Macbeth

by William Shakespeare

Overview

"I feel that I have spent half my career with one or another Pelican Shakespeare in my back pocket. Convenience, however, is the least important aspect of the new Pelican Shakespeare series. Here is an elegant and clear text for either the study or the rehearsal room, notes where you need them and the distinguished scholarship of the general editors, Stephen Orgel and A. R. Braunmuller who understand that these are plays for performance as well as great texts for contemplation." (Patrick Stewart)

The distinguished Pelican Shakespeare series, which has sold more than four million copies, is now completely revised and repackaged.

Each volume features:
* Authoritative, reliable texts
* High quality introductions and notes
* New, more readable trade trim size
* An essay on the theatrical world of Shakespeare and essays on Shakespeare's life and the selection of texts

Product Details

BN ID:	2940000730782
Publisher:	B&R Samizdat Express
Publication date:	09/01/2009
Sold by:	Barnes & Noble
Format:	eBook
File size:	167 KB

About the Author

William Shakespeare (26 April 1564 – 23 April 1616) was an English playwright, poet and actor, widely regarded as the greatest writer in the English language and the world's greatest dramatist. He is often called England's national poet and the "Bard of Avon." His early plays were primarily comedies and histories and are regarded as some of the best works produced in these genres. He then wrote mainly tragedies until 1608, among them Hamlet, Romeo and Juliet, Othello, King Lear, and Macbeth, all considered to be among the finest works in the English language.

Date of Death:

2018

Place of Birth:

Stratford-upon-Avon, United Kingdom

Place of Death:

Stratford-upon-Avon, United Kingdom

Read an Excerpt

Dramatis Personae
(Continues…)

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Excerpted from "Macbeth"
by .
Copyright © 2016 William Shakespeare.
Excerpted by permission of Penguin Publishing Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Table of Contents

Introduction: Macbeth in legend, Macbeth in history; Macbeth in the mind; Macbeth in performance; Macbeth in the mind and in performance; Recent performances and adaptations; Note on the text; List of characters; The play; Supplementary notes; Textual analysis; Appendixes: 1. Casting Macbeth; 2. Additional text and music; 3. Relineation of the Folio; Reading list.

What People are Saying About This

From the Publisher

"Macbeth is a blast...ghoulish...beguiling...sardonic...an expression of how captivating an evening of crackling Shakespeare can be." — Peter Marks, The Washington Post

"The explosive and overwhelming effect of a truck bomb...this horrific, riveting Macbeth ought to be seen by as many people as possible." — Terry Teachout, The Wall Street Journal

Editorial Reviews

"This updated edition of Macbeth reveals thorough research, it is conscientiously annotated, and it appears a superb tool for researchers and students involved in Shakespeare scholarship."
The Year's Work in English Studies

From the Publisher

Gr 10 Up—Shakespeare's tragedy is brought to life in this studio-recorded full-cast performance starring James Marsters and Joanne Whalley. Marsters's Macbeth is solid, and Whalley turns in a remarkable performance of Lady Macbeth's calculated strength and eventual unraveling. The pacing and delivery of Shakespeare's lines are effective and accurate, and the use of sound to depict setting and action provide the essential cues listeners need. The sound effects and the theatrics of the Weird Sisters are wonderful. Listeners should be familiar with the story prior to listening due to the large number of characters and the lack of stage direction in audio format. A good choice to offer students as a reading companion.—Rebecca Flannery, Lyman Memorial High School, Lebanon, CT

School Library Journal

In one of Shakespeare’s shortest plays, a Scots noble, inspired by witches, murders to become king and then loses himself in brutality. James Marsters and Joanne Whalley, as Macbeth and his Lady, are both quite good, if rarely exciting or remarkable. Whalley hits that mark more often. There are, by turns, some flatness and overacting in the lesser roles. There’s too much forced laughter among the supernumeraries and too much grunting during fights we cannot see. Still, the overall production is effective. Without standout performances, the play takes the lead. The music and sound effects, though occasionally overdone, help build a sense of dread and things gone very wrong. Text, performances, and sound combine to deliver an affecting tale of tragic horror. W.M. © AudioFile 2011, Portland, Maine

DECEMBER 2011 - AudioFile