Love Thy Neighbor: A Story of War
Peter Maass¿ Love Thy Neighbor: A Story of War, like the conflict it details, is infinitely complex, ripe with significance, and capable of teaching us a great deal about the peculiarities of the human condition. But also, like the war, the book forces the reader into a state of intense self-reflection, and gives rise to a number of hard to answer questions, many of which most people would probably rather not even consider.
Something else that the reader may find hard to answer, is what the book is actually about. On the surface lies an account of the conflict between the Serbs and Muslims in the former Yugoslavia, which Maass has pieced together through tireless research, endless travel under the most difficult of circumstances, countless interviews, and a fierce devotion to his subject. Indeed it is this attention to the detail of the war, enabled chiefly by Maass¿ uncanny ability to record and observe virtually every thing he witnessed during his time in the war-torn area, that makes most of Love Thy Neighbor, such a compelling read, and a veritable page-turner. These are, admittedly, not the words one might normally associate with an account of such an unpopular war which virtually no one out side of the region knows anything about, especially one whose pages are riddled with bullet holes, and strewn with the lifeless bodies of the slaughtered innocent. Or, perhaps, as Maass suggests, these are the very things which makes us read on. He refers to this compulsion as a desire for 'war porn,' and spends significant time examining the extent to which we, as humans, are titillated by the devastation and misery brought about by war, so long as it is kept at arm¿s length.
If Maass had merely listed the atrocities which he suggests were committed by the Serbian aggressors in their efforts to 'cleanse' the country of Muslims, it would surely be enough to sicken, dishearten, or disgust anyone. Instead, he intensifies the reader¿s connection to the events of the war in a highly effective personal style. By beginning each chapter with a narrative account of someone he has come to know during his time in Yugoslavia, or of those he has heard about through close friends, who have all suffered greatly, he forces the reader to experience the pain on a level which most are probably not familiar with. Graphic accounts of sickly victims, like an 18 year old boy he encounters in a prison camp--'His skin was stretched like a transparent scarf over his ribs and shoulder bones'--will not soon be forgotten. It is a story like this, and the many others, much worse, that have a far more chilling effect than mere statistics. What does it mean to say a thousand were killed? This is a mere number. But Maass refuses to let any death go unavenged, as if each one were a personal assault on himself, and on all of humanity.
Thus Maass reveals his intense emotional attachment to the people he is covering. While at first he tries to remain disaffected as the consummate journalist, one of the more fascinating aspects of the book is that the reader gets to witness Maass slowly breaking down himself. While the country and its people are torn apart, so too is Peter Maass, not the writer, but the human being. Thus a strong bond is formed between author and reader, as Maass¿ stunning language, and fierce diatribes aimed at those responsible for the war, come to fruition.
Maass is no hero though, and he knows it. He is just as frightened as any one else would be in the many near death experiences he has gone through, and like any one else, he begins to question why any of this has happened in the first place. These questions make up the majority of the second half of the book, as he begins to point fingers and implicate the guilty. These range from Slobodan Milosevic, John Major, Fracois Miterand, Bill Clinton, and the entire U.N. Because these leaders either failed to intervene, or brought about much of the s
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Overview
Winner of the Los Angeles Times Book PrizePeter Maass went to the Balkans as a reporter at the height of the nightmarish war there, but this book is not traditional war reportage. Maass examines how an ordinary Serb could wake up one morning and shoot his neighbor, once a friend--then rape that neighbor's wife. He conveys the desperation that makes a Muslim beg the United States to bomb his own city in order to end the misery. And Maass does not falter at the spectacle of U.N. soldiers shining searchlights on fleeing refugees--who are promptly gunned down by snipers waiting in the darkness. Love Thy Neighbor gives us an unflinching vision of a late-20th-century hell that is also a ...