In her raw account of love gone wrong, L.A. journalist Resnick (Go West Young F*cked-Up Chick) describes her descent into self-debasement. Resnick's lifelong attraction to unsuitable men-unavailable, abusive and emotionally damaged-hit a perilous stage by the time she reached her early 40s and her last boyfriend, Spencer, who had seemed the "perfect victim to make [her] dreams come true," broke into her house and wrecked her computer. Alternating with her litany of awful relationships-from the scarily egotistical ex-con painter Eddie to the various men who refused to have a baby with her-Resnick delineates her appalling, loveless childhood and the neglect by her hard-drinking mother, who lost custody of her and her younger brother when Resnick was 12. Subsequently, the teenager bounced around foster homes because she was not welcome in the new household of her father, remarried to an Orthodox Jew with four new children of his own. Resnick's memoir is a desperate, self-excoriating attempt to break the victim cycle first taught to her expertly by her mother, "the original love junkie"; engender a tenderness for her rather indifferent father; and mend the estrangement from her brother. Most important in terms of survival in this painfully honest memoir, Resnick found the wherewithal through a support group to heal and reground herself. (Dec.)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Love Junkie: A Memoirby Rachel Resnick
Rachel Resnick hits her forties single, broke, depressed, childlessa train wreck. After an ex-boyfriend breaks into her home and vandalizes it, Resnick takes the time to look back over her romantic and sexual history to ask the question: What is wrong with me? Her addiction to sex and love has cost her in damaging ways throughout the course of her life.
Rachel Resnick hits her forties single, broke, depressed, childlessa train wreck. After an ex-boyfriend breaks into her home and vandalizes it, Resnick takes the time to look back over her romantic and sexual history to ask the question: What is wrong with me? Her addiction to sex and love has cost her in damaging ways throughout the course of her life. At the root of her issues: a Dickensian childhood and a haunting experience she must finally confront.
Written with raw humor and unflinching honesty, Love Junkie charts Rachel Resnick's harrowing emotional journey from destructive love to intimacy, from despair to hope. By peeling back one painful layer after another, she discovers a glaring pattern: She is addicted to the fantasy of romantic bliss, marriage, and children.
Although her story is an extreme one, what we realize over the course of Resnick's journey is how many people experience aspects of this addiction and the self-destruction that comes with itall fed by a culture where romantic obsession is stoked by the stories we read, the movies we see, and the dreams we're fed. This unique memoir cracks open one of the more elusive and pervasive modern-day compulsionsand holds a mirror up to each of us.
Everyone makes mistakes in love, but thirtysomething LA-based writer Resnick (Go West Young F*cked-Up Chick) seems to screw up over and over again, even though she longs for a stable relationship and a child. As her memoir attests, this "love junkie" latches onto angry, emotionally abusive men damaged in childhood, not letting go until she's been horribly degraded. Readers get all the lurid details, in Technicolor, via overwrought descriptions that often resemble low-budget porno narratives. At least she's taken steps toward recovery (she claims she picked up her bad habits from her divorced parents). While this could have been helpful to other love and sex addicts, it seems aimed at the voyeuristic.
“In Love Junkie, Resnick recalls her tumultuous relationships... She confesses to decades of bad boyfriends and even worse breakups, and berates herself for trying so hard, for holding on when she should ultimately let go, for caring... And, unfortunately... she mistakes sex for love... Her stories are both horrifying and compelling... The voyeurs in us emerge.” San Francisco Chronicle
“[A] raw account of love gone wrong…Most important in terms of survival in this painfully honest memoir, Resnick found the wherewithal through a support group to heal and reground herself.” Publishers Weekly
“Resnick's prose is memorable, the situations she describes unforgettable…An important memoir about romantic/sexual addiction and the potential cures.” Kirkus Reviews
“Reading Love Junkie is like watching a sleepwalker taking a stroll on a freeway. All you can do is pray. Gorgeously written, piercingly honest.” Janet Fitch, author of White Oleander and Paint It Black
“Heartbreaking and brave, Rachel Resnick masterfully pulls the past to the present, exploring how the seeds of addiction planted during a sad girlhood can blossom into a grown-up woman's frantic search for love. Love Junkie is a memoir unlike any other; it will blow your mind.” Lee Montgomery, author of The Things Between Us
“Insightful and heartbreaking, but also wonderfully comedic in its gutsy honesty, this is a powerful and beautiful memoir.” Jonathan Ames, author of Wake Up, Sir!
