Love Minus Eighty

( 2 )

Overview

In the future, love is complicated and death is not necessarily the end. Love Minus Eighty follows several interconnected people in a disquieting vision of romantic life in the century to come.

There's Rob, who accidentally kills a jogger, then sacrifices all to visit her in a cryogenic dating facility, seeking forgiveness but instead falling in love.

Veronika, a shy dating coach, finds herself coaching the ...

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Love Minus Eighty

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Overview

In the future, love is complicated and death is not necessarily the end. Love Minus Eighty follows several interconnected people in a disquieting vision of romantic life in the century to come.

There's Rob, who accidentally kills a jogger, then sacrifices all to visit her in a cryogenic dating facility, seeking forgiveness but instead falling in love.

Veronika, a shy dating coach, finds herself coaching the very woman who is stealing the man she loves.

And Mira, a gay woman accidentally placed in a heterosexual dating center near its inception, desperately seeks a way to reunite with her frozen partner as the years pass.

In this daring and big-hearted novel based on the Hugo-winning short story, the lovelorn navigate a world in which technology has reached the outer limits of morality and romance.

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Editorial Reviews

Publishers Weekly
Building his Hugo-winning short story “Bridesicle” into a novel, McIntosh (Hitchers) takes a cold-eyed look at relationships in a grim future. Navigating around Manhattan’s floating upper-class enclave, High Town, his characters struggle with age-old questions of finding the perfect mate, complicated by new technology that records every action and that will soon record every feeling. At the center of the story lie the “bridesicles,” women of above-average looks and below-average health insurance, preserved from death for the possibility of indentured marriage to wealthy suitors. Mira Bach, the oldest, and Winter West, the newest, experience brief escapes from suspension in “the minus eighty” whenever someone is interested. Around them, protests spark and the guilt-ridden man who killed Winter recruits others to the cause of freeing the frozen. McIntosh layers on the irony, with dating coaches who struggle to find love and an empathy researcher who has a difficult time expressing emotion. It’s not clear why insurance covers freezing for centuries but not restoration, and the plot relies heavily on coincidence, but fans of “what if?” SF will enjoy this dystopian tale. Agent: Seth Fishman, the Gernert Company. (June)
Mur Lafferty

"A prime example of masterful storytelling--the characters are so well-drawn you feel like they're sitting beside you."
Pat Whitaker

"An intriguing story that explores the meaning of what it is to be dead. Far from the usual 'occult' tale, this original and intelligent work well illustrates the complexity of the human soul."
New York Times bestselling author Kim Stanley Robinson on Love Minus Eighty
"How do we keep on connecting in our ever-growing maze of social technologies? How can love succeed in the techno-surround we've trapped ourselves in? These are the questions Will McIntosh explores in this tightly plotted tangle of love stories. The stirring result casts a clear and knowing eye on our current society, from the best viewpoint of all: the future."
on Soft Apocalypse Locus
"Credible, compelling and relentless ... the best and most disturbing moments will stay with the reader for a long time.
Tor.com
"More people should be reading Will McIntosh."
i09
"[Love Minus Eighty] manages to deliver a light, romantic story without ever sacrificing its dark vision of the future."
Charles Yu
"Love Minus Eighty is a book that makes me envious as a writer: a clever premise, brilliantly executed. More importantly, though, it's a book that thrilled and delighted me as a reader, chilling and touching at the same time, a great story that stimulates the mind, the heart and the nerves."
Daily Mail
"McIntosh paints an intriguing picture of a society ruled by celebrity culture."
RT Book Reviews
"McIntosh manages to show how technology can both divide and unite us while delivering a highly entertaining tale."
RT Book Reviews on Love Minus Eighty
"McIntosh manages to show how technology can both divide and unite us while delivering a highly entertaining tale."
SFX
"Grimly plausible.. this SF romance is a fine piece of work."
SciFi Now
"Will McIntosh has created a highly plausible future... a good conceit with a great deal of potential."
SFCrowsnest
"A very intense page-turner of a book."
SciFi
"[A] heartfelt, funny, and often infuriating tale of hearts in conflict in a world where, extreme advances in technology aside, people remain essentially what they are now: selfless, self-absorbed, certain, confused, generous, cruel, kind, perceptive, and blind."
From the Publisher
"How do we keep on connecting in our ever-growing maze of social technologies? How can love succeed in the techno-surround we've trapped ourselves in? These are the questions Will McIntosh explores in this tightly plotted tangle of love stories. The stirring result casts a clear and knowing eye on our current society, from the best viewpoint of all: the future."—New York Times bestselling author Kim Stanley Robinson on Love Minus Eighty

