Madame Bovary's Daughter: A Novel

Madame Bovary's Daughter: A Novel

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by Linda Urbach

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Picking up after the shattering end of Gustave Flaubert’s classic, Madame Bovary, this beguiling novel imagines an answer to the question Whatever happened to Emma Bovary’s orphaned daughter?
One year after her mother’s suicide and just one day after her father’s brokenhearted demise, twelve-year-oldSee more details below


Picking up after the shattering end of Gustave Flaubert’s classic, Madame Bovary, this beguiling novel imagines an answer to the question Whatever happened to Emma Bovary’s orphaned daughter?
One year after her mother’s suicide and just one day after her father’s brokenhearted demise, twelve-year-old Berthe Bovary is sent to live on her grandmother’s impoverished farm. Amid the beauty of the French countryside, Berthe models for the painter Jean-François Millet, but fate has more in store for her than a quiet life of simple pleasures. Berthe’s determination to rise above her mother’s scandalous past will take her from the dangerous cotton mills of Lille to a convent in Rouen to the wealth and glamour of nineteenth-century Paris. There, as an apprentice to famed fashion designer Charles Frederick Worth, Berthe is ushered into the high society of which she once only dreamed. But even as the praise for her couture gowns steadily rises, she still yearns for the one thing her mother never had: the love of someone she loves in return.

Brilliantly integrating one of classic literature’s fictional creations with real historical figures, Madame Bovary’s Daughter is an uncommon coming-of-age tale, a splendid excursion through the rags and the riches of French fashion, and a sweeping novel of poverty and wealth, passion and revenge.

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From the Trade Paperback edition.

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Editorial Reviews

Library Journal
Building from the closing paragraphs of Flaubert's classic Madame Bovary, Urbach follows orphaned Berthe Bovary as she grows into a young woman. Country life with her strict grandmother involves hard work but brings her to the attention of artist Jean-François Millet, who includes her in several paintings of peasant life. After her grandmother's death, Berthe works in a cotton mill, where she meets Hélène, whose talent for theft boosts her income but has serious consequences for them both as their paths cross many times. Berthe's beauty draws the notice of the mill owner, Rappelais, who offers her a position in his Paris home. Although she fears his motive might be seduction, she never suspects that his wife would be the seducer. Berthe shares her mother's penchant for romantic speculations, but she also works hard. Thanks to her fashion sense, knowledge of fabrics, and creativity, Berthe becomes indispensable to Rappelais and his designer friend, Charles Worth. VERDICT Urbach, author of two pseudonymous novels, includes lots of details for reading groups to discuss about social class, women's roles, and fashion, while never forgetting to tell a good story. Berthe's success might be improbable, but readers will cheer her all the way. [Library marketing.]—Kathy Piehl, Minnesota State Univ., Mankato

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Chapter 1

Home Sweet Homais

Yonville, 1852

Was any daughter ever cursed with a mother such as hers? A self- centered, social-climbing, materialistic, coldhearted, calculating adulteress. Oh, yes, and she disliked children, too.

Everyone in the village of Yonville and the city of Rouen and all the towns in between knew the story of her mother's disastrous affairs; her wastrel ways; her total disregard for her husband, his reputation, and his finances. And her complete disinterest in Berthe, her only child. It was her mother's friend, Madame Homais, who put it into words for Berthe on the day of her father's funeral. Yes, even at her father's funeral they were still gossiping about her mother, who had poisoned herself almost a year before.

"Your poor, dear mother. She always wanted what she couldn't have," Madame Homais said as she pulled a comb through Berthe's long snarled hair. Berthe hadn't brushed her hair in weeks or possibly even months, ever since her father had fallen ill. "And what she had, she didn't want. As for your papa, all he wanted was just a little of her love. Mon Dieu, what a rat's nest." She untangled the comb from the girl's hair, then gave Berthe a gentle push. "Now go and put on your best dress." Did she know that Berthe only had two dresses to her name? Neither could be described as "best." All the pretty dresses that she had once owned had been sold months before. There was nothing left but the house, and that was going to be auctioned off in an effort to make a small dent in her father's enormous debt.