“Provocative. Striking. Rachel Resnick is a virtuoso on the page. Her fearless examination of the desperate thirst to find love is guaranteed to break your heart. Yet her cool-eyed analysis of the roots of this addiction inspires hope that through committed self-understanding, maybe each of us can change toxic patterns, whatever they may be.” Samantha Dunn, author of Faith in Carlos Gomez, Failing Paris, and Not by Accident
“Love Junkie is so alive, it reads as though Rachel Resnick sliced open her heart, dipped in her pen, and chronicled her life of carnal and romantic madness in an ambulance with a bed in it. The result is a memoir of flesh and redemption, told with scorching intensity and clear-eyed, universal truth. As addictions go, sex and love possess their own brand of degradation and euphoria, and Resnick, like all great self-destructive artist/survivors, has clawed her way out of the abyss and crafted a savage, ass-wild language all her own to capture the need that drives her--and us--to dive back in. Love Junkie is a fearless, nasty, affectionate, weirdly spiritual, sex-soaked, smart and un-putdown-able Valentine from hell.” Jerry Stahl, author of Permanent Midnight
“A deeply true, wholly aching account of the dangerous way we live now--Love Junkie is great fun to read, and finally fully redemptive. Rachel Resnick brings a light, delightful touch to a hard subject, and creates a great, relatable, readable memoir.” Elizabeth Wurtzel, author of Prozac Nation, Bitch, and More, Now, Again
“Rachel Resnick's story of love lost and love sought cracks open the timeworn addiction narrative to release something raw, probing, brave, and redemptive. The courage it took to write this story is challenged only by the courage it must have taken to live it. I sit in awe of such unflinching honesty. Love Junkie is memoir at its very best.” Hope Edelman, author of Motherless Daughters
“Love Junkie travels tenderly and boldly into the despair, isolation, and tenacity of sex and love addiction. Rachel Resnick's gift for language and storytelling craft a vivid picture of her journey and her heart shines pure.” Kelly McDaniel, author of Ready to Heal: Women Facing Love, Sex and Relationship Addiction
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Read an Excerpt
By Rachel Resnick
Copyright © 2008
All right reserved.
Chapter One Problems with Rachel
On Observation Drive, the narrow street where I have lived for eight years, I back the cherry red metallic pickup truck down the steep driveway toward my home, navigate past a startled raccoon, which drops a discarded can of refried beans it's pried from the garbage. Just then Jim Morrison starts singing "The End." I sing along the way I never do in front of anyone. There's always a Doors song on a radio station somewhere on the dial in Los Angeles. After it's over I cut the engine, listen to the ticking, pause before gaining the comfort of my tiny one-bedroom hideaway. My sanctuary. Since I took a little break from dating men a year ago, I've grown to relish the solitude and the peace.
I always feel lucky when I get home.
But as soon as I set foot in the door, I know something's wrong. Ajax, the homicidal scarlet macaw I rescued four years before, is uncharacteristically quiet.
"Ajax, you okay?"
Ajax stalks the fancy stainless steel "animal environment" that serves as his cage, ruffles up his neck feathers, glares. His pupils are flaring, like he's pissed. That's not something you like to see in your scarlet macaw. He has the power to snap your finger in two, or bite through phone cords, which he likes to do for fun when he's out of the cage.
I walk into my bedroom. At first I can't locate the source of my unease. The bookcases are fine, the yellow tulips are still neatly arranged in a vase on the desk. There is the dashboard Hula Man from Hawaii, my desk mascot, next to the miniature Ganesh. On the wall, the painting by the Sandman, the Alabama outsider artist, and next to it the framed black-and-white snapshot of my mother, who died when I was fourteen, looking eternally young and bright-eyed in her high school photo. Nothing's out of place.
Then I notice the darkened computer. Inside are years of e-mails-including the thousands I exchanged with Spencer, my most recent boyfriend and quasi-fiancé, over the ten months we were together-along with all the stories I've written, my second novel, the new novel, all the teaching exchanges, everything. The computer's green eye is not blinking. The computer, from which I generate my very living, is dead.
For a moment, I stop breathing. Blink. This can't be happening.
"Ajax," I call out softly, disoriented. I hear him stretch his wings in response.
Then my brain starts racing. Maybe there was a power outage. Those things happen in the canyon. I drop to my knees, edge close. Startled, I pull back my hand from the carpet where the hard drive sits. It's completely soaked.
