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With a perfect ear for dialogue, Bobby Cannavale sounds like he grew up on the same patch of New York's Lower East Side that Price so effectively captures. It's a neighborhood in the midst of gentrification where an unplanned late-night murder of a truculent yuppie bartender by a teenage wannabe gangsta affects the lives of an assortment of disparate Manhattanites. Chief among them are Matty Clark, a dedicated and honorable detective, and Eric Cash, a restaurant manager temporarily accused of committing the crime. As Clark, Cannavale adds just the right mixture of weariness and frustration. He adds dimension and surprisingly subtle touches to all of Price's already rich characters—Clark's patently insincere superior officer, Cash's humane employer, a smarmy actor and, most importantly, the sad, angry, poetry-scribbling killer and the victim's omnipresent guilt-ridden, wraithlike father. Better yet, Cannavale delivers Price's sometimes mind-boggling slanguages (including cop-speak, Ebonics and a sort of restaurateur rap) as smoothly, effortlessly and clearly as an expertly trained Old Vic thespian interprets lines from the Bard. Simultaneous release with the FSG hardcover (Reviews, Jan. 21). (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.Master of the Bronx and Jersey projects, Price (Clockers) turns his unrelenting eye on Manhattan's Lower East Side in this manic crescendo of a novel that explores the repercussions of a seemingly random shooting. When bartender Ike Marcus is shot to death after barhopping with friends, NYPD Det. Matty Clark and his team first focus on restaurant manager and struggling writer Eric Cash, who claims the group was accosted by would-be muggers, despite eyewitnesses saying otherwise. As Matty grills Eric on the still-hazy details of the shooting, Price steps back and follows the lives of the alleged shooters-teenagers Tristan Acevedo and Little Dap Williams, who live in a nearby housing project-as well as Ike's grieving father, Billy, who hounds the police even as leads dwindle. As the intersecting narratives hurtle toward a climax that's both expected and shocking, Price peels back the layers of his characters and the neighborhood until all is laid bare. With its perfect dialogue and attention to the smallest detail, Price's latest reminds readers why he's one of the masters of American urban crime fiction. Author tour. (Mar.)
Copyright 2007 Reed Business InformationEric Cash, protagonist in this adaptation of Price's latest novel, is a man whose life in New York is not meeting his expectations. Aspiring actor, author, and restaurateur, Eric is a manager of a Manhattan restaurant in 2003 and at a personal dead end. Then one evening Eric joins Ike, a new bartender, for a round of after-work bar hopping. By the end of the night, Ike has been shot dead and Eric is the main suspect. The remainder of the work combines a standard police procedural with commentary on life in New York City during the first decade of the 21st century. The whodunit part of the book contains enough twists and turns to hold listeners' interest. More powerful are Price's descriptions of the different neighborhoods of Manhattan, making the city as much a character as any human in the story. Price also provides a fascinating array of people, running the social gamut from street hustlers to wannabe artists to the city's power elite. Reader Bobby Cannavale does an excellent job translating the tale from print to the spoken word, bringing the many characters to life. One of the better audiobooks produced recently, it is highly recommended for all audio collections. [Price shared a 2007 Edgar Award as cowriter of HBO's miniseries The Wire; Lush Life is also available as downloadable audio from Audible.com.-Ed.]
—Stephen L. Hupp
Price (Samaritan) is an exceptionally accomplished storyteller whose ear for the accents of New York is the equal of the late, lamented George V. Higgins's love for Boston speech. And though what Price narrates often disturbs, it is just as often funny. A hood advises a young accomplice how to use a gun for the first time: "You just do it to get it done with, then you can start concentratin' on getting better at it, havin' fun with it." The novel starts with a killing, the consequence of a late-night robbery. The killing is almost accidental; an eyewitness exclaims, "It was like God snapped his fingers." Eric, a 35-year-old failed actor and writer, is paralyzed by guilt over his failure to stop the murder. The police, who find him highly suspicious, arrest him, and everything goes downhill from there. When the shooter is finally caught, he is a pathetic man-boy from the projects. Price's New York is a city that no longer works: too many people are left bruised, with no safety net. Strongly recommended for fiction collections. [See Prepub Alert, LJ11/15/07.]