It was a beautiful spring day. Much too beautiful a day on which to be buried. The bright sun shone down on the small market town. Surrounded by pastureland on one side and the Rieule river on the other, Yonville boasted one main street. Lining the street and the large square were a chemist's shop, a blacksmith's shop, a simple vegetable market, the town hall-designed by a Parisian architect who favored the Greek Revival style-and the almost famous Lion d'Or Inn. On cramped side streets were the residential houses. It was a snug, self-contained little village only twenty-four miles from Rouen.

The entire village attended Charles Bovary's funeral. He had been, after all, the town physician. And beyond that, the villagers had great sympathy for him. He had died quite simply of a broken heart and everyone knew it. Berthe kept her head down so she wouldn't see all the people staring at her with their sad eyes. They just want to see me cry, she thought. But she wouldn't cry. She couldn't cry. On what was supposed to be the saddest day of her life she felt only a paralyzing, numbing fear. She looked down at her hands. Her nails were bitten to the quick and she had never been a nail biter.

She knew that being orphaned was not an unusual situation. How many times had her father told her about the many orphans who littered the land as a result of sickness, war, or the normal hardships of a poverty-stricken life? But Berthe wasn't an ordinary twelve-year-old orphan, as people of the village kept reminding her. She was the progeny of the most scandalous woman who ever lived.

"How will the poor thing make her way in the world?" she heard someone whisper behind her.

"Perhaps, like mother like daughter," said her companion.

"Don't forget her father. He was a decent man, after all."

"Much good that did."

"She has the beginnings of her mother's beauty. That in itself does not bode well."

"She is a strange child. But is it any wonder? With a mother like that?"

Berthe shot a look at the woman. She wanted to scream I'm not a strange child, and tear the hypocritical mourning veil off the woman's head. Where were the reassuring words? Weren't they supposed to tell her everything was going to be fine? She looked around. All she saw was a row of black-clad women-a line of crows shaking their heads in disapproval. Her terror grew. She felt as if she were taking the last steps to her own funeral.

Suddenly she was visited by the image of both her parents' deaths: Her mother from self-administered poison and her father from a self- acknowledged broken heart. She saw her mother in those last moments, her pale waxen features, her eyes covered with a kind of second skin, her mouth, that black poisoned hole sucking in air, and her curled hands picking aimlessly at the sheets. Her father sitting under the oak tree, his head bent, his eyes half open, his jaw unhinged. Dead to the world-and to his only daughter, who had come out to the garden to wake him for a dinner he would never eat.

So strong, so vivid was this image of her dead parents that she felt herself gag. She thought she was going to be sick in front of everybody. Sweat broke out on her forehead and she wiped it away with the back of her hand.

"Stand strong, dear child, it will all be over soon," said Madame Homais, taking her wet hand and squeezing it tight.

After Emma Bovary died her husband spent a fortune on designing and building an elaborate granite mausoleum complete with cherubs and crucifixes. He had even begged money off his good friend Monsieur Homais with the promise that he would repay the loan in a timely fashion. How he was going to do that was a mystery, considering the fact that he had already pawned his instruments and medical books. Monsieur Homais was ignorant of this and assumed that Charles would be back on his feet as soon as his mourning period was over. It was never over.

As they drew nearer to the mausoleum, Monsieur Homais looked up at his friend's final resting place. He shook his head sadly. "This could have been Madame Homais's much-wished-for third bedroom," he muttered to Berthe. It was a good thing his wife had no knowledge of her husband's loan.

The crows continued to rustle their black capes and whisper in all-too- audible tones as Berthe passed by, following her father's coffin.

"She spent all his money on herself," one said.

"And someone else," said another. "Don't forget the Someone Else."

"No one is about to forget that little piece of scandal."

"You know there were two."


"Oh, yes. Do you remember young Monsieur Léon?"

"But he left town."

"He may have left town, but he didn't leave her."


Several women gasped and covered their mouths with their black-gloved hands. Their eyes gleamed in anticipation of hearing more.

