
| Andy Ruggirello | Graphic Design |
| Frank Kofsky | Liner Notes |
| Scott Johnson | Graphic Design |
Editorial Reviews
All Music Guide - Campbell
From the time he was signed to Impulse in 1966, it was assumed that Albert Ayler's releases on that label would be motivated by an attempt at commercialism. While the music was toned down from his earlier ESP recordings, by no means did Ayler ever make commercial records. Much in the same way John Coltrane's later-period Impulse releases weren't commercial, Ayler simply took advantage of a larger record company's distribution, trying to expose the music to more people. Ayler's uncompromising musical freedom mixed with his catchy combination of nursery rhythms and brass band marches remained prominent on Love Cry. The interplay between the Ayler brothers also remained fiery as ...