"Love Minus Eighty is a book that makes me envious as a writer: a clever premise, brilliantly executed. More importantly, though, it's a book that thrilled and delighted me as a reader, chilling and touching at the same time, a great story that stimulates the mind, the heart and the nerves."—Charles Yu, the author of How to Live Safely in a Science Fictional Universe

"McIntosh's latest novel combines sf future tech with horror to craft a story that is both disturbing and hopeful as it questions the value of a life on borrowed time. The dystopic view of the future is both frightening and plausible, while the characters keep the story grounded in the details of human existence."—Library Journal on Love Minus Eighty

"Building his Hugo-winning short story "Bridesicle" into a novel, McIntosh takes a cold-eyed look at relationships in a grim future... Fans of "what if?" SF will enjoy this dystopian tale."—Publishers Weekly on Love Minus Eighty

"McIntosh manages to show how technology can both divide and unite us while delivering a highly entertaining tale."—RT Book Reviews on Love Minus Eighty

"McIntosh paints an intriguing picture of a society ruled by celebrity culture."—Daily Mail

"McIntosh manages to show how technology can both divide and unite us while delivering a highly entertaining tale."—RT Book Reviews

"[Love Minus Eighty] manages to deliver a light, romantic story without ever sacrificing its dark vision of the future."—i09

"More people should be reading Will McIntosh."—Tor.com

"Credible, compelling and relentless ... the best and most disturbing moments will stay with the reader for a long time.—
Locus, on Soft Apocalypse

"A prime example of masterful storytelling—the characters are so well-drawn you feel like they're sitting beside you."—
Mur Lafferty, author of The Afterlife Series, onHitchers

"An intriguing story that explores the meaning of what it is to be dead. Far from the usual 'occult' tale, this original and intelligent work well illustrates the complexity of the human soul."—
Pat Whitaker, author of Antithesis and Mindset, onHitchers

"Grimly plausible.. this SF romance is a fine piece of work."—SFX

"Will McIntosh has created a highly plausible future... a good conceit with a great deal of potential."—SciFi Now

"A very intense page-turner of a book."—SFCrowsnest

"[A] heartfelt, funny, and often infuriating tale of hearts in conflict in a world where, extreme advances in technology aside, people remain essentially what they are now: selfless, self-absorbed, certain, confused, generous, cruel, kind, perceptive, and blind."—SciFi

Library Journal
In the 21st century, death is not necessarily permanent; if the victim is attractive enough to gain the attention of someone who can afford the costly revivification procedures, the frozen corpse (or "bridesicle") may choose a permanent marriage contract, exchanging his or her freedom for a second chance at life. When Rob accidentally kills a woman, he is so haunted by his action that he becomes one of her suitors, funded by an anonymous benefactor. His story catches the attention of a media and public hungry for vicarious experiences. Eventually the woman, known only as Winter, accepts a proposal, becoming the literal property of a man she comes to despise. As resistance to the ethics of bridesicles grows, Rob becomes part of a dangerous plan to change the world. VERDICT Based on his 2010 Hugo-winning short story "Bridesicle," McIntosh's (Hitchers; Soft Apocalpyse) latest novel combines sf future tech with horror to craft a story that is both disturbing and hopeful as it questions the value of a life on borrowed time. The dystopic view of the future is both frightening and plausible, while the characters keep the story grounded in the details of human existence.
Kirkus Reviews
Set approximately 100 years after McIntosh's previous work (Soft Apocalypse, 2011), this novel ponders the effect that a 24-hour virtual lifestyle and an almost psychotically appearance-focused culture can have on romance. Mira is a "bridesicle": For a steep fee, a man can temporarily revive her frozen, badly damaged (but still beautiful) corpse for a chat; if she can charm him sufficiently, he'll pay the far higher cost to fully restore her to life in exchange for her agreement to marry him. The trouble is, Mira is gay. After a very public breakup with Lorelei--who intends the drama to gain her more virtual followers--a despondent Rob accidentally runs over and kills Winter, a young schoolteacher out jogging. Desperate to apologize, he works long hours at a factory job so he can afford to visit her at the bridesicle facility and finds himself falling in love. And Veronika, a professional dating coach who feeds her clients clever, flirtatious lines to say during their dates, is seemingly incapable of forging her own deep emotional connections. This is speculative fiction at its most personal and powerful, extrapolating current social and technological trends and exploring how they would affect future people simply trying to live their lives and make their existence matter to someone. The author is perhaps too quick to dismiss the concept of "groomsicles" and the financial viability of same-sex cryogenic "dating," but apart from that, he offers an emotionally and sociologically genuine-seeming vision of the 22nd century. Intriguing, quirky, perversely charming and definitely affecting.
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Product Details

