Low Country Suite

Editorial Reviews

All Music Guide - Jeff Tamarkin
Having built a reputation as a bluegrass band to watch out for, King Wilkie decided that it was time to see what else they could do for their follow-up to 2004's Broke. The answer is plenty -- there's still some great traditional and progressive bluegrass to be had from this Virginia sextet, but Low Country Suite presents a more well-rounded -- though still mostly acoustic -- Americana that only the most die-hard bluegrass purists among the group's fan base might object to. Reference points are fairly easy to pinpoint: the usual gang of late-'60s country-rockers (minus most of the rock), the less navel-gazing of the introspective singer/songwriters of the '70s (plus some ...
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Editorial Reviews

All Music Guide - Jeff Tamarkin
Having built a reputation as a bluegrass band to watch out for, King Wilkie decided that it was time to see what else they could do for their follow-up to 2004's Broke. The answer is plenty -- there's still some great traditional and progressive bluegrass to be had from this Virginia sextet, but Low Country Suite presents a more well-rounded -- though still mostly acoustic -- Americana that only the most die-hard bluegrass purists among the group's fan base might object to. Reference points are fairly easy to pinpoint: the usual gang of late-'60s country-rockers (minus most of the rock), the less navel-gazing of the introspective singer/songwriters of the '70s (plus some punch), and the more recent crop of hybrid bands that have successfully merged those same influences and put a modernist spin on them. King Wilkie's change in direction -- more personalized, often moodier songs, flirtations with pop, more challenging song structures -- would not have worked if they weren't crafting material good enough to take the band to that next level, and they are: "Angeline" is a shambling honky tonker fueled by scurrying fiddles and soulful steel, while "Stone & Steel" is of the opposite temperament, a whisper of a ballad whose vocal harmonies and foreboding melody sum up just how willing King Wilkie are to visit new places. They probably could have continued to become an even better bluegrass band, but King Wilkie now have something more original and lasting to offer. Bill Monroe would forgive them.
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Product Details

  • Release Date: 6/26/2007
  • Label: Zoe Records
  • UPC: 601143111228
  • Catalog Number: 431112
  • Sales rank: 344,574

Tracks

Disc 1
  1. 1 The Raising of the Patriarchs (4:15)
  2. 2 Wrecking Ball (3:48)
  3. 3 Millie's Song (3:00)
  4. 4 Rockabye (Farewell Lonesome Dove) (3:54)
  5. 5 Angeline (3:28)
  6. 6 Savannah (4:49)
  7. 7 Crazy Daisy (3:31)
  8. 8 Stone & Steel (2:28)
  9. 9 Oh My Love (5:22)
  10. 10 Ms. Peabody (2:00)
  11. 11 Captivator (5:50)
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Album Credits

Performance Credits
King Wilkie Primary Artist
Don Heffington Percussion
Greg Leisz Guitar, Pedal Steel Guitar, Slide Guitar
Jim Scott Percussion
Ted Pitney Acoustic Guitar, Vocals, Slide Guitar, national steel guitar, Lap Steel Guitar
Nick Reeb Piano, Violin, Accordion, Kazoo
Howard Arn Cello
Jake Hopping Percussion, Upright Bass
John McDonald Acoustic Guitar, Harmonica, Vocals, national steel guitar
Abe Spear Banjo, Pedal Steel Guitar
Reid Burgess Mandolin
Abe Spear Banjo
John McDonald Vocals
Technical Credits
Joe Gastwirt Mastering
Jim Scott Producer, Engineer, Audio Production
Jake Guralnick Management
Steven Rhodes Engineer, Audio Production
Colin Gray Cover Photo
Nick Reeb String Arrangements
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