Was there a sudden rainstorm? Canyon weather can be unpredictable. I move my hands closer to the wall, check for drips from the window. Nothing. Maybe something leaked from my landlord's home upstairs? It's happened before. No sign of that either. Besides, the computer hard drive sits under a sturdy desk fashioned from a door set on two filing cabinets. The only water anywhere is concentrated in a thick wet pool right beneath the hard drive. It makes no sense.
Then I see a bead of water leak from the interior of the drive, squeeze through the disk portal, and drip slowly down the plastic.
The computer was a gift from Spencer.
And tonight is the night before Valentine's Day.
And it hits me suddenly: Spencer did this. Drowning my computer is the perfect fuck-you Valentine. I cup my hand over my mouth, muzzle the horror. It might as well be blood leaking from the hard drive. Water poured directly into a computer instantly short-circuits the whole system, erasing all data.
Let me translate what this means to me at this moment in my life.
After decades of chasing love and ignoring the reality of my own life, I am worn to a nub. My nerves are raw. My body and heart ache. My bank account is empty-wait, that's not quite right. It's actually overdrawn. On top of which, I owe Spencer money. Everything is so fragile and tenuous that this violation could send me over the edge. The memory of this period fills me with shame, because I created the calamitous circumstances.
I can't afford any physical accidents or technical mishaps.
Nor can I afford to lose the data the computer holds. What it means to me.
Let me try to explain.
The computer is a living extension of my brain, an expression of my soul, a museum of my fragmented life. It is how I connect with my friends, how I process my thoughts, where I stash memories, where I recount dreams and stories, in a matrix of files. It's also the only place where an overdue decent-paying magazine article exists, not to mention the nearly finished book manuscript I was planning to sell.
To attack it is to attack me. To destroy it is to destroy me.
I know this sounds extreme. Unfortunately, at this point in my life, it's the truth.
My gaze jerks to the window. The blinds are bunched up, like someone took them in the palm of their hand and crushed them. I can feel my heart pounding, beating against the cage of ribs. On the carpet, boot marks. A man's size. The bird remains unusually silent. Normally he's laughing his avian head off, or saying repeatedly, "Hello! Hello?" in various tones, to which I parry with a call and response that somehow I never get tired of doing. Maybe it's shame that holds his black piston of a tongue, shame because he failed to protect his domain. Because clearly, judging from the crumpled blinds and the boot marks, someone has come through the window.
I run to the cage, panicking. Spencer always hated Ajax.
"It's okay, Ajax, it's okay. I love you. Are you okay? Did he try to poison you? Do you need to go to the vet? Tell me, handsome."
Ajax's feathers smooth out. He cocks his head, studying me. He seems fine now. But is he in danger? Spencer could come back. Next time ... unless-a nerve-prickling thought comes to me. Unless he's still here.
Without thinking, I look for a weapon. Pick up a kitchen knife. Listen for movement. I force myself to check behind each door, in each hiding place, but the apartment is small, only two rooms and a bathroom-three, if you count the little walk-in dressing area. The kitchen morphs into a living space; the bedroom also serves as the office and library. Actually, there are books and bookcases in every room, even the bathroom. There's really nowhere to hide, unless you're a book or a squirrel.
He's not here.
Still shaking, I pick up the phone.
"Stasia, call me back. I know it's late. I'm sorry to call so late. I hope I didn't wake you and the kids. But it's an emergency. Spencer broke into my house and wrecked my computer. You've got to call me back."
Anastasia and I have been friends since right after college, when we were both living in Rome. For years we were hellions together, plowing through men, running around town-until she got married and had two kids. Now I barely see her. She's busy, lives on the other side of town, but we still talk every day. She's family.
Then I call Samantha, my friend who lives up the road in Topanga Canyon in a trailer, the Cowgirl Palace. More family. The women who never let you down. Sam picks up right away. I don't even remember what I say.
"You want me to come over? Spend the night?" she says. "What a fucking psycho."
Her words comfort me, though there's a dull nagging thought-who's psycho? I picked him. I kept him. I kept him even after he began debasing me, just as I picked and kept a lifetime of other men who seduced and then debased. So if he's psycho, aren't I psycho too?
There's no way to dress this up either and make myself look good in the process.
This is a story about my years of compulsive sex, romantic obsession, the endless demeaning e-mails I wrote, the addictive relationships I pursued-convinced each man was, in fact, the love of my life-and the time and effort wasted. It's also a story about how I finally decided to break the cycle, and how I slipped, and how I tried to find my way again.
What does it cost when someone asks you to marry them-three times-and backs out-three times? A dollar? A year's rent? A trip around the world? What does it cost when that same man chips away at your self-esteem, with lists of criticisms? And you stick it out because you think this might be your last chance to have it all-a husband, a child of your own-before it's too late? Does that add up to ten thousand, a hundred thousand, a quarter million in damages?
