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| Gabor Szabo | Primary Artist, Guitar |
| Jon Faddis | Trumpet |
| Bob James | Keyboards, Electric Piano |
| Tom Scott | Lyre, Tenor Saxophone, Lyricon |
| Ralph MacDonald | Percussion |
| George Bohannon | Trombone |
| Eric Gale | Guitar, Keyboards |
| Idris Muhammad | Percussion |
| Louis Johnson | Bass |
| Harvey Mason Sr. | Drums |
| Ian Underwood | Synthesizer |
| George Bohanon | Trombone |
| Bob James | Producer |
| Gabor Szabo | Arranger |
| Gene Lees | Liner Notes |
| Gilbert Kong | Mastering |
| Harvey Mason Sr. | Arranger |
| Richard Mantel | Art Direction |
| Seiji Kaneko | Mastering |
| Joan Decola | Engineer |
Editorial Reviews
All Music Guide - Thom Jurek
Macho is right. This 1975 album is one of the headiest in the Hungarian-born guitarist Gabor Szabo's entire catalog. Produced by Bob James, the album is deep in fretless Fender basslines courtesy of Louis Johnson, funky Rhodes pianos and synthesizers from James and former Mother of Invention Ian Underwood, guitar savvy from Szabo with Eric Gale on rhythm, and a horn section that features no less than George Bohanon, Jon Faddis, and Tom Scott, with the venerable Harvey Mason Sr. on drums. This is a tough, in-your-face, funky soul-jazz band. Szabo's sense of camp was eternal as he covers, disco-style, Franz Liszt's "Hungarian Rhapsody #2," but slips into the souled-out ...