Madeline and the Old House in Paris

Madeline and the Old House in Paris

4.0 1
by John Bemelmans Marciano
     
 

Madeline and her favorite companion in mischief, Pepito, embark on their wildest adventure yet. When ghostly moans lead them to the attic of the old house in Paris, they discover Felix de La Morte, who has lingered there for hundreds of years, waiting for the return of a certain comet. With the comet due to return the very next day, the poor fellow’s

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Overview

Madeline and her favorite companion in mischief, Pepito, embark on their wildest adventure yet. When ghostly moans lead them to the attic of the old house in Paris, they discover Felix de La Morte, who has lingered there for hundreds of years, waiting for the return of a certain comet. With the comet due to return the very next day, the poor fellow’s telescope has been stolen by mean Lord Cucuface, and it is up to Madeline and Pepito to get it back. A nighttime trip across Paris, a midnight apparition, and all is happily resolved in time for the three new friends to view the comet on a starry night.

Editorial Reviews

Publishers Weekly
08/26/2013
In Marciano’s third Madeline title, he resurrects the mischievous character of Pepito, the son of the Spanish Ambassador who first appeared in Ludwig Bemelmans’s Madeline and the Bad Hat. It turns out that a ghost haunts the vine-covered Parisian house that Madeline, Miss Clavel, and the other girls inhabit—it’s that of the scientifically accomplished man who originally built the dwelling. With a rare comet approaching, Madeline and Pepito conspire to help the ghost rest in peace. Marciano does a fine job of replicating the mood, spirit, and look of his grandfather’s much-admired books, while emphasizing themes of mischief and justice in this outing. Ages 3–5. Agent: Jill Grinberg, Jill Grinberg Literary Management. (Oct.)
From the Publisher
Madeline’s Rescue received the Caldecott Medal; Madeline was a Caldecott Honor Book.

Praise for MADELINE AND THE OLD HOUSE IN PARIS:

"Marciano does a fine job of replicating the mood, spirit, and look of his grandfather’s much-admired books"—Publishers Weekly

School Library Journal
09/01/2013
K-Gr 2—Madeline and her friend Pepito come to the aid of a sad spirit in this offering from Bemelmans's grandson. Ghoulish groans of "Woo-hoo" from the attic make the orphans and Pepito cry "Boohoo," but Madeline heads off to investigate and says, "Pooh-pooh" when confronted with the apparition of Felix de Lamorte. The former astronomer, who has been waiting 221 years for the return of a comet so he may rest in peace, is devastated because his telescope has been stolen by the head of the school. In ghostly disguise, Madeline and Pepito pay the thief a midnight visit: "Awake! Awake! Lord Cucuface!/and save yourself from foul disgrace!/You've crossed a line that's awfully fine/by taking what is rightly mine." Marciano's full-color illustrations faithfully recreate such iconic images as Miss Clavel and "twelve little girls in two straight lines." The background scenes feature Parisian chateaus and the Seine. Although the rhyming text lacks the accomplished flair of the original books, Madeline's fans will enjoy her adventures.—Linda Ludke, London Public Library, Ontario, Canada
Kirkus Reviews
Much-beloved and as spirited as ever, Madeline is back in Paris to help out a miserable ghost and create a scare of her own intended for the school's headmaster. Marciano (Madeline at the White House, 2011) continues his series of sequels to his grandfather's original works. With gouache, pen and ink, he closely duplicates the style of the classic titles and even includes a number of pages executed in black on yellow. The rhythm of the rhyming text is also reminiscent, as when the action begins with an unexpected visitor: "One afternoon at a quarter past five, / a long black car pulled into the drive." It's Lord Cucuface, who conducts an inspection of the premises and discovers a "most / splendid telescope," which he promptly takes with him. But in the middle of that night, Madeline hears moaning and groaning. It's the ghost of an astronomer, who needs the telescope back in time to observe a comet he's been waiting 221 years to see so that he can rest in peace. The kids help Madeline and Pepito pull off a clever trick that involves a convincing costume and a bit of dramatic theater. Of course Lord Cucuface is scared silly, so that by the final page, "a girl and a boy and a ghost were peeping / at a rare and brilliant sight, / a comet streaking through the night." Encore, Madeline! (Picture book. 4-8)

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Product Details

ISBN-13:
9780670784851
Publisher:
Penguin Young Readers Group
Publication date:
10/08/2013
Series:
Madeline Series
Pages:
48
Sales rank:
326,559
Product dimensions:
9.10(w) x 12.30(h) x 0.38(d)
Age Range:
3 - 5 Years

What People are saying about this

From the Publisher
Praise for MADELINE AND THE OLD HOUSE IN PARIS:

"Marciano does a fine job of replicating the mood, spirit, and look of his grandfather’s much-admired books"—Publishers Weekly

Meet the Author

John Bemelmans Marciano is the grandson of Ludwig Bemelmans, creator of the Madeline books. John has written and illustrated four books about Madeline, carrying on his grandfather’s legacy. John, his wife Andromache, and their daughter Galatea live in Brooklyn, New York.

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Madeline and the Old House in Paris 4 out of 5 based on 0 ratings. 1 reviews.
CatsInSpace More than 1 year ago
I recently attended a wonderful yearly event, the Princeton Children’s Book Festival. This is a day when over 50 authors and illustrators come to Princeton, NJ and sit outside the library at tables with big stacks of their books just waiting to be signed for eager children (and adults). While maneuvering through the crowds, which seem to get bigger every year, a Madeline book caught my eye. I grew up reading about the French orphan and her many adventures, and I thought surely the author isn’t here. He can’t still be alive. Those books were old when I was young. But there was a gentleman sitting at the table in front of several Madeline books, so while he chatted with a child and parent, I picked a book up and flipped to the “about the author” portion on the back flap. Here I read that this man, John Bemelmans Marciano, is grandson to Madeline’s original creator, Ludwig Bemelmans, and “carries on the Madeline legacy.” So I purchased a copy of Madeline and the Old House in Paris and thought I’d see how it compared to the Madeline stories I knew and loved.  Marciano has used the familiar characters, including the titular Madeline, Miss Clavel, and neighbor boy Pepito. In this story, the head of the school where Madeline lives (“the old house in Paris” referred to in the title), Lord Cucuface, comes to visit and takes a telescope he finds in the attic. Later that night, awakened by a strange noise, Madeline leads her classmates back to the attic and finds a ghost. The ghost reveals himself to be Felix de Lamorte, and the telescope Lord Cucuface took belongs to him. He needs it back so he can witness a comet that only comes every 221 years. Madeline and Pepito devise a plan to scare Lord Cucuface and return Lamorte’s telescope to its rightful owner in time to see the comet. I enjoyed having a new Madeline adventure to read and was pleased with Marciano’s creation. His artwork is very similar to Bemelmans’, including some illustrations entirely in yellow, black, and white. He uses the same rhyming style in his text, and it reads well. Reading this book put a smile on my face as I recognized the rhythm and characters of my childhood. Though the story involves a ghost, he is not in the least bit scary, and I doubt that young children will be frightened by this book. Fans of Madeline should welcome this and the other new stories Marciano has lovingly created.