Made in California: Art, Image, and Identity, 1900-2000

Made in California: Art, Image, and Identity, 1900-2000

by Stephanie Barron
     
 

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This volume, published in conjunction with the Los Angeles County Museum of Art's monumental exhibition Made in California: Art, Image, and Identity, 1900-2000, charts the relationship between the arts and popular conceptions of California in the twentieth century. Made in California challenges us to reexamine the ways in which the state has been envisioned and…  See more details below

Overview

This volume, published in conjunction with the Los Angeles County Museum of Art's monumental exhibition Made in California: Art, Image, and Identity, 1900-2000, charts the relationship between the arts and popular conceptions of California in the twentieth century. Made in California challenges us to reexamine the ways in which the state has been envisioned and portrayed. Unusually inclusive, visually intriguing, and beautifully produced, Made in California will appeal to anyone who has lived in, visited, or imagined California." "Drawn from the exhibition, which encompasses more than 1,200 examples of art and ephemera from many public and private collections, Made in California is an image-driven look at the past century featuring more than 400 reproductions of works in a range of media, from painting, sculpture, prints, drawings, and photographs to furniture, fashion, and film. The book also includes images of more than 150 cultural artifacts such as tourist brochures, posters, labor pamphlets, and periodicals that convey the richness and complexity of twentieth-century California. Arranged by theme, these works of art and ephemera take us on a visual tour of a state promoted by boosters early in the century, as a glamour capital by Hollywood in the 1920s and 1930s, as a suburban utopia in the late 1940s and 1950s, as a haven for counterculture in the 1960s and 1970s, and as a new multicultural frontier in the 1980s and 1990s." "Made in California is divided into five twenty-year sections, each including a narrative essay discussing the history of that era and highlighting topics relevant to its visual culture.

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Editorial Reviews

San Jose Mercury News
"A gorgeous, expansive volume. Featuring more than 400 beautifully reproduced works and many provocative essays, this is a riveting look at California's social history.
Library Journal
One of the most ambitious art shows the Los Angeles County Museum of Art has ever mounted, the recent "Made in California: Art, Image and Identity 1900-2000" came with all the marketing trimmings, such as mugs, mouse pads, and a music CD (predictably containing tracks like "Valley Girl" and "California Dreamin' "). The two books that accompany the exhibition stand out, however, as especially edifying adornments to the marquee. Each book in its own way addresses the question, "What contribution has California made to the world's visual culture in the last 100 years?" The catalog presents more than 500 illustrations documenting the largest art exhibition ever mounted surveying California art and culture, a show comprising over 1200 examples of art and ephemera in a wide range of media. Opening with the words "Which California? Whose California?" the book demonstrates that the Golden State's image is of a contested Eden. Apart from being the capital of the film and television industries (a fact underemphasized in this catalog), the state has become identified with several iconographic threads that are herein extensively and entertainingly illustrated. The exhibition has come under blistering criticism for ignoring aesthetic considerations while epitomizing a trend among curators to blur the boundaries between artworks and historical artifacts. While at times this tendency results in the sublime sitting next to the ridiculous (e.g., a Frida Kahlo masterpiece shares space with a 1940s model wearing a sombrero-themed swimsuit), we also see outstanding art within a historic and geographic context from which it ordinarily is quite divorced. Also, a show this size inevitably exposes the works of lesser-known artists. Thus, along with the de rigueur Diebenkorns and Ansel Adams, we are treated to the work of countless other, lesser-known artists such as John Marshall Gamble and Enrique Chagoya, to name two separated by almost a century. Reading California collects 19 scholars' descriptions of different aspects of California's cultural identity, viewing each as elements of larger mythical notions of the state. The individual authors cover a broad range of topics, from the birth of auto tourism to "Beat Art." Most interesting are an essay by state librarian Kevin Starr describing the seminal influence of Angelino historian Carey McWilliams upon the state's self-image, a telling analysis of the important role played by art schools in fostering culture, and Peter Selz's succinct study of West Coast political art. This erudite composite history is recommended for academic and large public libraries; the fine catalog to this important exhibition is highly recommended for all collections. Douglas F. Smith, Oakland P.L., CA Copyright 2001 Cahners Business Information.

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Product Details

ISBN-13:
9780520227651
Publisher:
University of California Press
Publication date:
11/30/2000
Edition description:
New Edition
Pages:
351
Product dimensions:
9.50(w) x 12.00(h) x 1.25(d)

Meet the Author

Stephanie Barron is Senior Curator of Modern and Contemporary Art and Vice President of Education and Public Programs at the Los Angeles County Museum of Art. Sheri Bernstein is Exhibition Associate. Ilene Susan Fort is Curator of American Art. Howard N. Fox is Curator of Contemporary Art. Michael Dear is Director of the University of Southern California's Southern California Studies Center and author most recently of The Postmodern Urban Condition (2000). Richard Rodriguez is author of Days of Obligation (1992) and Hunger of Memory (1982), and is a frequent contributor to Harper's,The New York Times,and The News Hour on PBS.

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