  • ISBN-13: 9780316217781
  • Publisher: Orbit
  • Publication date: 6/11/2013
  • Pages: 421
  • Sales rank: 247,001
  • Product dimensions: 8.10 (w) x 5.40 (h) x 1.30 (d)

Meet the Author

Will McIntosh is a Hugo award winner and Nebula finalist whose short stories have appeared in Asimov's(where he won the 2010 Reader's Award for short story), Strange Horizons, Interzone, and Science Fiction and Fantasy: Best of the Year, among others. His first novel, Soft Apocalypse, was released in 2011 from Night Shade Books, and his second novel, Hitchers, was released in February, 2012. In 2008 he became the father of twins.

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Read an Excerpt

Love Minus Eighty


By Will McIntosh

Orbit

Copyright © 2013 Will McIntosh
All rights reserved.
ISBN: 978-0-316-21778-1


CHAPTER 1

Rob


The woman across the aisle from Rob yammered on as the micro-T rose above street level, threading through the Perrydot Building, lit offices buzzing past in a colorful blur. He should have taken his Scamp. Public transport was simpler, but he always seemed to share a compartment with someone who didn't have the courtesy to subvocalize.

For no reason except that she was annoying the shit out of him, Rob decided to scan her to see how much work she'd had done on her face.

As his fingers danced over the skintight system on his left arm, the woman glanced his way and curled her lip—a microexpression that was there and gone in a flicker. Now he had another reason to dislike this complete stranger. No, his style wasn't elegant and seamless, and he was tired of being judged by the technological glitterati as lacking some vital core because he only cared about making his system function, not how he looked doing it.

A flashing grid superimposed itself over the jabbering woman's face. He grinned, satisfied. Nose work, lip work, eye work, chin work. There wasn't much to her that was original. It was petty of him to check, even more petty to take satisfaction in her artificiality, but she was truly bugging him.

"I wasn't the one who told him," the woman was saying to some guy's screen. "Ask Corrie if you don't believe me." She was naked except for her skintight system running upper thigh to midchest, which was a 5/5 Manatee—totally state-of- the-art, glittering like blue-green jewels on her skin.

The screen she was speaking to, which was huge and floating two feet from Rob's head, was muted. The unshaven face framed in it looked sleepy, or maybe just uninterested.

"Since when don't you like Corrie?" the woman asked in response to something the guy said. "So you don't like any of my friends, is that it?"

She had no class. If a conversation was going to be intense, you did it in person. She probably showed up for weddings and funerals via screen. He could mute her, but her gesticulating form would only be more distracting if her mouth was moving soundlessly. Rob decided to go to screen himself, and see what Lorelei was up to. Of course that meant working his system again, and another contemptuous microsneer.

Lorelei was in their bedroom. She was utterly surrounded by screens. Rob was stunned at how many people were watching her, and she was adding more by the second. Onlookers' eager screens jockeyed for the best vantage point, rolling and shifting like rectangular gnats, scooting low to corners of the room, all shrunk to palm-size to accommodate the crowd. Yes, Lorelei was a total attention hound, but she'd never scored (he called up the stats on his screen) one hundred eighty-two simultaneous viewers before.