Because of the size of the mausoleum, Charles Bovary's coffin could not be placed directly next to his wife's but had to be wedged in at a perpendicular angle at the end of her triple-enclosed casket. The four men who had carried the coffin from the village struggled to fit it in. Thus, Madame Bovary's husband was laid to rest literally at her feet. And given the state of his estate, or the lack thereof, an expensive coffin for him was out of the question. He had been put in the plainest of pine boxes. It made a curious sight: the rough-hewn pine coffin lying at the foot of the lustrous rosewood casket like a humble servant at the feet of his beloved queen. The four pallbearers stepped out, rubbing their sore hands together. Then the Homaises and Berthe squeezed in what little space was left while the rest of the villagers had to make do with paying their respects from outside.

So, Berthe thought, her mother would be housed for eternity in the luxury she had always yearned for. How many years and how much money had she spent stuffing their humble home with the trappings of a much grander establishment? Silk damask armchairs, Chinese screens, crystal candelabras, brass andirons, heavy brocade curtains, a hand-carved prayer kneeler, a graceful four-poster bed. And when her husband occasionally protested, she explained: "We will need these things when we move to the new house."

She held out this vision of a grand dwelling as though it were a reality. Her dream house was based on her one visit as a young bride to the château at Vaubyessard. She described her visit often and in great detail to Berthe. It was her idea of a bedtime story.

"I walked up three flights of marble steps and into the great hall. As I looked up I saw a chandelier hanging from a glass dome. It was made of a million crystals that caught the light and glittered so brightly it hurt my eyes. There was a pink marbled staircase that circled around and up to a gallery. The walls were covered in silk. The air smelled of roses and lilacs."

But in Emma Bovary's mind, it was the effect this splendid château had on its inhabitants that was so magical. The château seemed to transform every person in it.

"They were ordinary men and women but they looked like they were another species altogether. Their hair was more lustrous, their skin had a polish and glow, their smiles were more brilliant. Their happiness was unlike anything I had ever seen before or since. It was being in that house that made them so happy and so beautiful."

Thus, Berthe had grown up with two homes, the slightly shabby lodging they lived in and the luxurious château of her mother's memory. The bills mounted and her mother began to sell off small decorative items before her husband discovered her secret debt. As little by little the house in Yonville grew shabbier, Berthe still had that other more enduring abode of her mother's fantasy. Where there would be no gossip, no suffering the opinion of others, no creditors, no shortage of love, no shortage of beautiful things to buy. And where her mother continued to live in this happy, happy home where no one and nothing could ever hurt her.

Berthe recognized a fairy tale for what it was. She knew her mother had lived much of the time in another world and that her fantasies had created an impenetrable wall around her. On one hand, Berthe deeply resented the stories that separated her mother from their real life. On the other hand, the fairy tales held a magic that was difficult for a little girl to resist.

Her mother's favorite stories came from her beloved books. She spent hours and hours reading, happily lost in the pages of her novels. Every once in a while, she would read aloud. Emma Bovary seemed to require an audience for these recitations. Their maid, Félicité, was of course too busy, and that left Berthe as the most likely candidate.

All of the books had to do with true love, tragic love, unrequited love, doomed lovers, beautiful maidens in distress, gallant heroes coming to their rescue, fainting ladies in perfumed gardens, magnificent mansions, glorious châteaux, bloody battles, hearts won and lost and won again, dastardly villains, and untimely deaths, always in lush surroundings with exquisitely dressed women showing much ivory skin and tall, handsome men on their equally tall and handsome horses. Much later, Emma Bovary acquired a taste for modern novels by the En?glish author Jane Austen. She also adored the stories of Mary, Queen of Scots, and Joan of Arc. Sir Walter Scott was another of her preferred authors. When she read "Lady of the Lake" aloud to Berthe, the rhyming sometimes put her young daughter to sleep.

"Berthe, wake up. I'm coming to the best part."

"But, Maman, it is so long it makes me tired."

