Lucio Fontana: 1899-1968

Lucio Fontana: 1899-1968

by Barbara Hess
     
 

Concepts in space: Artworks as visual explanations of ideas

Italian artist Lucio Fontana tore apart the modern art establishment—literally. Trained initially as a sculptor, Fontana (1899-1968) blurred the lines between painting and sculpture by creating works that combined both form and color in a spatial context, most famously exemplified by his

Overview

Concepts in space: Artworks as visual explanations of ideas

Italian artist Lucio Fontana tore apart the modern art establishment—literally. Trained initially as a sculptor, Fontana (1899-1968) blurred the lines between painting and sculpture by creating works that combined both form and color in a spatial context, most famously exemplified by his slashed canvases of the 1950s and 60s. Fontanàs work was truly conceptual, in that the ideas he wanted to express were more important than the actual work itself; with titles like Concetto Spaziale (Spatial Concept) and Scultura Spaziale (Spatial Sculpture), his pieces served as visual explanations of his ideas. From his early work in collaborating with architects through his years in Buenos Aires (where, in the mid-1940s, he published the famous "White Manifesto" and "Technical Manifesto of Spatialism," among others), his experimental light installations of the early 1950s, and his later experiments with various media, this book covers the entire career of Italy's pioneering abstract artist.

About the Series:

Each book in TASCHEN’s Basic Art series features:

  • a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
  • a concise biography
  • approximately 100 illustrations with explanatory captions

Product Details

ISBN-13:
9783822849187
Publisher:
Taschen America, LLC
Publication date:
12/14/2006
Series:
Basic Art Series
Pages:
96
Sales rank:
926,315
Product dimensions:
7.34(w) x 9.06(h) x 0.34(d)

Meet the Author

Barbara Hess (b. 1964) is an art historian, critic and translator, resident in Cologne. Her numerous articles on contemporary art have featured in Camera Austria, Flash Art, Kunst-Bulletin and Texte zur Kunst. She co-curated the touring exhibition Ready to Shoot: Fernsehgalerie Gerry Schum/videogalerie schum at the Kunsthalle Düsseldorf and the Musée d’Art Moderne de la Ville de Paris. Her TASCHEN titles include a monograph on Willem de Kooning.

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