- Bell House
- Pulsing
- Destiny's Child
- Busy Baby
- Honey
- Aftermath
- Blue Matter
- Waiting for Us
- Mandalay
- Sell You
- Lost
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0656605030821
Pell Featured Artist
Jared Pellerin Vocals
Winston Yellen Vocals
Night Beds Featured Artist
Brian Batz Vocals
Davide Rossi Strings
Luke Temple Vocals,Featured Artist
Nina Kinert Vocals
Nina K. Featured Artist
Tomas Hoffding Synthesizer
Jeppe Kjellberg Bass,Guitar,Vocals,Synthesizer,Featured Artist
Anders Banke Horn
Sleep Party People Featured Artist
Marie Gronker Cover Art Concept
Maria Barfod Cover Art Concept
Jared Pellerin Composer
Winston Yellen Composer
Brian Batz Composer
Davide Rossi String Arrangements
Luke Temple Composer
Nina Kinert Composer
Tomas Hoffding Arranger,Composer
Jeppe Kjellberg Arranger,Composer,Instrumentation
Brian Lucey Mastering
Thomas A. Cover Photo


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Overview
Tomas Barfod's sophomore solo album, 2014's Love Me, is an atmospheric, introspective work much in the same vein as his 2012 debut, Salton Sea. Starting out as a percussionist, Barfod has built a varied career experimenting across genres as a DJ, producer, and drummer with his trio WhoMadeWho featuring guitarist Jeppe Kjellberg and bassist Tomas Hoffding (both of whom appear on Love Me). Given his eclectic resume, it should come as no surprise that Love Me, while being a primarily electronic endeavor, retains a deeply organic aesthetic. Just as with Salton Sea, one would be hard-pressed to call Barfod's recordings dance music, although he is certainly informed by club, rave, and EDM aesthetics. At his core, Barfod is a drummer and even when he is at his most ruminative, which is most of the time on Love Me, he retains a drummer's sense of groove. To these ends, the exotic "Honey," featuring vocals by Sleep Party People, and "Blue Matter," with Kjellberg, are pulsing, layered, even somewhat ominous-sounding cuts. Elsewhere, Barfod is joined by singers Luke Temple and Nina Kinert for a handful of moody, cinematic cuts, including the epic "Bell House," the '80s new wave-sounding "Busy Baby," and the languid, orchestral-tinged "Aftermath." Also interesting are the two instrumental tracks, "Destiny's Child" and "Mandalay," which bring to mind the '70s and '80s synthesizer compositions of artists like Laurie Spiegel and Giorgio Moroder. Ultimately, with Love Me, Barfod has crafted an album of highly engaging, emotionally resonant pop music that's as creatively rewarding as it is accessible. ~ Matt Collar
Product Details
Release Date: | 06/10/2014 |
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Label: | SECRETLY CANADIAN |
UPC: | 0656605030821 |
Tracks
Album Credits
Performance Credits
Tomas Barfod Primary ArtistPell Featured Artist
Jared Pellerin Vocals
Winston Yellen Vocals
Night Beds Featured Artist
Brian Batz Vocals
Davide Rossi Strings
Luke Temple Vocals,Featured Artist
Nina Kinert Vocals
Nina K. Featured Artist
Tomas Hoffding Synthesizer
Jeppe Kjellberg Bass,Guitar,Vocals,Synthesizer,Featured Artist
Anders Banke Horn
Sleep Party People Featured Artist
Technical Credits
Tomas Barfod Composer,Producer,Mixing,ArrangerMarie Gronker Cover Art Concept
Maria Barfod Cover Art Concept
Jared Pellerin Composer
Winston Yellen Composer
Brian Batz Composer
Davide Rossi String Arrangements
Luke Temple Composer
Nina Kinert Composer
Tomas Hoffding Arranger,Composer
Jeppe Kjellberg Arranger,Composer,Instrumentation
Brian Lucey Mastering
Thomas A. Cover Photo
From the B&N Reads Blog
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