"How anyone can sleep through such beauty is beyond me." Her voice took on a faraway tone as she recited:

"A chieftain's daughter seemed the maid;

Her satin snood, her silken plaid,

Her golden brooch, such birth betrayed

And seldom was a snood amid

Such wild luxuriant ringlets hid,

Whose glossy black to shame might bring

The plumage of the raven's wing . . .

"Berthe, I'm not going to waste my breath if you're not going to pay attention. Go away and play with your dolls," she said angrily.

Berthe's sleepy head filled with visions of golden brooches and satin snoods, and she too became entranced with the stories, the romance and the richness, the drama and damsels. But most of all she loved the words. Words read aloud. Words on paper like so many stitches of embroidery. She listened to the words, long and luxurious, perfect as silk thread. She marveled at how a collection of words could create a fantastic story out of nothing.

When her mother left her to play alone (more frequently than not) Berthe created her own fairy tales using herself as the fabled princess. One day she pulled down a lace curtain that was drying on the clothesline behind the cottage and wrapped herself in it. She began humming softly as she paraded up and down the small yard. The sun shone down on her lace-covered head as if bestowing a special blessing. I am the queen of the world. The beautiful queen of the world.

"What in heaven's name are you doing, you wicked girl?" Her mother snatched the curtain from her. "Now Félicité has to wash this all over again!"

It was cold and dark in the mausoleum. Berthe could barely make out the faces of Madame and Monsieur Homais. She could feel the chill of the cement floor through her thin boots. She stared at the two dramatically different caskets. Suddenly she could bear it no longer. She pulled the green velvet covering from her mother's casket and placed it on her father's. Monsieur Homais patted her shoulder.

"Poor fellow. He is the one who should have had the finer coffin. Perhaps we should switch the coffins as well," he said, half in jest.

"Hush, you idiot!" Madame Homais said, hitting him on the arm. Berthe couldn't help but notice the amusement on her face. She was such a strong, warm, comforting woman. Berthe wondered what it would be like to be her daughter. In her mind, she wailed at her mother. How could you do this to Papa? Didn't you know he would die without you? Didn't you care? You have killed everything.

Before she could stop herself, Berthe kicked at the corner of her mother's casket so hard she felt a sharp flash of pain from her foot all the way up to her head. And then the tears came. Hot, angry tears.

"Berthe, shame!" exclaimed Madame Homais.

Her head began to pound and she gasped for breath. For a moment everything went dark and she thought, I must be dying, too. I'm only twelve years old and I'm dying. But she wasn't. She was alive and alone. She missed her parents terribly, for despite themselves they had been the center of her universe.

"Why are you staring at me?" her mother would say as Berthe watched her brush her long black hair. "Go out and play."

"I have no one to play with, Maman." It was true. Even though the Homais children allowed Berthe to tag along with them they never really included her in their secret games.

"Please, find something to amuse yourself. You're big enough to do that."

The days were all the same. Her mother would read in the morning, visit the town square, the shops, and the market in the afternoon, and continue reading until dinner. Most days when her mother went out Berthe would stay home and study her reading and writing with Félicité, or sit in front of the fire and sew. She would spend hours looking out the window, waiting for her father to return from his long days of visiting patients. But when he finally came home he was too tired to even speak to her.

Berthe stumbled forward and caught herself against the wall of the mausoleum. The cold marble was slick with dampness.

"Are you all right?" Monsieur Homais asked, grabbing her arm.

"Of course she's not all right. She's an orphan. She's lost everything," said Madame Homais.

"Shhhh," he said to his wife.

"Mon Dieu, it's not as if she doesn't know."

Berthe wished she had died first, a painless but pitiful death. She pictured her own funeral. So young, so sad. She imagined her parents sobbing, clinging to each other in their grief. Our only daughter. Gone. If only we could have a second chance to show her how much we adored her. This is God's punishment for a life of selfishness. Oh, Berthe, our beloved baby girl. And in this, her funeral fantasy, she would rise up from her coffin (exquisite but practical mahogany with solid gold fittings) and her parents would cry with joy and gratitude and vow never again to take their precious daughter for granted. And Berthe would forgive them everything.

From the Trade Paperback edition.

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