Lorelei actually looked nervous, kneeling on her bed in the midst of the storm, probably terrified she might blow it by saying something stale or letting the pace of whatever she was doing drag. What was she doing? Rob zoomed in on the stack of greeting cards in her hand, just as she activated the one on top.

"Aw, how cute: 'Love to Robby, from Grandma on your sweet sixteen.'" She grunted, flipped the card over her shoulder, toward a scattered mess that Rob recognized as his journals, remote photo files, all the personal stuff he kept in his lockbox. As Rob's heart began to hammer, Lorelei activated the next card. "Oh, here we go. I knew it."

He could see it was the one from Penny, the one Rob had almost thrown out when he moved in with Lorelei. A rush of rage, threaded with tendrils of guilt, hit him as Lorelei read the card aloud:

"'To Rob. Okay fine, if it'll make you happy. XX(X). Penny.'"

No! Rob subvocalized to Lorelei as she activated the video, holding the card at an angle as the screens swooped and rose, bumping up against Lorelei's privacy perimeter, jockeying to see.

"This should be choice," she said, ignoring Rob. As the video started, Rob set his screen to lurk, hoping no one had noticed his brief presence. Of course they hadn't; all eyes were on Lorelei. She was scoring more and more eyes—her stunt was going viral.

Penny's video was etched in Rob's memory from a hundred viewings. Penny was sitting on her bed, one leg tucked under her, dressed in a high-necked, double-button blouse and demijeans. Her gaze dropped shyly as she lifted her hands and began unbuttoning the blouse.

There was no sound, so Lorelei provided slutty "buh-buh-buh-bah" stripper music for her audience as Penny exposed first one, then the other small, erect-nippled breast.

That was all; Penny stopped there and blew a kiss, a kiss only Rob was meant to see.

"I knew he was keeping secrets from me," Lorelei hissed. She tried to sound outraged, but undertones of triumph and excitement leaked. "Let's see what else we've got." She picked up the next card.

Shaking with rage, Rob cut the feed and returned to the train, and the loud chick still arguing with her bored boyfriend. Stabbing sensors on his biceps, Rob submitted a destination change, hoping the microrailcar would plot a reroute that was inconvenient for the woman, who never seemed to need to take an inbreath.


Lorelei looked up when Rob burst into their room. She made no attempt to hide what she was doing.

Without taking his eyes off Lorelei, Rob gestured toward the screens with his chin. "Block them."

"No. It's my apartment. They're my guests."

Rob looked at the sea of floating faces, all of them waiting to see what would happen next. Messages were surely flying among them—reactions, predictions, snide asides.

Rob spotted his friend Mort in the crowd. When he saw Rob had noticed him, Mort looked away sheepishly, then tucked his frame out of sight behind some others.

Rob realized there was no way he was going to get Lorelei to block the eyes, because she was loving this; it was her finest hour.

"Fine. Can you and your friends go somewhere else so I can pack my things?" As he said it, the certainty of it sunk in. They were through; there was no walking this back, not after what Lorelei had done. Despite himself, despite what Lorelei was doing, he felt a lump of pain forming in his chest.

Lorelei folded her arms and pouted dramatically. "So you still have a thing for Penny. I guess that makes sense, since she ditched you, not the other way around."

"You're rummaging through my stuff without my permission." He gestured toward the wall of small faces watching them. "In front of hundreds of people. And you think I should feel guilty for keeping a card from my ex-girlfriend?"

She put her hands on her hips. "A card? She's stripping."

He opened his mouth to defend himself, but most of the defenses that came to mind were lies. I forgot I had it. I never watched the video again, once I met you. He looked down at his private things, strewn on the floor like candy wrappers, or used condoms. Yes, he shared some of the blame here, but what Lorelei had done ...

"This is just sick." Rob waved the closet open and pulled out a duffel bag. Kneeling, he scooped a double-handful of his stuff off the polished granite floor, set it gently in the bag.