—David Keymer Copyright 2007 Reed Business Information
Lush Life...great title! Good versus evil in the city life...murder...seeking truth....Interesting characters and lingo. Richard Price either did his homework or he grew up in the bad end of a city! I very much enjoyed the read.....Another book I enjoyed before this one that isn't anything like this except the good versus evil part...EXPLOSION IN PARIS, by L.M. Pirrung...REALLY LOVED THIS ONE...More of a woman's book....
3 out of 3 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anyone who's lived in New York and moved away retains a corner of his heart for the city. I had to love this book if only because it described the lower east side where I once lived. That aside, the book is brilliant. The dialog and characters are so real that you can almost hear their voices. It's not a thriller: there are no chase scenes, just real cops and real criminals. Read it.
3 out of 3 people found this review helpful.
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Posted June 21, 2008
This book is a meditation on good and evil, the sacred and the secular, and tradition versus modernity -- all dressed up as a police procedural. It is remarkable that Price is able to develop his themes, his characters, and his plot line and at the same time create a driving narrative that is so deeply involving. Many of Price's characters are so vivid that they continue to live in the reader's mind well after the book has been read. One deliberate exception is a hazy God/Satan who ultimately consigns another character to Hell (Atlantic City). Buy this book! It is a pleasure to read on any level.
2 out of 2 people found this review helpful.
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Posted May 21, 2008
The reader knows in the first few chapters what happened. The fascinating part of this book is the effect the event has on the life of each character.
2 out of 2 people found this review helpful.
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Posted June 20, 2009
New twist on the detective genre. Great main character. Lots of good NYC flavor.
1 out of 1 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.This book lives up to its reviews. Plot and characters fully formed and a compelling read. The only thing I had a bit of trouble with was the cop lingo but that did not deter from my enjoyment of this book.
1 out of 1 people found this review helpful.
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Posted March 18, 2008
Thoroughly enjoyed reading this novel. Richard Price takes the reader step-by-step into the multi-layered lives and circumstances of his characters.
1 out of 1 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.My first Richard Price novel was Clockers, a novel that would end up becoming one of my favorite books of all time. Lush Life is the second work of his that I read, and like his 1992 classic, Lush Life is an incredible work of fiction. Price is great at telling a great story while showing the reader how hoods, cops, and other New Yorkers live. Price created a lot of great characters but his greatest strength is his dialogue. Price is up there with the greatest writers of dialogue: Quentin Tarantino, David Mamet, George Pelecanos, the writing staff of The Wire (which Price and Pelecanos are a part of), Elmore Leonard, James Ellroy, Coen brothers, etc. Lush Life is an amazing novel and I wouldn't be surprised if I re-read it in the future.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Richard Price's Lush Life is not a 60 minute tv drama moving rapidly toward getting the bad guy. Instead it's much more real life. Read that to mean slow and plodding. To me the most likeable character is New York City and neither the good guys nor the bad guys are all knights in shining armor or Black Barts. They are all human beings with human foibles. Lush Life is too real to be escapism. This isn't some beach read or long flight read. But for real urban nitty gritty you can't do better than this. Just don't expect to be cheered up.
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Posted October 10, 2010
This is a gripping novel. I felt like I was there with the characters as the story unfolded. Some of the descriptive terms are hauntingly beautiful even though the story is gritty. Five stars for this one.
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Posted April 28, 2009
Gritty and depressing -- didn't care for any of the characters or the setting.
0 out of 1 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.This is surprisingly readable for a literary novel. Maybe because I'm from a big city, but I relate the the characters, time and place. Highly recommended.
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Posted March 20, 2008
Price doesn't control the main concepts with the same refinement as his dialogue and characterization. It's a good delivery, but it gets engulfed with unimportant situations and I went a little bit cool after about halfway.
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Posted January 26, 2010
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Overview
So, what do you do?" Whenever people asked him, Eric Cash used to have a dozen answers. Artist, actor, screenwriter . . . But now he's thirty-five years old and he's still living on the Lower East Side, still in the restaurant business, still serving the people he wanted to be. What does Eric do? He manages. Not like Ike Marcus. Ike was young, good-looking, people liked him. Ask him what he did, he wouldn't say tending bar. He was going places--until two street kids stepped up to him and Eric one night and pulled a gun. At least, that's Eric's version.
In Lush Life, Richard Price tears the shiny veneer off the "new" ...