I owe Spencer a thousand dollars. Maybe he thinks demolishing the computer is a kind of justice. I remember he once punctured all four tires of a man's car after the man parked in his spot too many times. If he only knew I had the check to pay him back, in full, right here on the desk ready to send. With money borrowed from my brother.
What kind of sick cosmic joke is this? Isn't humor all about timing? I can't help but smile, however grimly. My humor has always saved me, or at least softened the blows. Maybe I was meant to face the wreckage of my past, the consequences of my choices and stubborn clinging. Maybe God thinks I need to be slapped upside the head to truly wake up.
I'm a freelance writer, always struggling month to month to pay basic bills, juggling credit to cover the gaps. I'm doing the best I can. I tried to pay Spencer back whenever I got a chance, even in small payments, but recently I'd struggled just to pay the landlord. I remember how Spencer thought that I was a successful writer at first, that I owned a house, had assets and investments, and how disappointed he was when he found out that wasn't the case.
It started like a fairy tale.
When Spencer and I first met at Moonshadows in Malibu, after flirting on Nerve.com for one day, we couldn't stop talking. There in the outdoor Blue Lounge, we drank vodka tonics and smoked Sobranie Black Russian cigarettes while the gulls and the hours floated by on the moon-dappled ocean below.
"Let's play the Freakout Game," he said. "What if I told you I'd been waiting to meet you my whole life?"
After three days, he e-mailed me a coupon that read
Rachel Miranda Resnick, I would rather die than add one more ounce of heartache and pain and disappointment to your life. Spencer Wozniak
"Print it out," he said. If I had, maybe this story would be different. But I doubt it.
In the beginning, Spencer was perfection. Though he looked menacing with his wide-set blue eyes, shaved head, and steroidal physique, he was the biggest teddy bear: an amateur chef who cooked me gourmet meals every night and invented desserts like Rachel's Kiss (strawberries dipped in Frangelico fudge on amaretto-infused vanilla ice cream) and dishes like Ceviche Confetti (sea scallops marinated in roasted tomatillos, papaya, lime juice, and Serrano chiles on a bed of radicchio); who gave me my own fancy Italian cappuccino maker and brought me perfect cappuccinos in bed with fresh-cut mango; who flew me out to meet his Polish immigrant parents in Phoenix the first month; and who made love to me multiple times a day, always making sure I was satisfied, and whose gloriously uncircumcised cock with its hooded charms and textured driving power inspired worship.
Here was this guy striking enough to have scored bit parts in a few cult indie films and a scattering of thuggish music videos; a seasoned street fighter who earned a semiotics degree at Reed College, and wrote the Reed newspaper's weekly sex advice column in the guise of a woman; who loved my writing and told me so; who showered compliments; who said he wanted me; who promised that we would travel the world, make a family-and who always had a good bottle of champagne in the fridge.
Who could blame me for staying when he first pointed out a tiny flaw in me? After all, I am well aware of being deeply flawed.
"You have a tendency to be late. Especially when we have a date to be somewhere. Maybe you should make a list each day and calculate the exact time each part requires."
I furrowed my brow, grabbed the yellow legal pad I used to scribble daily lists of things to do. The day's page was already chaotic and crowded with tasks, calls, Post-its, exclamation points. Some items were months old, still undone. I reread Spencer's e-mail. Then I tried to mark each task with an estimated time, each effort a tiny hammer tapping on my skull. The hammers gathered speed. I wasn't sure whether the times I chose were reasonable, whether I could even do any of the tasks, or why I felt so out of control. All I knew was that as I calculated, numbers seemed to fray at the edges, unravel, then sift senselessly to the floor.
I e-mailed Spencer back in defeat: "I'm trying. I can't do it. Please help."
The phone calls, conversations, and e-mails gradually took on an increasingly scolding tone. Things like, "Maybe being so expressive about sex could be construed as bullying," or, "Why are you so moody?" Or, "You don't answer questions, you're squirrelly."
Almost imperceptibly, the exchanges turned harsher:
"Do you ever do ANYTHING in the moment besides complain about the past or recent past?"
I was terrified he was cutting me off. He turned cold. But once I fall, I'm done. As Stasia says about me and men, "You're like a dog with a bone." Over the past two decades, she's seen how I cling way past the point of ugliness.
Meanwhile, I began missing deadlines-for teaching, for writing. I was barely hanging on. I began racking up serious credit card debt.