"I found the porn holos as well, by the way. How lovely. When did you find time to"—she cleared her throat suggestively—"use them?" Her words, cutting as they were, still came in that beautiful rhythm, Lorelei's signature vocal style, injected with subvocalized asides to her friends that sounded like soft susurrations and gulped exclamations that she somehow made sexy.

"At least they're convincing when they fake their orgasms," he said, wanting to humiliate her in front of her viewers.

Lorelei grabbed the back of his collar and yanked, nearly sending him sprawling. "I don't have to fake them when a man actually excites me."

His anger boiling over, Rob sprung up, meaning to ... what? Shove her? Hit her?

And then, suddenly, he got it. This was Lorelei's climax, the finishing touch that would leave her viewers eager to return to witness more of her fascinating and tumultuous life. She didn't care about Penny's card; it was just a useful prop, a ratings boost.

He took a few deep breaths, willing himself to stay calm, just until he got out of there. He went back to packing. Lorelei had over eight hundred sets of eyes now; the room was teeming with screens. As he scooped another handful of his things into the duffel, he realized how pathetic he must look to all these people.

Rob stood, leaving the duffel where it was. "On second thought, I'll pick up my things later." Despite his best efforts to deny her audience the satisfaction of seeing how hurt and angry he was, his voice was shaking. "I'm out of here."

The only things he grabbed were his lute, and a stack of his publicity photos that were sitting on top of the lute case. At the bedroom door he paused to take a last look at Lorelei, so absurdly tall (yet wanting everyone to believe no genetic trickery was involved), her face a perfect balance of Asian, African, Anglo, her jet-black curls rolling down her shoulders.

As he turned away, it occurred to him that Lorelei might have been planning this from the moment they met at The Skyview. Was it possible? Would anyone build a relationship and then wreck it solely to draw eyes?

"Why don't you see if Penny will take you back."

Rob felt something ricochet off his shoulder. He didn't turn—he already knew it was Penny's card. He kept moving, through the living room and down the glass corridor to the tube.

To his relief the door to the tube opened immediately. Breathing hard, arms at his sides, he glared at the sea of frames hovering outside the tube door, wanting a good look at the rube who'd just been disemboweled by super double- nifty Lorelei. He set a total block to keep them from squeezing into the tube with him as the door slid closed.

One, two, three, he counted silently to give the tube time to get moving, out of auditory range of the gawkers, then, as the familiar three- hundred-sixty-degree view of Manhattan's Low Town spread out far below him, he screamed so loudly his ears crackled. He dropped the photos and his lute case, pounded the glass wall of the lozenge-like compartment, spun and slammed his back against it, pummeled it with his elbows, pounded it with the soles of his spear boots, which Lorelei had bought him. It felt good. He went on slamming the glass until he was exhausted, then, panting, he slid to the floor.

What had just happened? For the past eight months, everything had been skintight. No drama, their relationship exclusive but not escalating, everyone happy. Or so he'd thought.

Fortunately the tube didn't stop at any of the other apartments spread out along the lift line, like beads threaded on a string, hanging from the underside of High Town. This was the last time he would take this trip, he realized. No, the second-to-last time—he still had to collect his stuff. Maybe he could get Gord or Beamon to do that for him.

If this was his last trip, he wished he could enjoy the view, drink in the rooftops below, dappled in sunlight filtering through High Town. He couldn't, though. He was too hurt, too angry, too sad. He honestly wasn't sure what he felt, whether he was glad to be rid of her or devastated to lose her. Both. Lorelei was brilliant in her own way, dynamic, utterly unpredictable. It was fun to be with her. He'd been aware of her cutting edge, had felt it graze him from time to time, but never thought she'd cut so deep.

Rob knelt, collected his photos scattered on the floor, and grabbed his lute as the lift opened onto Rogers Street—the shopping district. He stepped into bright sunlight, looked left and right, not sure where he was going. One of the photos slipped between his damp fingers. As he stood there panting, a twenty-three-dollar fine rolled off his account balance in the corner of his vision. In High Town the incivility cameras were always rolling. Rob flung the rest of the photos at the sky and stormed off, as several hundred dollars in fines thinned his balance further. He headed west, away from the garage where his mini was stored, toward Skyview. He needed a drink. No—he needed six.

