Love Cry

Editorial Reviews

All Music Guide - Campbell
From the time he was signed to Impulse in 1966, it was assumed that Albert Ayler's releases on that label would be motivated by an attempt at commercialism. While the music was toned down from his earlier ESP recordings, by no means did Ayler ever make commercial records. Much in the same way John Coltrane's later-period Impulse releases weren't commercial, Ayler simply took advantage of a larger record company's distribution, trying to expose the music to more people. Ayler's uncompromising musical freedom mixed with his catchy combination of nursery rhythms and brass band marches remained prominent on Love Cry. The interplay between the Ayler brothers also remained fiery as ...
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10/15/1991 CD Fine No longer factory sealed but in perfect condition All items guaranteed, and a portion of each sale supports social programs in Los Angeles. Ships from CA.

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AUDIO CD Fine 011105010825 CD is Mint, includes case and inserts, NOT a pr*mo or cut-out...Ships 1st Class.

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Editorial Reviews

All Music Guide - Campbell
From the time he was signed to Impulse in 1966, it was assumed that Albert Ayler's releases on that label would be motivated by an attempt at commercialism. While the music was toned down from his earlier ESP recordings, by no means did Ayler ever make commercial records. Much in the same way John Coltrane's later-period Impulse releases weren't commercial, Ayler simply took advantage of a larger record company's distribution, trying to expose the music to more people. Ayler's uncompromising musical freedom mixed with his catchy combination of nursery rhythms and brass band marches remained prominent on Love Cry. The interplay between the Ayler brothers also remained fiery as younger sibling Donald is heard playing trumpet for the last time on a recording with his brother. Donald was fired from the band at the suggestion of Impulse and, unfortunately, was committed to a mental institution for a short stay after these sessions were made. The rhythm section of Alan Silva on bass and Milford Graves on drums continually instigates and propels this music into furious militaristic march territory. Unhappily, the four tracks in which Call Cobbs is featured on harpsichord tend to drag the music down; it's unfortunate his gospel-inspired piano or organ playing couldn't have been utilized instead. The CD reissue contains alternate takes of "Zion Hill" and "Universal Indians."
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Product Details

  • Release Date: 10/15/1991
  • Label: GRP RECORDS
  • UPC: 011105010825
  • Catalog Number: 108

Tracks

Disc 1
  1. 1 Love Cry (3:54)
  2. 2 Ghosts (2:45)
  3. 3 Omega (3:14)
  4. 4 Dancing Flowers (2:19)
  5. 5 Bells (3:07)
  6. 6 Love Flower (3:30)
  7. 7 Love Cry, Pt. 2 (7:13)
  8. 8 Zion Hill (4:13)
  9. 9 Universal Indians (4:13)
  10. 10 Zion Hill (6:06)
  11. 11 Universal Indians (9:49)
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Album Credits

Performance Credits
Albert Ayler Primary Artist, Alto Saxophone, Tenor Saxophone, Vocals
Milford Graves Drums
Alan Silva Bass
Donald Ayler Trumpet
Call Cobbs Harpsichord
Technical Credits
Bobby Arnold Engineer
Dave Grusin Executive Producer
Michael Cuscuna Reissue Producer
Sonny Mediana Graphic Design
Larry Rosen Executive Producer
Bob Thiele Producer
David Gibb Graphic Design
Dan Serrano Graphic Design
Andy Ruggirello Graphic Design
Frank Kofsky Liner Notes
Scott Johnson Graphic Design
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