He continued his harangue: "Every single little thing is an opportunity for more grief and conflict and strife when placed in your over-reactive, over-sensitive hands. You have transformed my once pretty happy and peaceful world, on the whole, into a minefield, with the occasional wonderful, lovely time for variety's sake. Thanks."
I was trying desperately to please him, or at worst, argue him out of his harsh criticisms. The word "minefield" sent me spinning off into days of self-examination, soul-searching, beating myself up. Friends grew tired of my ramblings. Their advice to just get out fell on deaf ears.
My first Los Angeles Times assignment lay dormant. The editor's queries unanswered. It appeared every day on my list of things to do, neglected. My book agent couldn't reach me. My teaching suffered. I lost students. My job was to make sure this relationship worked. At all costs. If it took fifty e-mails of justifications and explanations, late-night drive-overs and I'm-sorry blow jobs, sign me up. Spencer might as well have been heroin. Everything was falling apart.
"You have single-handedly allowed your mood swings and your profound insecurities and your deep depression to tear apart what had been a very lovely young relationship. You saw that. Saw it clearly. But have not taken strong enough measures to lessen the damage you have caused."
Finally the criticisms bloomed into a meticulously detailed, twenty-page numbered list printed out for my edification. Granted, he called them our "issues" and attempted to balance these out with "constructive" ways to overcome them-but in truth, they were a series of complaints about my character. Originally he delivered them verbally, presented as problems he had with me that I needed to address or else we couldn't continue the relationship. Then they appeared in e-mail form. There were so many e-mails, so many criticisms. Sometimes stand-alone, sometimes embedded in niceties. I still remember the folded pages, how I carried them around with me, unable to keep track of my flaws without referring to them. My friends and I began calling them "Problems with Rachel." We laughed about it, in that black comic kind of way. These brief periods of relief kept me going. I talked about those Problems as a kind of sucker punch to the gut. What I didn't share with my friends was that they were also a kind of relief. Spencer saw me. Saw me as I truly was: a demon hiding in the guise of a fucked-up woman.
My friends also dared to wonder out loud how I could be such a tough woman, so independent, so powerful, and yet once again succumb to a controlling man. Was I some kind of masochist? If I was, I fed off the fighting just as much. I was always right in there, ready with a rejoinder. I kept the ugliest vision of myself to myself. And continued to curl my eyelashes, dress sexy, gussy up to keep my man.
So Spencer and I had enjoyed maybe a month of pure bliss. We fought for the next nine. Until he broke up with me for good.
Why didn't I leave?
Because that's not how it works.
Excerpted from LOVE JUNKIE by Rachel Resnick Copyright © 2008 by Rachel Resnick. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Meet the Author
Rachel Resnick is the author of the Los Angeles Times bestseller Go West Young F*cked-Up Chick. She has published articles, essays, and celebrity profile cover stories nationally in the Los Angeles Times, Women's Health, and BlackBook. She is a contributing editor at Tin House magazine. Her essays and stories have appeared in The Time of My Life, Damage Control, The Dictionary of Failed Relationships, The Best American Erotica 2004, Women on the Edge, L.A. Shorts, and Absolute Disaster. She is also the founder and CEO of Writers On Fire, provider of luxury writing retreats both here and abroad.
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Most Helpful Customer Reviews
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Reading about thoughts and experiences is where you fit in to the world. This memoit is good enough on its own. Lurid sex does not make it better. I am all for reading about your sex life bot every page! No.
A really excellent memoir. Not the best, but pretty darn good. Very insightful into why relationships can fail and why one can get addicted to relationships without growing as a person.
This is one of the only books that I literally could not put down. It's intense, horrific in spots and very sad. The level of dysfunction in the author's narrative is a reflection of the level of dysfunction in her nuclear family growing up. If you thought your OWN parents were dysfunctional, reading this will make you apologize to them. It's a powerful book. I couldn't recommend it more highly.
I loved this book, maybe because i was once in her shoes. Its realistic and i love the juicey energy to this book
The book's first few chapters were bearable, but it was just a big steaming mess halfway in. I couldn't read the rest because it was so needlessly foul. Stay far away from this one!
Its a great book! very provocative and intense ... but very well written ... I like how the book jumps from memory to memory in the middle of something that could be happening in the present. Rachel Resnick has had quite a life and I am glad she was brave enough to write about it. Good book.
The closest I've ever come to reading another Fear of Flying. She is so much like Erica Jong in her story telling and self searching. A sexual adventure from start to finish. Not your usual sex addict sad saga.