The New York Times Book Review
A memoir of the Golden Age of Hollywood and publishing by one of the leading American humorists.
The New York Times Book Review
The New York Times
"Jaunty, dishy ... Highly readable."New York Times
"Delightful ... one of those memoirs that's a large, refreshing pleasure, and worth pushing aside everything else to read."The Longest Chapter
"A literary star, frequently mentioned alongside Bernard Malamud and Philip Roth ... In Lucky Bruce, readers get fresh, amusing stories from Friedman's life in letters."New York Times Style Magazine
"Friedman tempers hot remarks with humor (often hilarious), and affection for friends and foes alike ... refreshingly candid ... never mere dish."WSHU Public Radio
"Lucky Bruce is no ordinary self-story; it's a delightful addition to the catalogue of the last Mark Twain Leviathanswriters like Mario Puzo, Joseph Heller, Norman Mailer, and Kurt Vonnegut."Brooklyn Rail
"In this rousing memoir, [Friedman] relates taking on Natalie Wood as a secretary, helping Barbra Streisand in from the rain, and gaining Mario Puzo as a close friend. yet Friedman is refreshingly down to earth. He shares his journey from the Bronx to Broadway with wit, charm, and a distinctive voice ... Highly recommended."Library Journal
"A terrific memoir, informative and invigorating. As I was reading it, I found myself going slower and slower because I began savoring the humor, wit, and pathos." Ha Jin
Lucky Bruce is a deeply funny memoir from one of the most deeply funny writers in American literature. Bruce Jay Friedman has written yet another masterpiece. Andy Borowitz
[A] hilariously juicy memoir... A life story that consistently charms with candor and the seasoned wit of a master storyteller who’s certainly been around the block... [T]here are plenty of stories here to solidify Friedman’s ranking as a supreme satirist.Kirkus
"A true testament to decades of hard work ... in true Don Quixote fashion, Friedman is fascinated by everything going on around him."East Hampton Star
The hilariously juicy memoir of a successful novelist, playwright and screenwriter.
Though the hoopla of his literary career is in repose ("the lights dimming a bit") Friedman (Three Balconies, 2008) is happy to share the grand ascent of his longstanding writing career. The son of a fashionable father and a pretty, theatergoing mother, the author often lost himself in movies and books, sparking an early fascination with media, a journalism degree and two years at a military magazine while in the Air Force in 1951. Friedman penned a "blatantly autobiographical" first story and boldly submitted it to the New Yorker, which "manicured" the prose and published it. While serving as the executive editor of several male-focused publications in 1954, he met and married model Ginger Howard and started a family. Crafted in just five months, his black-comedy breakout novel Stern was published years later while his marriage cracked. In literary circles, the author fondly remembers befriending Joseph Heller, but it was Mario Puzo who curiously wanted Friedman's opinion on an organized-crime novel he was "moon-lighting." In between awkwardly hobnobbing in Los Angeles and schmoozing at Elaine's celebrity-laden Upper East Side enclave, Friedman hit the jackpot with several hit stage plays (Scuba Duba), box-office smashes (Splash, Stir Crazy) and a role in a Woody Allen movie. Whether inadvertently snubbing Marlene Dietrich, chauffeuring Natalie Wood or fist-fighting with Norman Mailer, there are plenty of stories here to solidify Friedman's ranking as a supreme satirist. Readers with a taste for sensationalistic old Hollywood will particularly enjoy his not-so-casual namedropping, which serves the memoir's chatty tone well.
A life story that consistently charms with candor and the seasoned wit of a master storyteller who's certainly been around the block.
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