Skyview was nearly empty. Ignoring the breathtaking view of the outer burbs provided from the tables, Rob slipped onto a bar stool, smiled at Ellie as she came over.

"What happened to you? You look terrible."

Rob tried to wave away the question. "Nothing. It's stupid."

Ellie folded her arms. "Clearly it's not, or you wouldn't look like someone just stomped your favorite puppy wearing four-inch spiked heels."

Rob surprised himself by choking up. He shook his head, looked down at the bar, felt Ellie's hand on his shoulder. "I'm gonna go out on a limb and guess you're not having absinthe?"

A coarse guffaw escaped him. "No, no absinthe." Absinthe was Lorelei's drink. He'd gotten into the habit of drinking it, hanging with her. Suddenly it was way too expensive for him. This entire bar was suddenly too expensive for him without his girlfriend and her rich parents.

A vodka martini appeared directly below his hangdog face. "First one's on me, sweetie. And don't repeat this please, but I think you're better off without her."

"Yeah, I know. But even though I know that, even though she did something so"—he reached for a word to encapsulate the wretchedness of what Lorelei had done to him, but came up empty—"so shitty, it still hurts. You know?"

Ellie sighed, leaned on the bar. "I know."

"I didn't do anything to her. It was like she just decided to shit on me for kicks." Rob lifted the martini and took a long swig.

CHAPTER 2

Rob


Rob was going too fast when he hit the long, rainbow-curved ramp out of High Town, and his mini was slowed by the ramp's governor. High Town, pulsing silver, teal, salmon, and lemon yellow on a backdrop of black night, slowly disappeared out of his rearview mirror as he descended.

He knew he was leaving High Town for good. Sure, he'd take day trips, maybe be lucky enough to play gigs up there one day, but he'd never live there again. Musicians couldn't afford to live in High Town. Rob didn't mind, though. As he curved back around, Low Town spread out before him, the fork of the Hudson and Harlem Rivers flickering in the mottled blobs of lamplight. In some ways he preferred the tightly packed, aging stone and steel of the old town to the shiny glass and carbon fiber of the new. It suited him. It felt more honest.

As he reached ground level, the smoothness of the ramp was replaced by the rattle and bump of old blacktop. Rob hung a left onto 192nd Street. The streets were nearly deserted at this time of night. He'd have to crash with Beverly or his folks until he could find somewhere to live. Which reminded him—he'd put a block on his link. He removed the block and found six messages waiting for him. Three were from Mort. "Dickhead. Asshole," Rob hissed. He'd better have left a damned sincere apology after scoping Lorelei's little ambush party. On second thought, Rob didn't care how sincere the apology was; there were no words sincere enough to forgive such backstabbing. He was tempted to delete the messages without watching them, but decided to see the first at least, just to satisfy his curiosity.

Mort didn't sound apologetic, he sounded frantic. "Brother, hey, are you seeing this? You need to get back there. She's ditching all your stuff. Shit. Not okay. Get back up there, okay?"

Ditching all his stuff? A sick dread crawled up his spine as he set his frame for one eye only so he could see to drive while peeping Lorelei's bedroom, expecting that Lorelei had already blocked him. But she hadn't. No, of course she hadn't—she wanted him to see.

Lorelei was leaning out the window. Rob tried to maneuver closer, but a thousand frames were crowded around her, forming a porous, semicircular barrier. Rob peered between the cracks, his stomach clenching. Lorelei was holding a storage clip lightly between her thumb and forefinger, dangling it out the window.

"Adiós, photos age seven to twelve. Sayônara. Tot Siens. Da svidaniya." She opened her fingers and the clip dropped toward the roofs of Low Town.

She transferred something to her right hand, from a stack in her left, held it up to examine it. "Early recordings: original compositions."
(Continues...)


Excerpted from Love Minus Eighty by Will McIntosh. Copyright © 2013 Will McIntosh. Excerpted by permission of Orbit.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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