Love Songs

Editorial Reviews

All Music Guide - Thom Jurek
It's been six years since Divinidylle, and Vanessa Paradis is making up for lost time with the 22-track Love Songs. The title bears some poignancy -- this is her first offering since splitting from Johnny Depp. He and their daughter Lily Rose get co-writing credits on the dubwise "New Year." Benjamin Biolay produced the set, wrote six tunes for it, co-wrote another with Paradis, and performed a duet with her. Biolay may not be the next Serge Gainsbourg, but he is the master's most logical successor in terms of musical sophistication, writing chops, and a willingness to experiment sonically. Among the other songwriters who contributed material are Mathieu Boogaerts, Mickaël ...
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Editorial Reviews

All Music Guide - Thom Jurek
It's been six years since Divinidylle, and Vanessa Paradis is making up for lost time with the 22-track Love Songs. The title bears some poignancy -- this is her first offering since splitting from Johnny Depp. He and their daughter Lily Rose get co-writing credits on the dubwise "New Year." Benjamin Biolay produced the set, wrote six tunes for it, co-wrote another with Paradis, and performed a duet with her. Biolay may not be the next Serge Gainsbourg, but he is the master's most logical successor in terms of musical sophistication, writing chops, and a willingness to experiment sonically. Among the other songwriters who contributed material are Mathieu Boogaerts, Mickaël Furnon, BB Brunes' Adrien Gallo, Marcel Kanche, and Paradis. Opener "L'au-Delà" is a modern French chanson offered in lilting waltz time; guitars and snare drum move directly at the singer who slips them and lets the lyric guide her delivery. The title track single by Biolay caused a discussion between singer and producer -- being one of his best songs, she wanted him to keep it for himself, but he insisted she record it. It's classic French disco, complete with big bassline, spacy strings, Star Wars battle synths, organic and synthetic percussion, wah-wah guitars, and an infectious, hooky, vocal chorus. Paradis' voice, usually wispy and slight, digs into the lyric with force and delight. "Les Espaces et les Sentiments" is funky pop, where the singer struts atop the bassline, synth pulse, and percussion, and places them in service of her sultry delivery. "Tu pars Comme on Revient," by Biolay, brings the classic age of French chanson to the indie pop era with a flourish, yet it took this singer to pull it off. "The Dark It Comes" is a duet with ex-Libertines' Carl Barat; it's a twisted murder ballad whose narrative stands in sharp contrast to its lush musical arrangement. The tango-gypsy fusion in "Le Rempart" is clever and convincing, as is "Sombreros," where reggae meets cumbia. "Mi Amor" is Phil Spector rock & roll with 21st century production featuring a dirty bassline vamp and blissed-out guitars in the bridge. It highlights Paradis' sassy, playful phrasing -- she can sing this stuff all day and always sound convincing. She lends a wistful poignancy to her reading of Jacques Brel's classic "La Chanson des Vieux Cons," which Biolay illustrates dramatically with a restrained operatic backing choir, organ, and piano. His duet with her on "Les Roses Roses" owes as much to early rock & roll as it does to the breezy sophisti-pop Biolay is famous for. As a result of this collaboration, Love Songs is Paradis' most heterogeneous album musically -- though that is admittedly subtle at first. While Biolay's importance cannot be overstated, this is the very first Paradis record where she sounds like a full partner with her producer rather than the singer he illuminates. While she doesn't leave pop behind here, she pushes its envelope -- and her own -- attaining a diversity that we couldn't have imagined from her previously.
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Product Details

  • Release Date: 5/21/2013
  • Label: Barclay
  • UPC: 602537350681
  • Catalog Number: 3735068
  • Sales rank: 55,656

Tracks

Disc 1
  1. 1 L' Au-delà (3:19)
  2. 2 Love Song (3:31)
  3. 3 C'est quoi? (3:11)
  4. 4 Les Espaces et les Sentiments (3:07)
  5. 5 Prends garde à moi (4:04)
  6. 6 Tu pars comme on revient (2:55)
  7. 7 The Dark, It Comes - Carl Barat (4:00)
  8. 8 Rocking-Chair (4:20)
  9. 9 Station Quatre-Septembre (3:28)
  10. 10 Tu vois c'que j'vois (3:13)
Disc 2
  1. 1 La Crème (2:40)
  2. 2 Le Rempart (3:11)
  3. 3 Mi Amor (3:07)
  4. 4 New Year (3:07)
  5. 5 Tu si na cosa grande (2:50)
  6. 6 Sombreros (4:23)
  7. 7 Être celle (3:38)
  8. 8 Doorway (2:58)
  9. 9 La Chanson des vieux cons (4:44)
  10. 10 Les Roses roses - Benjamin Biolay (3:49)
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Album Credits

Performance Credits
Vanessa Paradis Primary Artist, Chant, Choeurs
Karen Brunon Choeurs
Benjamin Biolay Piano
Carl Barat Chant
Dieter Limbourg Flute, Saxophone
Estelle Villotte Alti
Sébastien Levy Alti
Elsa Fourlon Choeurs
Alexia Waku Choeurs
Julie Rousseau Choeurs
Rachel Pignot Choeurs
Marc Chouarain Piano
Amanda Madela Mbuyi Choeurs
Guillaume Coignart Choeurs
Brice Baillon Choeurs
Nicholas Fiszman Basse
Technical Credits
Vanessa Paradis Composer
Domenico Modugno Composer
Erwin Autrique Mastering
Johnny Depp Composer
Benjamin Biolay Composer
Carl Barat Composer
Mathieu Boogaerts Composer
Jerome Attal Composer
Ben Ricour Composer
Mickaël Furnon Composer
Marcel Kanche Composer
Adrien Gallo Composer
Pierre Grillet Composer
Ruth Ellsworth Carter Composer
Roberto Gigli Composer
Lily Rose Depp Composer
François Villevielle Composer
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